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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
DudeMan (0/5) | CD-R / 1 | A- | View | DSBD *TAO!!!!!!! | ||
Notes: | TAO!!!!!!! | |||||
Bill Kuhn (0/0) | CDR / 1 | TAO | View | |||
Mark Maupin (0/5) | cdr / 1 | View | ||||
Joe Weiss (0/5) | CDR / 1 | View | ||||
The Paxman (0/0) | cdr / 1 | View | ||||
Keith (0/0) | cdr / 1 | View | ||||
J Hetterly (0/0) | CD-R / 1 | View | ||||
Bean (0/0) | / 0 | View | ||||
Michael Mc. (0/5) | CDR / 1 | View | ||||
Spaz (0/0) | 1 / 1 | View | ||||
wayland lohr (0/0) | cdr / 1 | A | View | |||
Notes: | good show - great banter with audience | |||||
Dan MacNeill (0/5) | shn / 1 | View | ||||
tensjed (0/5) | / 1 | View | ||||
Notes: | e-41 | |||||
Andrew Quinn (0/0) | SHN / 0 | View | ||||
Mark McMahon (0/0) | CDR / 1 | A | A | View | ||
Cortney Mills (0/0) | cdr / 1 | View | ||||
Bob (0/1) | CDR / 1 | A+ | A- | View | ||
Matt Gardner (0/0) | CDR / 1 | A | B+ | View | Sony TC-126 | |
Notes: | AUD. My copy sourced from Liberated Boot and is recorded TAO. | |||||
Sean (0/0) | / 0 | A+ | View | SBD | ||
_ (0/2.8) | 9.7 / 1 | 9.7 | View | |||
Jon McDonough (0/5) | CDR / 1 | A | A | View | ||
steven forsberg (0/0) | cdr / 1 | View | Silver Disc>SHN (EAC>MKWCompression Tool) | |||
Jason Gladys (0/0) | .shn / 1 | View | AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove... | |||
Notes: | 05-16-1974, The Bottom Line, New York City, New York Neil Young - vocals, guitar, banjo, keyboards, harmonica Solo Source: AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove TAO gaps)>SHN 1. Pushed It Over The End 2. Long May You Run 3. Greensleeves 4. Ambulance Blues 5. Helpless 6. Revolution Blues 7. On The Beach 8. Roll Another Number 9. Motion Pictures 10. Pardon My Heart 11. Dance, Dance, Dance Filler: 12. For the Turnstiles (studio outtake?) 13. Flying on the Ground is Wrong (12-04-1970, Late Show, Carnegie Hall, NY, NY) Setlist from Sugar Mountain: http://www.cruzio.com/~tah/sugarmtn.html Review from the Old Grey Cat: http://www.geocities.com/%7Eoldgreycat/csny/neilcitizen.htm Citizen Kane Junior Blues captures Neil's 5/16/74 acoustic performance at New York's Bottom Line, along with a pair of additional tracks. In my opinion, the excellent bootleg Rock 'n' Roll Can Never Die, the commercially released Time Fades Away, and Citizen Kane Junior Blues form a trilogy of recorded works that perfectly document the live side of Neil's mid-1970s' "Dark Period" of intense introspection. As such, Citizen Kane Junior Blues (the CD's title comes from Neil's alternate title for "Pushed It Over The End") is essential. With the exception of "Helpless," all of the songs were unreleased at the time of this performance, making for some interesting first impressions by the crowd. Indeed, two songs ("Greensleeves" and "Dance, Dance, Dance," which isn't listed on the label) remain unreleased today; a third, "Pushed It Over the End," was put out as a CSNY 12-inch single in Italy. On The Beach is the backdrop for this recording, with four of its songs performed live and a fifth ("For the Turnstiles") appearing as a low quality recording of what I believe to be the actual studio version (the label doesn't say). Renditions of "Pardon My Heart," "Long May You Run," "Roll Another Number" and "Flying on the Ground Is Wrong" (recorded in a 1970 Carnegie Hall performance) round out the songs. Through the steady clanging of glasses and beer bottles, this unusual, but decent, audience recording conveys the ambience of this intimate venue. In contrast to the heaviness of many of the song lyrics, Neil is extremely light-hearted and talkative, adding a dimension to this CD that is uncommon in Neil's live work. Ironically, if I have a criticism of Citizen Kane Junior Blues, it's that Neil is so relaxed that his performance lacks the intensity that some of these songs demand. That, however, doesn't take the sparkle off this unique gem. (A) | |||||
