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Grateful Dead 03/25/72
Academy of Music, New York, NY
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Set I
Hey Bo Diddley*-> I'm A Man*-> Jam*-> Take It Off*-> Mona*, Wow Wow Hey Hey*, Slow Blues*, Pollution*, Eighteen Children*, Jam*, Jam*
Set II
How Sweet It Is, Are You Lonely For Me, Next Time You See Me, Brown Eyed Women, Smokestack Lightning, Sitting On Top Of The World, Sugaree, Looks Like Rain, Bertha, Mr. Charlie, Playin' In The Band, Good Lovin', Turn On Your Love Light
Set III
 
Comment
*w/ Bo Diddley; Hell's Angels party; Other artist on bill: Bo Diddley
Last Changed By Hamilton, Greg & Diana
Sources
(8838) View Source    View Archive
AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute
(22094) View Source    View Archive
Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated
(100352) View Source    View Archive
flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09
(133592) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
(133593) View Source    View Archive
flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
(136684) View Source    View Archive
flac16; Source: sbd > master reel > dat (48k)
(137695) View Source    View Archive
flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick
(137696) View Source    View Archive
flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
mike (0/0) SHN / 2 View  
michele mintling (0/5) SHN / 2 View 8838
gdarcher (0/0) 2 shn / 0 View 8838 AUD composite, see source info below.
gdarcher (0/0) 2 shn / 0 View 8838 AUD composite, see source info below.
Notes: w/ Bo Diddley
Tony Gardner (0/5) shn / 2 View 8838
Mike Snider (0/0) / 0 View 8838
BLeetree (0/0) SHN / 0 View 8838
DeadVines (0/0) SHN / 0 View 8838
1972 Guy (0/0) / 0 View  
David Francis (0/4.7) SHN / 2 View 8838
Notes: AUD
PAUL F (0/5) CD-R / 1 View  
Notes: SEE DEADLISTS.COM
John Whalen (0/0) / 0 View 8838
Havanos (0/0) cdr / 2 A C/D View   AUD composite
Notes: sound varies from bad to worse set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. Jam (d1t11) 0:37 and 0:40 tape cuts. set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. Smokestack Lightning 11:40 through 12:08 spliced in from source B. ... there are doubtlessly more of these unavoidable anomalies. A few "pause button" cracklings have been smoothed.
Holden Oversoul (0/0) / 0 View