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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Gary Field (1/5) | 90242 / 6 | View | 90242 | AUD | ||
Notes: | flac24/96; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci [080303.2] | |||||
Gary Field (1/5) | SHN / 2 | View | 7892 | AUD | ||
Notes: | Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt) | |||||
Gary Field (1/5) | FLAC / 2 | View | 85820 | AUD | ||
Notes: | Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 [070618.1] | |||||
Gary Field (1/5) | FLAC / 2 | View | 25243 | AUD | ||
Notes: | Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend) | |||||
Gary Field (1/5) | SHN / 2 | View | 8482 | SBD | ||
Notes: | Lineage: Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC SBE fix of SHN ID 369 | |||||
Gary Field (1/5) | SHN / 2 | View | 17350 | SBD | ||
Notes: | Lineage: Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC | |||||
Gary Field (1/5) | SHN / 2 | View | 32596 | AUD | ||
Notes: | Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN [060320.1] | |||||
Gary Field (1/5) | SHN / 2 | View | 34164 | AUD | ||
Notes: | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Linage: MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHN; retransfer of SHN ID 32596 [060426.1] | |||||
Gary Field (1/5) | SHN / 2 | View | 32596 | AUD | ||
Notes: | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC); MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN (this is the retransfer) [060822.1] | |||||
Gary Field (1/5) | FLAC / 2 | View | 32596 | AUD | ||
Notes: | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) (different deck) > Marantz Intergrated Stereo Amp MP-68 (pass-thru) > SB Audigy4 (in New P4 machine) > Sound Forge 5.0 normalization > WAV > CDWave > WAVs > Flac Frontend (level 8) > flac (this is the 2nd re-transfer) [061030.1] | |||||
Gary Field (1/5) | FLAC / 2 | View | 79649 | AUD | ||
Notes: | Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci [061106.5] | |||||
Gary Field (1/5) | FLAC / 2 | View | 83465 | AUD | ||
Notes: | Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8) [070330.2] | |||||
Gary Field (1/5) | FLAC / 6 | View | 85993 | AUD | ||
Notes: | flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 [070703.1] | |||||
Gary Field (1/5) | 16581 / 1 | View | 16581 | SBD | ||
Notes: | D3 only; Oade Patched version of the previous SBD source: source id 8482 [081016.1] | |||||
Gary Field (1/5) | 94681 / 2 | View | 94681 | MTX | ||
Notes: | Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) [081011.2] | |||||
Gary Field (1/5) | 96421 / 2 | View | 96421 | SBD | ||
Notes: | Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD [090108.2] | |||||
Gary Field (1/5) | 101283 / 2 | View | 101283 | AUD | ||
Notes: | Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 [090921.2] | |||||
Gary Field (1/5) | 118988 / 2 | View | 118988 | AUD | ||
Notes: | Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files [120315.wd001] | |||||
Gary Field (1/5) | 126180 / 5 | View | 126180 | AUD | ||
Notes: | flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit [131208.wd002] | |||||
Marc Deardorff (1/5) | shn / 2 | View | 17350 | |||
Notes: | Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn | |||||
Marc Deardorff (1/5) | flac / 2 | View | 25243 | |||
Notes: | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac | |||||
Marc Deardorff (1/5) | shn / 2 | View | 34164 | |||
Notes: | This is a re-record of shnid=32596 Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization. | |||||
Marc Deardorff (1/5) | shn / 2 | View | 8482 | |||
Notes: | Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man | |||||
Marc Deardorff (1/5) | shn / 2 | View | 32596 | |||
Notes: | Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand | |||||
Marc Deardorff (1/5) | flac / 2 | View | 79649 | |||
Notes: | Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 | |||||
Marc Deardorff (1/5) | flac24/96 / 1 | View | 85993 | |||
Notes: | flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 | |||||
Marc Deardorff (1/5) | flac / 2 | View | 83465 | |||
Notes: | FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner | |||||
Marc Deardorff (1/5) | flac / 2 | View | 85820 | |||
Notes: | Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke | |||||
Marc Deardorff (1/5) | flac / 2 | View | 94681 | |||
Notes: | Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | |||||
Marc Deardorff (1/5) | shn / 1 | View | 16581 | |||
Notes: | D3 only; Oade Patched version of previous SBD shn set by Sean Cribbs; upgrade in circulation |