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Grateful Dead 05/07/77
Boston Garden, Boston, MA
Set I
Bertha, Cassidy, Deal, Jack Straw, Peggy-O, Minglewood Blues, Mississippi Half Step-> Big River, Tennessee Jed, The Music Never Stopped
Set II
Terrapin Station-> Samson & Delilah, Friend Of The Devil, Estimated Prophet, Eyes Of The World-> Drums-> The Wheel-> Wharf Rat-> Around & Around, E: U.S. Blues
Set III
 
Comment
 
Last Changed By Hamilton, Greg & Diana
Sources
(262) View Source    View Archive
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)
(6021) View Source    View Archive
Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing
(26085) View Source    View Archive
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
(26361) View Source    View Archive
Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
(88525) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(124619) View Source    View Archive
flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Jeff Williams (4/0) FLAC / 3 View 88525 SBD
chris carter (4/5) shn/2 / 3 View 26361 sdbd
chris carter (4/5) flac/2 / 3 View 88525 sdbd
Ray D (4/4.9) cdr / 3 View  
markwish (4/5) shn / 2 View 262 SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN
roholava (4/5) cdr / 3 A A View  
Ruben (4/5) CD-R/SHN / 2 View 26361 SBD
Notes: Soundboard Recording Digital encoding and DBX decoding by Rob Eaton CD editing and mastering by The Wizard - [email protected] Here is how Rob did his part: Master 1/2 trk 7" reels @7.5ips (DBX encoded)-> PCM beta digital->Sony 2500 dat-> DB Technologies DB3000S for digital emphisis decode-> DB Technologies 924 for D->A conversion-> Dolby 361 modules W/K9-22 DBX cards for DBX decode-> Neve Capricorn Digital mixing colsole (24 bit/ 32bit floating point processing (for level adjustment)-> Panasonic SV4100 Pro Dat recorder (master Decode Dat)-> Master Clone (panasonic Sv3700->Sv3800 via AES interlink) Here is what the Wiz did: Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE> Diamond Cut Audio DC-6 (for editing)>WAVE>CD and SHN. Here is what was used for the AUD patches: AudMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner - November, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for normalizing and editing. Note: US Blues encore from an unknown SBD source. DBX reel source was unusable. Summary of editing: Rob's decode was masterful and made my job easy. Nothing was done to the sound of the DBX decoded material. Just cleaned up a few issues and made AUD patches. Cut after Peggy-O cleaned up - Aud source cut there also so no patch available... Over the top guitar chord at start of Half-Step toned down a bit to save ears... Two small gliches in Half-Step repaired. Cut in Tuning after Tennessee Jed patched with AUD source. Two small pops in Music corrected. Tuning at start of Set Two patched from AUD source. Small glich in Estimated repaired Cut in Tuning after Estimated patched with AUD source. Pop in Wharf Rat corrected. Cut in Around and Around patched with AUD source. Cut in Crowd before encore patched from AUD source. About 10 bad pops removed from US Blues and it was Equalized and gain adjusted to better match up with the rest. All AUD patches were sonically adjusted to better match up and cross-faded in to prevent a jarring change.
jimcampbell (4/5) CDR / 3 View   sbd>BettyReels>PCM>DAT>SGI
CJ (4/0) CDR / 3 A View  
Northstarr (4/5) shn / 2 View 6021
ingram (4/4.8) flac / 3 View   AudMC > DAT > Soundforge > CDWAV > FLAC
Michael Hughey (4/0) shn / 2 View 26361
Michael Hughey (4/0) shn / 2 View 26085
Michael Hughey (4/0) flac / 3 View 88525
Mike L. (4/4.9) CDR / 3 A+ A View 262 SBD
Thom Mann (4/1) CDR / 3 A View 26085
matt feltz (4/5) CDR / 3 A A View  
Notes: Betty Board
Zeke Phillips (4/4.3) shn / 2 View 262 SBD
Jameson (4/4.9) CDR / 3 A+ A+ View  
Notes: yum
Jameson (4/4.9) shn / 2 A+ View 262 SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN
Jameson (4/4.9) shn / 2 A+ View 26085 SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode >...
eddie green (4/0) flac16 / 3 View 88525 88525
Mac (4/5) SHN / 3 View 26361 Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing>...
Notes: Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley
Charles Wier (4/5) SHN / 3 View 262
Charles Wier (4/5) SHN / 3 View 26085
Jeff (4/5) CDR / 3 A A View   SBD
bob (4/5) cdr / 3 View  
Yojimbo_ (4/0) / 0 View   SBD
Adam Olsen (4/5) cdr / 3 View   sbd
goodwin (4/5) CD-R / 3 A A+ View 262
Notes: SBD