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Pearl Jam 07/21/92
UBC Thunderbird Stadium, Vancouver, BC
Set I
Deep
Alive
Black
Once
Porch
Set II
 
Set III
 
Comment
Incomplete
Last Changed By System
Sources
(27797) View Source   
PC62 > wm-d3 > cassette master > EQ > CDR > .flac / transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ cdr>.wav rip via EAC [196mb]
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
James Easter (1/0) FLAC / 1 View   PC62 > wm-d3
Notes: lineage: cassette master > EQ > CDR > .flac cass>cdr transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ cdr>.wav rip via EAC .wav>.flac encoding via FLAC frontend encoded by: cps 12/11/04 edits: none eq: yes cuesheet: yes (with Soundgarden 7/21/92) comments: incomplete recording setlist: 1. intro 2. Deep 3. Alive 4. Black 5. Once 6. Porch
John (1/4.7) FLAC / 1 View 27797 PC62 > wm-d3
Chimny420 (1/0) CD-R / 0 View  
sebalive (0/0) Bootleg / 1 View   Audience Recording
Ben (0/0) FLAC / 0 B+ View 27797
Notes: PC62 > wm-d3
Andrew (0/0) / 0 View  
Notes: Recording and Mastering data: Taped with a Sony WM D3 professional cassette recording walkman using it's original itty-bitty stereo condenser microphone mounted in my hat onto Fuji FR-II x pro 100 high bias (CrO2) cassettes using Dolby B NR for recording on a very rainy day. Played into computer's SoundBlaster (16-bit) card using Denon DRM500 deck with azimuth adjusted to be in (semi) alignment with the master tape, bias set for normal tapes with Dolby off through a Sentrek analog EQ for warmth in the lows and air in the highs. Some digital manipulation of the sound was then accomplished through the tasteful and thoroughly tested use of several plugins using Wavelab 4.0 (floating 32-bit processing) for a Digital ReMaster to be produced by me after about a month and a half of tweaking and listening tests done over a 2 month period in 2004. I was not convinced that the original tape transfer version truly represented the live sound I originally heard when I recorded the master tape live in concert. Careful use of further EQ, stereo expansion, manual level and balance corrections, denoising, compression, multiband compression, and final limiting compression has produced a version I can truly say sounds like what I heard that hot wet summer day
-SoG- (0/5) Flac / 1 B View 27797 Source: Sony WM D3 professional cassette recording walkman > stereo condenser microphone > Fuji...
Notes: Audience Recording
prophetofog (0/4.8) / 0 View  
kevin metzger (0/0) cd-r / 1 View  
Alexander Schulze (0/5) / 0 View  
pjt21 (0/0) FLAC / 1 View   source: PC62 > wm-d3 lineage: cassette master > EQ > CDR > .flac cass>cdr...
Tim Blake (0/5) FLAC / 1 View 27797 PC62 > wm-d3 > cassette master > EQ > CDR > .flac
Notes: incomplete recording 195MB
aljdag (0/0) Flac / 1 View 27797 PC62 > wm-d3 > cassette master > EQ > CDR > .flac
Notes: PJ Audio Archive: Volume 08 -- 1992
Joshua Bousquet (0/0) FLAC / 0 View 27797
Mike (0/0) FLAC / 1 View 27797
KJ19 (0/0) / 0 View  
Antero (0/5) FLAC / 1 View  
Mike (0/5) FLAC / 1 View 27797 PC62 > wm-d3 > cassette master > Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster...
Notes: incomplete recording
Izzi (0/0) CD / 1 View  
Bobafett (0/0) CD / 1 View   PC62 > wm-d3
Notes: Soundgarden Set from the same day is also on this disc.
Laura (0/5) FLAC / 1 View 27797 PC62 > wm-d3
Nicole (0/0) cd / 1 View 27797
pjdb (0/0) / 0 View 27797
Notes: INCL/CPS
Curtis (0/0) / 0 View 27797
David Sanquenetti (0/0) CD / 1 View 27797 PC62 > wm-d3
Notes: source: PC62 > wm-d3 lineage: cassette master > EQ > CDR > .flac cass>cdr transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ cdr>.wav rip via EAC .wav>.flac encoding via FLAC frontend encoded by: cps 12/11/04 edits: none eq: yes cuesheet: yes (with Soundgarden 7/21/92) comments: incomplete recording
Mike Q (0/0) / 0 View  
Notes: Opening for Soundgarden.