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Neil Young 05/16/74
The Bottom Line, New York, NY
Set I
Citizen Kane Junior Blues (aka Pushed It Over The End)
Long May You Run
Greensleeves
Ambulance Blues
Helpless
Revolution Blues
On The Beach
Roll Another Number
Motion Pictures
Pardon My Heart
Dance Dance Dance
Set II
 
Set III
 
Comment
Solo Acoustic
(Bootlegs: First Plane Outta Here, All Night Long, Citizen Kane Junior Blues, Love Art Blues (1 Track)
Last Changed By Shawnee
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
DudeMan (0/5) CD-R / 1 A- View   DSBD *TAO!!!!!!!
Notes: TAO!!!!!!!
Bill Kuhn (0/0) CDR / 1 TAO View  
Mark Maupin (0/5) cdr / 1 View  
Joe Weiss (0/5) CDR / 1 View  
The Paxman (0/0) cdr / 1 View  
Keith (0/0) cdr / 1 View  
J Hetterly (0/0) CD-R / 1 View  
Bean (0/0) / 0 View  
Michael Mc. (0/5) CDR / 1 View  
Spaz (0/0) 1 / 1 View  
wayland lohr (0/0) cdr / 1 A View  
Notes: good show - great banter with audience
Dan MacNeill (0/5) shn / 1 View  
tensjed (0/5) / 1 View  
Notes: e-41
Andrew Quinn (0/0) SHN / 0 View  
Mark McMahon (0/0) CDR / 1 A A View  
Cortney Mills (0/0) cdr / 1 View  
Bob (0/1) CDR / 1 A+ A- View  
Matt Gardner (0/0) CDR / 1 A B+ View   Sony TC-126
Notes: AUD. My copy sourced from Liberated Boot and is recorded TAO.
Sean (0/0) / 0 A+ View   SBD
_ (0/2.8) 9.7 / 1 9.7 View  
Jon McDonough (0/5) CDR / 1 A A View  
steven forsberg (0/0) cdr / 1 View   Silver Disc>SHN (EAC>MKWCompression Tool)
Jason Gladys (0/0) .shn / 1 View   AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove...
Notes: 05-16-1974, The Bottom Line, New York City, New York Neil Young - vocals, guitar, banjo, keyboards, harmonica Solo Source: AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove TAO gaps)>SHN 1. Pushed It Over The End 2. Long May You Run 3. Greensleeves 4. Ambulance Blues 5. Helpless 6. Revolution Blues 7. On The Beach 8. Roll Another Number 9. Motion Pictures 10. Pardon My Heart 11. Dance, Dance, Dance Filler: 12. For the Turnstiles (studio outtake?) 13. Flying on the Ground is Wrong (12-04-1970, Late Show, Carnegie Hall, NY, NY) Setlist from Sugar Mountain: http://www.cruzio.com/~tah/sugarmtn.html Review from the Old Grey Cat: http://www.geocities.com/%7Eoldgreycat/csny/neilcitizen.htm Citizen Kane Junior Blues captures Neil's 5/16/74 acoustic performance at New York's Bottom Line, along with a pair of additional tracks. In my opinion, the excellent bootleg Rock 'n' Roll Can Never Die, the commercially released Time Fades Away, and Citizen Kane Junior Blues form a trilogy of recorded works that perfectly document the live side of Neil's mid-1970s' "Dark Period" of intense introspection. As such, Citizen Kane Junior Blues (the CD's title comes from Neil's alternate title for "Pushed It Over The End") is essential. With the exception of "Helpless," all of the songs were unreleased at the time of this performance, making for some interesting first impressions by the crowd. Indeed, two songs ("Greensleeves" and "Dance, Dance, Dance," which isn't listed on the label) remain unreleased today; a third, "Pushed It Over the End," was put out as a CSNY 12-inch single in Italy. On The Beach is the backdrop for this recording, with four of its songs performed live and a fifth ("For the Turnstiles") appearing as a low quality recording of what I believe to be the actual studio version (the label doesn't say). Renditions of "Pardon My Heart," "Long May You Run," "Roll Another Number" and "Flying on the Ground Is Wrong" (recorded in a 1970 Carnegie Hall performance) round out the songs. Through the steady clanging of glasses and beer bottles, this unusual, but decent, audience recording conveys the ambience of this intimate venue. In contrast to the heaviness of many of the song lyrics, Neil is extremely light-hearted and talkative, adding a dimension to this CD that is uncommon in Neil's live work. Ironically, if I have a criticism of Citizen Kane Junior Blues, it's that Neil is so relaxed that his performance lacks the intensity that some of these songs demand. That, however, doesn't take the sparkle off this unique gem. (A)
Jason Gladys (0/0) .shn / 1 View   AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove...
