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Grateful Dead 11/01/85
Richmond Coliseum, Richmond, VA
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Set I
Dancin' In The Streets->
Cold Rain & Snow
Little Red Rooster
Stagger Lee
Me & My Uncle
Big River
Brown Eyed Women
Jack Straw->
Don't Ease Me In
Set II
Samson & Delilah
High Time
He's Gone->
Spoonful->
Comes A Time->
Lost Sailor->
Drums->
Space->
Saint Of Circumstance->
Gimme Some Lovin'->
She Belongs To Me->
Gloria

Encore: Day Job
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(379) View Source    View Archive
Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- go buy it
(9217) View Source    View Archive
Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that
(20416) View Source    View Archive
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
(32709) View Source    View Archive
Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN
(34558) View Source    View Archive
DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by [email protected]
(91179) View Source    View Archive
flac16; MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue.
(96194) View Source    View Archive
flac16; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008
(96195) View Source    View Archive
flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008
(97646) View Source    View Archive
flac24; source: aud cassette master beyer m88's>sony d5, tdk ma-r90's taped by Rob Berger lineage: nak dragon>hd-p2 24/48>adobe>cd wave>flac transferred & seeded by Rob Berger
(126321) View Source    View Archive
flac24; source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(134977) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin
(134978) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin
(134979) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
Gary Field (1/5) SHN / 2 View 20416 AUD
Notes: Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers
Gary Field (1/5) SHN / 2 View 379 SBD
Notes: Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN
Gary Field (1/5) 126321 / 5 View 126321 AUD
Notes: flac24; source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit [140118.wd002]
Gary Field (1/5) SHN / 2 View 32709 AUD
Notes: Sorce: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN [060320.1]
Gary Field (1/5) FLAC / 2 View 32709 AUD
Notes: Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) (different deck) > Marantz Intergrated Stereo Amp MP-68 (pass-thru) > SB Audigy4 (in New P4 machine) > Sound Forge normalization > WAV > CDWave > WAVs > Flac Frontend (level 8) > flac (retransfer version) [061011.1]
Gary Field (1/5) 97646 / 3 View 97646 AUD
Notes: flac24; source: aud cassette master beyer m88's>sony d5, tdk ma-r90's taped by Rob Berger lineage: nak dragon>hd-p2 24/48>adobe>cd wave>flac [090328.1]
Gary Field (1/5) 34558 / 2 View 34558 DTS 5.1 Audio
Notes: DTS-Audio-CD 5.1; SBD (Set 1: SBD > ? > DAT > CDR (likely a cassette master) Set 2: SBD > PCM > DAT > CDR) & AUD (FOB: Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [071209.2]
Gary Field (1/5) 91179 / 2 View 91179 AUD
Notes: MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski [080421.1]
Gary Field (1/5) 96195 / 5 View 96195 AUD
Notes: flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky [081211.1]
Gary Field (1/5) 96194 / 2 View 96194 AUD
Notes: Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky [081211.1]
Gary Field (1/5) / 0 View  
Marc Deardorff (1/5) shn / 2 View 9217
Notes: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
Marc Deardorff (1/5) shn / 2 View 379
Notes: Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN
Marc Deardorff (1/5) shn / 2 View 32709
Notes: Sorce: Unknown shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN
Marc Deardorff (1/5) shn / 2 View 20416
Notes: Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
Marc Deardorff (1/5) DTS Audio / 2 View 34558
Notes: DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by [email protected]
Marc Deardorff (1/5) flac / 2 View 91179
Notes: MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue.
Marc Deardorff (1/5) flac24 / 3 View 97646
Notes: flac24; source: aud cassette master beyer m88's>sony d5, tdk ma-r90's taped by Rob Berger lineage: nak dragon>hd-p2 24/48>adobe>cd wave>flac transferred & seeded by Rob Berger
phil (1/5) shn / 0 b View 379 sbd>?>cd
Notes: now available as DICKS PICKS
Boedi-taper (1/4.8) CDR / 1 A+ A View   Audience Recording
Notes: Audience Recording.My disc is 2nd set only.
Brian C (1/4.7) CDR / 3 A A View   DP 21
Notes: DP 21; NOT FOR TRADE
mike (1/5) DVD / 1 View   Partial Set 2 Brokedown House
Notes: Source Video MAC (unknown generation vhs)> JVC SR-V1OU> Canopus ACDVio Capture card> Ulead Videostudio version 7> DVD Audio Unknown Soundboard Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Adobe Audition along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie steaching or shrinking) to the length of these segment(s) was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to creating the master dvd. The video was captured at 720x480 resolution (DVD) at 6000bits/sec to create the original mpeg2 file. Takes (1) dvd. I did not make a vcd. The video on this dvd is not the best, but the audio is one of the crispest soundboards that it has been my pleasure to hear. Audio/ Video Flaws: 1) The first 8.983 seconds of the start of He’s Gone were added from the sbd soundtrack to give a better lead in with graphics added. 2) During Comes a Time, 0.033 seconds was missing from the video. Used the sbd soundtrack with graphics added. 3) During the Drums, 7 minutes 54.767 seconds were missing from the video. Used the sbd soundtrack with graphics added. 4) The first 10.467 seconds of the start of Day Job were added from the sbd soundtrack to give a better lead in with graphics added. 5) No other flaws noted during the end of the 2nd Set Brokedown House Productions Original vhs cassette supplied by Nick Brush Video Capture and Conversion by Kevin Tobin Audio cds provided with thanks by Lisa Biasi Audio SBD imported and synced by Kevin Tobin. DVD layout and mastering performed by Kevin Tobin.
mike (1/5) DVD / 2 View  
Notes: Partial fuzzy clip from 1st set and all of 2nd set by Brokedown House Production - never seeded but audio provided by Lisa Biasi rocks. Dvd1 Stagger Lee Me & My Uncle> Big River Brown-eyed Women Jack Straw> Don't Ease Me In SetII Samson & Delilah HighTime Dvd2 He's Gone> Spoonful> Comes a Time> Lost Sailor> Drums> Space> Saint of Circumstance> Gimme Some Lovin'> She Belongs to Me> Gloria Enc: Day Job Video Source: Sourced from the Sneakerface Vault Mid Generation Video > DVD Recorder > BHP Audio Info: SBD CDs supplied by Lisa Biasa (No Shnid) I had notes on this but lost them as I never thought I would seed this - found the rest of video and finished up .... sounds too good not to release so if you want take it at your own risk. Notes -Video assets courtesy of Sneakerface -SBD torrented sent to me by Lisa Biasi - EAC at 100% used to extract - this sbd has never been seeded. -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches created with Ulead VideoStudio 11 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin. -DVD authoring via DVD Architect 5.2 by Kevin Tobin. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : 8.000 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video
J (1/5) DVD9 / 2 View   Video: AUD (Tripod) > Master / Audio: SBD
thegreatdivide6 (1/0) DVD / 0 View  
Notes: DVD, sbd
Hanf (1/5) Shn / 0 View 9217
Hanf (1/5) Shn / 0 View 379
Kaz (1/5) CD-R / 3 View  
x poordevil (1/5) dvd shn / 1 View 379 sbd
x poordevil (1/5) DVD DP21 / 1 View