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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Damian (5/5) | CD / 1 | View | ||||
Notes: | "Reeling in the Floyd" volume 6 Floyd Artifacts vine | |||||
Ryan Boone (5/5) | shn / 1 | View | ||||
Notes: | According to the RoIO Database, yet another version of the November 16, 1974 BBC broadcast http://www.pf-roio.de/roio/roio-cd/great_gig_sky.cd.html | |||||
Philip Spencer (5/5) | / 0 | View | Pre-FM Master | |||
Notes: | Time In Wembley 30th Anniversary Edition | |||||
Steve O'Malley (5/5) | FLAC / 2 | View | ||||
Notes: | Pre FM | |||||
Steve O'Malley (5/5) | CDR / 1 | A+ | View | |||
Notes: | "BBC Archives 1974" Harvested Records (HRV CDR 033) | |||||
Torben (5/5) | cd / 1 | A | View | FM | ||
jeff korona (5/0) | cdr / 1 | View | ||||
Hopper (5/5) | CDR / 1 | A | View | |||
Michael Mersand (5/0) | / 0 | View | ||||
Howie (5/4.9) | lossless / 1 | View | PRE-FM MASTER | |||
Jeff Mitchell (5/0) | / 0 | View | ||||
Jeff Mitchell (5/0) | / 0 | View | ||||
Jeff S (5/5) | cd-r / 1 | View | ||||
Waz (5/5) | shn / 2 | A | A | View | ||
Notes: | SBD>?>CD>WAV>SHN. | |||||
Waz (5/5) | shn / 1 | A | A | View | ||
Notes: | Source: PreFM Master (DC - PinkRoIoshn) > Remastered (Adobe Audition 1.5). | |||||
If you smile at me I will understand (5/0) | / 0 | View | ||||
catherine (5/5) | cdr shn / 2 | View | ||||
Notes: | liberated bootleg | |||||
catherine (5/5) | shn 1 / 0 | View | ||||
Notes: | BBc SBD; liberated "Brain Damage" bootleg; also contains The Orb's Trance Remix of WYWH, a must have! Includes the cover art | |||||
sonny gable (5/5) | / 1 | a | View | |||
Notes: | set two only | |||||
Jon Pavuk (5/4.3) | CD-R / 1 | A | A+ | View | ||
Notes: | Digi-Noise on "Breathe" | |||||
Jon Pavuk (5/4.3) | SHN / 1 | A | A+ | View | SBD (BBC broadcast), SHN | |
Jon Pavuk (5/4.3) | SHN / 1 | A | A+ | View | Remastered FM SBD BBC | |
Notes: | Source used was from unknown Gen given to me by a friend I Digitally cleaned and Enhanced with Soundforge 6 Professional I hope you enjoy it | |||||
Jon Pavuk (5/4.3) | SHN / 1 | A+ | A+ | View | SBD + AUD Matrix Mix (60%-SBD/40%-AUD) | |
Notes: | Source Info SBD Pre FM Master Reel (SBD) > DAT > ? > SHN Recorded by BBC Radio One broadcasted on the Alan Freeman Show on 11th January 1975. This is taken from the original pre-broadcast master tapes. AUD Unknow AUD Recording > ? > DAT > SHN This is likely off cassette masters. | |||||
Jon Pavuk (5/4.3) | SHN / 2 | A | A- | View | No Room Upon the Hill>Audience> 1st Generation copy of the master discs | |
Jon Pavuk (5/4.3) | FLAC / 1 | A | A+ | View | ||
Notes: | In the spirit of our previous "BBC Archives" series (after "BBC Archives 1967-1969" and "BBC Archives 1970-1971"), Harvested is proud to finally present "BBC Archives 1974"! In 1974, the BBC taped the second set (The Dark Side On The Moon) and the encore (Echoes) of the Floyd performance at Wembley Empire Pool, on November 16. However, Echoes was never broadcast, and for many years only the DSOTM set was circulating from broadcast sources. In recent years, recordings taken from the BBC pre-FM tapes began to circulate, some of them including the long lost soundboard version of Echoes. However, none of these RoIOs are fully sonically satisfactory in our opinion. Most of them are processed and used some kind of noise reduction, sometimes very slightly (the Sirene releases), and other times more heavily (the Winston remasters, "Time In London") The rare, unprocessed versions currently circulating, like the "FM Pre-Master" Russian bootleg, are pleasant but not without a certain amount of hiss, which reveals that the lineage was not without some generational loss. The hiss from the unprocessed versions available until now is probably