Notes: 05-16-1974, The Bottom Line, New York City, New York Neil Young - vocals, guitar, banjo, keyboards, harmonica Solo Source: AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove TAO gaps)>SHN 1. Pushed It Over The End 2. Long May You Run 3. Greensleeves 4. Ambulance Blues 5. Helpless 6. Revolution Blues 7. On The Beach 8. Roll Another Number 9. Motion Pictures 10. Pardon My Heart 11. Dance, Dance, Dance Filler: 12. For the Turnstiles (studio outtake?) 13. Flying on the Ground is Wrong (12-04-1970, Late Show, Carnegie Hall, NY, NY) Setlist from Sugar Mountain: http://www.cruzio.com/~tah/sugarmtn.html Review from the Old Grey Cat: http://www.geocities.com/%7Eoldgreycat/csny/neilcitizen.htm Citizen Kane Junior Blues captures Neil's 5/16/74 acoustic performance at New York's Bottom Line, along with a pair of additional tracks. In my opinion, the excellent bootleg Rock 'n' Roll Can Never Die, the commercially released Time Fades Away, and Citizen Kane Junior Blues form a trilogy of recorded works that perfectly document the live side of Neil's mid-1970s' "Dark Period" of intense introspection. As such, Citizen Kane Junior Blues (the CD's title comes from Neil's alternate title for "Pushed It Over The End") is essential. With the exception of "Helpless," all of the songs were unreleased at the time of this performance, making for some interesting first impressions by the crowd. Indeed, two songs ("Greensleeves" and "Dance, Dance, Dance," which isn't listed on the label) remain unreleased today; a third, "Pushed It Over the End," was put out as a CSNY 12-inch single in Italy. On The Beach is the backdrop for this recording, with four of its songs performed live and a fifth ("For the Turnstiles") appearing as a low quality recording of what I believe to be the actual studio version (the label doesn't say). Renditions of "Pardon My Heart," "Long May You Run," "Roll Another Number" and "Flying on the Ground Is Wrong" (recorded in a 1970 Carnegie Hall performance) round out the songs. Through the steady clanging of glasses and beer bottles, this unusual, but decent, audience recording conveys the ambience of this intimate venue. In contrast to the heaviness of many of the song lyrics, Neil is extremely light-hearted and talkative, adding a dimension to this CD that is uncommon in Neil's live work. Ironically, if I have a criticism of Citizen Kane Junior Blues, it's that Neil is so relaxed that his performance lacks the intensity that some of these songs demand. That, however, doesn't take the sparkle off this unique gem. (A)
Bruce Major (0/5) cdr / 1 9 9 View  
Bruce Major (0/5) cdr / 1 9 9 View  
Bruce Major (0/5) cdr / 1 9 9 View  
Nick Sullivan (0/3) CD-R / 1 View  
Notes: Definate AUD recording that leaves a lot to be desired sonically, some high end hiss and some levels peak but the content of the show more than makes up for it, FWIW.
joe (0/0) CDR / 1 View  
Rachel and Keith Seeger (0/1) cd / 1 A View   Liberated Bootleg, "Citizen Kane Jr. Blues"
Notes: Neil plays most of "On the Beach" during this intimate, solo-acoustic set at the Bottom Line. It's regarded as one of the best Neil shows out there, in part because of the audience and classic Young commentary. Liberated bootleg "Citizen Kane Jr. Blues." Filler: "For The Turnstyles" (unknown 1973 location), "Flying on the Ground is Wrong" (2-5-70, Carnegie Hall)