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Set I
Ollin Arrageed* > Promised Land, Sugaree, Passenger, Ramble On Rose, Looks Like Rain, Stagger Lee, I Need A Miracle
Set II
Bertha > Good Lovin', It Must Have Been The Roses, Estimated Prophet > He's Gone > Drums^ > I Got My Mojo Working^ > The Other One > Stella Blue > Sugar Magnolia^
E: U.S. Blues
E: U.S. Blues
Set III
Comment
* - w/ Hamza El Din
^ - w/ Lee Oskar
^ - w/ Lee Oskar
Last Changed By
Shaun
Sources
(6100) View Source
View Archive
sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation
(21248) View Source
View Archive
flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
(89721) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94599) View Source
View Archive
flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94600) View Source
View Archive
flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94852) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(102074) View Source
View Archive
flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
(102075) View Source
View Archive
flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
(6100) View Source
View Archive sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation
(21248) View Source
View Archive flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
(89721) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94599) View Source
View Archive flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94600) View Source
View Archive flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94852) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(102074) View Source
View Archive flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
(102075) View Source
View Archive flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Scott (2/0) | / 0 | View | ||||
| bobbyandjerry (2/0) | / 2 | View | SBD | |||
| Aaron Goulet (2/5) | CDR / 3 | View | ||||
| Bill (2/0) | CD / 3 | View | nugs.net | |||
| Notes: | From Egypt With Love "Perhaps the most exciting show on the West Coast since the late 60s." Dick Latvala | |||||
| J (2/0) | CDR / 0 | View | ||||
| Notes: | Set II | |||||
| Kevin Sinusas (2/0) | / 0 | View | ||||
| Carter (1/5) | CDR / 3 | A | A | View | ||
| Charlie Yohe (1/5) | CDR / 3 | View | 89721 | |||
| Sparkita (1/5) | CDR / 3 | View | ||||
| Rick Childs (1/4.9) | CDR / 3 | A+ | A+ | View | 6100 | |
| KerouacAW (1/0) | ? / 0 | ? | View | |||
| KerouacAW (1/0) | ? / 0 | ? | View | |||
| KerouacAW (1/0) | ? / 0 | ? | View | |||
| KerouacAW (1/0) | ? / 0 | ? | View | |||
| Gary Field (1/5) | SHN / 2 | View | 6100 | SBD | ||
| Notes: | sbd> mr> dats> wav> shn; dat> wav> shn | |||||
| Gary Field (1/5) | FLAC / 2 | View | 21248 | SBD | ||
| Notes: | SBD> Master Reel> Cassette> DAT> WAV> FLAC [060822.1] | |||||
| Gary Field (1/5) | 102074 / 2 | View | 102074 | AUD | ||
| Notes: | Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8) [091101.1] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 21248 | SBD | ||
| Notes: | SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step [071008.1] | |||||
| Gary Field (1/5) | 89721 / 2 | View | 89721 | SBD | ||
| Notes: | Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC [080203.2] | |||||
| Gary Field (1/5) | 94599 / 2 | View | 94599 | AUD | ||
| Notes: | Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein [081009.1] | |||||
| Gary Field (1/5) | 94852 / 2 | View | 94852 | MTX | ||
| Notes: | Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) [081009.1] | |||||
| Gary Field (1/5) | 94600 / 6 | View | 94600 | AUD | ||
| Notes: | flac24; Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein [081008.4] | |||||
| Gary Field (1/5) | 102075 / 4 | View | 102075 | AUD | ||
| Notes: | flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) [091127.1] | |||||
| cldydmzunrl (1/0) | / 0 | View | 89721 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 6100 | |||
| Notes: | sbd> mr> dats> wav> shn | |||||
| Marc Deardorff (1/5) | flac24 / 3 | View | 94600 | |||
| Notes: | flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 21248 | |||
| Notes: | SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 89721 | |||
| Notes: | SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 94599 | |||
| Notes: | flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 94852 | |||
| Notes: | Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) | |||||