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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Chase (0/0) | / 0 | View | ||||
bill stubblebine (0/0) | disc / 3 | View | ||||
tim budd (0/0) | / 0 | View | 4982 | |||
Mark (0/0) | CDR / 3 | A | A | View | unknown | |
Blair (0/0) | / 3 | View | 4982 | |||
Shawn C. (0/0) | CD-R / 3 | A+ | A+ | View | ||
Mike Tyler (0/0) | CDR / 3 | View | ||||
gtrue (0/0) | / 0 | View | ||||
Brandon India (0/0) | CDR / 0 | View | ||||
Brett Skilbred (0/0) | / 0 | View | ||||
daniel (0/0) | / 0 | View | ||||
daniel (0/0) | / 0 | View | ||||
fabreez (0/0) | / 0 | View | ||||
Geoff King (0/0) | SHN / 0 | View | ||||
dave bolles (0/0) | SHN / 2 | View | Betty Board Soundboard sections (all but 47 seconds of the show) | |||
Notes: | WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. > Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES > PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN Audience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD | |||||
jason zeinert (0/3) | shn / 2 | View | ||||
joe avon (0/0) | / 0 | View | ||||
Chris McCloud (0/0) | CDR / 3 | A | A | View | ||
Theresa (0/0) | cd-r / 3 | A | A | View | SBD | |
jacob kosakowski (0/0) | CDR / 3 | View | Rob Eaton Remaster (Betty Board + Sony ECM-990>Sony TC-152) | |||
Notes: | d1-Set I 1. Minglewood Blues> 6:22 2. Loser 8:52 3. El Paso 5:18 4. They Love Each Other 9:12 5. Jack Straw 8:08 6. Deal 7:26 7. Lazy Lighting->Supplication 9:00 8. Brown Eyed Women 6:50 9. Mama Tried 3:05 d2 1. Row Jimmy 13:45 2. Dancin' in the Streets 16:35 Set II 3. intro/Take a Step Back 1:51 4. Scarlet->Fire 25:56 d3 1. Estimated Prophet 9:47 2. tuning 4:51 3. Saint Stephen> 4:58 4. Not Fade Away> 16:22 5. Saint Stephen> 1:53 6. Morning Dew 13:51 7. E: One More Saturday Night 6:11 | |||||
Rupert Picante (0/5) | CDR / 3 | A | View | SBD (Eaton Remaster) | ||
Notes: | Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips> Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT> DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks Disk 1: Set I 1. Minglewood Blues -> (AUD splice provides beginning of track) 2. Loser 3. El Paso 4. They Love Each Other 5. Jack Straw 6. Deal 7. Lazy Lightning -> Supplication (Aud Splice during transition) 8. Brown Eyed Women 9. Mama Tried Disk 2: Set I (continued) 1. Row Jimmy 2. Dancin' In The Streets Set II 3. Take A Step Back/Tuning 4. Scarlet Begonias-> Fire On The Mountain Disk 3: Set II (continued): 1. Estimated Prophet 2. Tuning/Dead Air 3. Saint Stephen-> 4. Not Fade Away-> 5. Saint Stephen-> 6. Morning Dew 7. Encore: Saturday Night Culled from a May 6, 1999 post by Rob Eaton to dnc -- I recently re-decoded 5/5/77 and 5/8/77. I went into Right Track Studios in NYC (my home base studio ) set up in studio B (which is the premier state of the art Digital Music Studio in world). I had clean dat copies (provided by Tim Daulton) that were NOT decoded. I set up a chain consisting of: Panasonic Sv4100 AES out-->DB Technologies 924AD (24bit/96k capability)-->Dolby 361 Modules w/DBX K9-22 cards--> Neve Capricorn 32bit point processing/full 24bit Digital Console-->DB Technologies 122s 24bit/16bit conversion and 44.1k/48k sample rate conversion-->Panasonic Sv4100 Dat AES in. This is State of the Art Tchnology, getting as much of the music that was on the tapes as possible. The thing about DBX that nobody else got is that in order to decode it properly the volume into the decoder has to be exact, otherwise the tapes can be to bass heavy or to bright and compressed. These tapes are absoultly the best possible reproductions of the dig tapes made from the masters (I only wish I had the actual reels so I could do a proper azimuth adjustment on them). | |||||
todd graichen (0/0) | shn / 0 | View | ||||
Notes: | Lineage: Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks Disk 1: Set I 1. Minglewood Blues -> (AUD splice provides beginning of track) 2. Loser 3. El Paso 4. They Love Each Other 5. Jack Straw 6. Deal 7. Lazy Lightning -> Supplication (Aud Splice during transition) 8. Brown Eyed Women 9. Mama Tried Disk 2: Set I (continued) 1. Row Jimmy 2. Dancin' In The Streets Set II 3. Take A Step Back/Tuning 4. Scarlet Begonias-> Fire On The Mountain Disk 3: Set II (continued): 1. Estimated Prophet 2. Tuning/Dead Air 3. Saint Stephen-> 4. Not Fade Away-> 5. Saint Stephen-> 6. Morning Dew 7. Encore: Saturday Night Culled from a May 6, 1999 post by Rob Eaton to dnc -- I recently re-decoded 5/5/77 and 5/8/77. I went into Right Track Studios in NYC (my home base studio ) set up in studio B (which is the premier state of the art Digital Music Studio in world). I had clean dat copies (provided by Tim Daulton) that were NOT decoded. I set up a chain consisting of: Panasonic Sv4100 AES out-->DB Technologies 924AD (24bit/96k capability)-->Dolby 361 Modules w/DBX K9-22 cards-->Neve Capricorn 32bit point processing/full 24bit Digital Console-->DB Technologies 122s 24bit/16bit conversion and 44.1k/48k sample rate conversion-->Panasonic Sv4100 Dat AES in. This is State of the Art Tchnology, getting as much of the music that was on the tapes as possible. The thing about DBX that nobody else got is that in order to decode it properly the volume into the decoder has to be exact, otherwise the tapes can be to bass heavy or to bright and compressed. These tapes are absoultly the best possible reproductions of the dig tapes made from the masters (I only wish I had the actual reels so I could do a proper azimuth adjustment on them). Seeded to etree by darrin ([email protected]) august 2001 | |||||
Peter Caffrey (0/5) | analog / 2 | A | View | daud2 | ||
damon manetta (0/0) | CD / 3 | A | A | View | SBD | |
Notes: | this show is a bootleg CD. (i bought it a long time ago when i was young and stupid.) SBD, excellent quality, no gaps between tracks. | |||||
Joe Bullhead (0/0) | CDR / 3 | A | A | View | 266 | |
Brian Walker (0/5) | SHN / 3 | n/a | View | The Aud-splice version -7 1/2 ips reelsPCM501ESDBX-1PCM501ESFostex D5 @ 48 kHzDATsZA2CDRsEACSHN | ||
Notes: | n/a | |||||
Brian Walker (0/5) | SHN / 3 | View | 7 1/2 ips reels>PCM501ES>DBX-1>PCM501ES>Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN | |||
Notes: | The Aud-splice version | |||||
Jamie Ippolito (0/5) | CDR / 3 | A | A | View | 266 | |
Marcus Keyser (0/0) | CDR / 3 | A+ | B+ | View | ||
Notes: | great sound except for some digi-noise: Minglewood Lazy Lightening Mama Tried | |||||
Chris Bay (0/0) | CDR / 2 | A | A- | View | SBD | |
Notes: | Missing Supplication and Fire on the Mountain. |