Jason Gladys (0/0) | .shn / 1 | View | AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove... | |||
Notes: | 05-16-1974, The Bottom Line, New York City, New York Neil Young - vocals, guitar, banjo, keyboards, harmonica Solo Source: AUD>???>bootleg 'Citizen Kane Jr. Blues'>CD-Rs>EAC>Soundforge (edited to remove TAO gaps)>SHN 1. Pushed It Over The End 2. Long May You Run 3. Greensleeves 4. Ambulance Blues 5. Helpless 6. Revolution Blues 7. On The Beach 8. Roll Another Number 9. Motion Pictures 10. Pardon My Heart 11. Dance, Dance, Dance Filler: 12. For the Turnstiles (studio outtake?) 13. Flying on the Ground is Wrong (12-04-1970, Late Show, Carnegie Hall, NY, NY) Setlist from Sugar Mountain: http://www.cruzio.com/~tah/sugarmtn.html Review from the Old Grey Cat: http://www.geocities.com/%7Eoldgreycat/csny/neilcitizen.htm Citizen Kane Junior Blues captures Neil's 5/16/74 acoustic performance at New York's Bottom Line, along with a pair of additional tracks. In my opinion, the excellent bootleg Rock 'n' Roll Can Never Die, the commercially released Time Fades Away, and Citizen Kane Junior Blues form a trilogy of recorded works that perfectly document the live side of Neil's mid-1970s' "Dark Period" of intense introspection. As such, Citizen Kane Junior Blues (the CD's title comes from Neil's alternate title for "Pushed It Over The End") is essential. With the exception of "Helpless," all of the songs were unreleased at the time of this performance, making for some interesting first impressions by the crowd. Indeed, two songs ("Greensleeves" and "Dance, Dance, Dance," which isn't listed on the label) remain unreleased today; a third, "Pushed It Over the End," was put out as a CSNY 12-inch single in Italy. On The Beach is the backdrop for this recording, with four of its songs performed live and a fifth ("For the Turnstiles") appearing as a low quality recording of what I believe to be the actual studio version (the label doesn't say). Renditions of "Pardon My Heart," "Long May You Run," "Roll Another Number" and "Flying on the Ground Is Wrong" (recorded in a 1970 Carnegie Hall performance) round out the songs. Through the steady clanging of glasses and beer bottles, this unusual, but decent, audience recording conveys the ambience of this intimate venue. In contrast to the heaviness of many of the song lyrics, Neil is extremely light-hearted and talkative, adding a dimension to this CD that is uncommon in Neil's live work. Ironically, if I have a criticism of Citizen Kane Junior Blues, it's that Neil is so relaxed that his performance lacks the intensity that some of these songs demand. That, however, doesn't take the sparkle off this unique gem. (A) | |||||
Bruce Major (0/5) | cdr / 1 | 9 | 9 | View | ||
Bruce Major (0/5) | cdr / 1 | 9 | 9 | View | ||
Bruce Major (0/5) | cdr / 1 | 9 | 9 | View | ||
Nick Sullivan (0/3) | CD-R / 1 | View | ||||
Notes: | Definate AUD recording that leaves a lot to be desired sonically, some high end hiss and some levels peak but the content of the show more than makes up for it, FWIW. | |||||
joe (0/0) | CDR / 1 | View | ||||
Rachel and Keith Seeger (0/1) | cd / 1 | A | View | Liberated Bootleg, "Citizen Kane Jr. Blues" | ||
Notes: | Neil plays most of "On the Beach" during this intimate, solo-acoustic set at the Bottom Line. It's regarded as one of the best Neil shows out there, in part because of the audience and classic Young commentary. Liberated bootleg "Citizen Kane Jr. Blues." Filler: "For The Turnstyles" (unknown 1973 location), "Flying on the Ground is Wrong" (2-5-70, Carnegie Hall) |