one of the reasons why so much NR was used on the various remaster projects. After much research, Harvested found a superior source, totally unprocessed, with much less hiss than the other unprocessed versions circulating until now. A spectral analysis of the audio file showed that this source was very pure and could be the result of direct transfer from the BBC masters. However, it is well known that the BBC mastering of that concert sounds rather dry and flat, especially the DSOTM set and our source was no exception. Therefore, we felt this new source needed the "Harvested treatment," in order to make this recording really shine, with good dynamics. The remastering was done very carefully in an attempt to leave the music intact, avoiding NR, dehissing, or any other processing that would generate artifacts. The majority of the remastering work consisted of adjusting the audio levels, balancing the recording when needed, and bringing more clarity and depth by applying specific EQ settings here and there. The final result sounds great to our ears and this version boasts excellent dynamics and a well defined high end without the flaws present on most of the other sources. This CD is free from all NR artifacts, the amount of hiss is minimal, and the low frequency noise that can be clearly heard on all of the currently circulating versions of Echoes (especially during the quiet parts) is not present here. "BBC Archives 1974" brings you this famous BBC recording in its most complete form (the lines,"I've been mad for f*cking years...," as well as the applause and tuning between Eclipse and Echoes are present), offering the best possible quality for your listening pleasure! " For those of you who'd like to know how this Harvested version compares with other pre-FM RoIOs from the same concert, comparative analysis is detailed here after. Enjoy! The Harvested Team. "BBC 74 Remastered" (Winston Remaster #1) ----------------------------------------- It includes only DSOTM, with the lines "mad for f* years" during Speak To Me. During the loud parts, this remaster sounds really good, however some dynamic NR was used, which affects all the parts where the music is quieter. A typical example can be heard just before David sings the 1st verse of Breathe, or during the lines "home, home again" of Breathe Reprise: there's a sudden drop of clarity, with cymbals muffled, when the level of the music is lower than a certain treshold. This annoying effect is also disturbing during the intro of Time, the second half of TGGITS, the central part of ACYL, the verses of BD, ... Harvested's "BBc Archives 1974" does not have all these artefacts and has a better defined clarity, even during the loud parts. | |||||
Jon Pavuk (5/4.3) | FLAC / 1 | A | A+ | View | SBD + AUD1 + AUD2 Matrix Mix (60%/SBD + 25%/AUD1 + 15%/AUD2) | |
Notes: | SBD Pre FM Master Reel (SBD) > DAT > ? > SHN Title: Harvested HRV CDR 033 Recorded by BBC Radio One broadcasted on the Alan Freeman Show on 11th January 1975. This is taken from the original pre-broadcast master Reel to Reel tapes. AUD1 (a.k.a - Recorder 1) Unknown AUD Recording > cass[M] > DAT[1] > CDR[2] Title: Black Holes In The Sky - This derives from the same boot source (no label) but is slightly less hissy but also less amplified. This recorder is missing Echoes. AUD2 (a.k.a - Recorder 2) Unknown AUD Recording > Cassette Master Title: No Room Upon the Hill 1st Generation copy of the master discs > SHN This is sourced from the cassette masters. No sound alteration, noise reduction or speed correction preformed. | |||||
BEASTAFA (5/4.8) | CD / 2 | A | View | BBC | ||
gravedigger7 (5/0) | cd-r / 1 | A | View | |||
chnactsnflwr (5/5) | / 1 | A/+ | View | |||
Rachel Ford (5/5) | cdr / 1 | a | a | View |