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Tool 04/25/92
CBGB's, New York, NY
Set I
Part Of Me
Hush
Crawl Away
Sober
Sweat
Swamp Song
Bottom
Opiate
Jerk-Off
Set II
 
Set III
 
Comment
 
Last Changed By Rob
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Deanna (2/4.9) SHN / 1 A- View   Analog --- Sony ECM-909 > Sony WM-D6
Squagels (2/0) FLAC / 1 View   Sony ECM-909 > Sony WM-D6C > CDR-2 > EAC (Secure) > .WAV > .FLAC
Notes: [ANA-? (Master or 1st) > CDR-2] Tracks don't always flow smoothly.
eggofsatan (2/0) CD / 1 View   Analog --- Sony ECM-909 > Sony WM-D6
Thomas Cantley (2/0) CDR / 1 A View   Sony ECM-909 > Sony WM-D6
Notes: Small cuts at the beginning of 3-4 songs. The cuts are no more than 4 seconds in length, most are about 2. Otherwise this is an excellent early recording.
N/A (2/0) FLAC / 9 View   Analog > Sony ECM-909 > Sony WM-D6
Notes: Source: Unknown
Justin Guenther (2/0) / 0 A+ A- View   ECM-909 > WM-D6
Ben Cruz (2/0) SHN / 1 A A- View   Analog/Sony ECM-909 > Sony WM-D6
Preston Klingler (1/4.9) SHN / 1 A- View   Sony ECM-909 > Sony WM-D6
Notes: A bit distant and some small gaps. A little low on volume as well. Intro to Sober is cut a little bit.
Andrew (1/5) SHN CDR / 1 A A- View   Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN
HD (1/5) FLAC / 1 View   Sony ECM-909 > Sony WM-D6 > ana? > ?? > SHN
Stuart Ferguson (1/4.3) CDR / 1 View   Audience
Notes: DVD 3330; lineage: Sony ECM-909 > Sony WM-D6C. Transfer: 2G CD > EAC (Secure Mode) > .wav > .FLAC
Rob (1/5) CDR / 1 A- View   ECM-909 > WM-D6
Charlie (1/0) / 0 View  
Mike Ezell (1/0) .flac / 1 View  
miky (1/4.8) / 0 View   FLAC/WAV Sony ECM-909
Notes: Notes: Opening for Rollins Band. Tracks don't always flow smoothly.
miky (1/4.8) CDR / 1 View   FLAC/WAV Sony ECM-909
Notes: SEEDER'S Notes: This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create. Notes: There is another version of this show, the same source, which also contains the exact same performance but also has a Quicksand gig from 04.26.92 at the end of Tool's set. That disc has a total time of 80:00 mins. I am not trading that out as I have a feeling doing so would only confuse the situation with this date further down the line. Maynardism: There is no talking this night, if there is, it is cut for some reason
cc (1/2.8) CDR / 1 View   Sony ECM-909 > Sony WM-D6
Notes: from txt file: "This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create."
Eric (1/3.5) SHN / 1 A A View   Analog --- Sony ECM-909 > Sony WM-D6
Notes: Good clear sound
steve (1/0) / 0 View  
Jacob Weber (1/5) CDR / 1 View  
pearlharper (1/5) SHN / 1 View   Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN
Notes: classic TOOL kicks ass no matter what it sounds like
kaptnkrunch (1/5) SHN / 1 A View   Sony ECM-909 > Sony WM-D6
Notes: Very nice quality from one of the oldest tool shows.
John (1/4.3) SHN / 1 View   Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN
Notes: 293MB - 3 way seed
HumanParadox (1/0) / 0 B B View  
Nick J (1/0) CDA / 1 View   Sony ECM-909 > Sony WM-D6
Christopher (1/3) CDR / SHN / 1 A+ A View   AUD Analog
Notes: Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. Awesome show, great recording....wish I had been there! Some minor tape flip cuts, virtually no hiss.
DonSalvatore (0/5) / 0 View   Sony ECM-909 > Sony WM-D6
Notes: Source: Analog --- Sony ECM-909 > Sony WM-D6 Notes: This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create. Notes: There is another version of this show, the same source, which also contains the exact same performance but also has a Quicksand gig from 04.26.92 at the end of Tool's set. That disc has a total time of 80:00 mins. I am not trading that out as I have a feeling doing so would only confuse the situation with this date further down the line. Maynardism: There is no talking this night, if there is, it is cut for some reason Time: 44:53 Setlist: Part Of Me Hush Crawl Away <slight cut, tape flip> Sober <slight cut at intro> Sweat Swamp Song Bottom Opiate <slight cut before song> Jerk-Off
Chris (0/0) FLAC / 1 View   Sony ECM-909 > Sony WM-D6 > 2nd gen CDR > EAC > FLAC
Notes: Tracks don't always flow smoothly.
kevin metzger (0/0) cd-r / 1 View  
Adam Lancaster (0/5) / 1 A A View   Analog --- Sony ECM-909 > Sony WM-D6
Notes: Time: 44:53 1. Part Of Me 2. Hush 3. Crawl Away 4. Sober 5. Sweat 6. Swamp Song 7. Bottom 8. Opiate 9. Jerk-Off