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Phil Lesh & Friends 04/16/99
Warfield Theater, San Francisco, CA
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Set I
Soundcheck:
Prince Caspian
Stella Blue
Alligator
Help On The Way
Saint Stephen
The Eleven
Set II
Help On The Way
Slipknot
Franklin's Tower
Wish You Were Here
Tennessee Jed
Stella Blue
Alligator
Set III
Bertha *
Prince Caspian
Saint Stephen
The Eleven
Unbroken Chain
Chalkdust Torture
Mountains Of The Moon
Scarlet Begonia's *
Fire On The Mountain *
E: Ripple *
Comment
Phil Lesh - Electric Bass, Vocals
Trey Anastasio - Electric Guitar, Vocals
Steve Kimock - Electric Guitar
Page McConnell - Keyboards
John Molo - Drums
Donna Jean Godchaux - Vocals *
Last Changed By J
Sources
(1477) View Source    View Archive
Source Info: Schoeps CMC6/MK21 (subcardiod) -> Apogee AD1000 @ 44.1khz Transfer: DAT -> PC (S/PDIF) -> CD-R (Adam Shiffman)
(2612) View Source    View Archive
Source: FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz DAT > PC (S/PDIF) > CD-R by Adam Shiffman
(6413) View Source    View Archive
Patched sounboard by Syd Schwartz [email protected] ("ejade mix") using DAUD from FOB/DFC:ortf bar; Schoeps taped by R. Clay
(6414) View Source    View Archive
Patched soundboard using Schoeps mk4>kc5>cmc6>apogee ad1000 aud source by [email protected]
(10169) View Source    View Archive
SBD > DAT > CD > EAC > SHN
(11541) View Source    View Archive
Source: SBD
(25296) View Source    View Archive
SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller
(27712) View Source    View Archive
SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave
(27755) View Source    View Archive
DTS-Audio-CD 5.1 Mix via Dan Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave
(99631) View Source    View Archive
source: Schoeps cmc6/mk41 > Lunatec V2 > Apogee AD-1000 > Sony PCM-M1 (set 1 @ 48 kHz, set 2 @ 44.1 kHz) taped from right behind drink rail, all cables were Audio Magic Excaliber transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb 2.0 > pc > r8brain v1.9 (set 1 only - resample to 44.1 kHz) > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8) recorded by Dave Flaschner transferred by Jason Sobel
(125420) View Source    View Archive
Source: MG M300's > V2 > ADC-20 > D7 Transfer: D8 > Behringer UCA202 > Audacity (@48 Hz) > WAV > FLAC Taper: Unknown Transferred From DAT by Bill Graves
(136901) View Source    View Archive
Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price
(137062) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=25296) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shnid=136901) Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - matrix mixing by Kevin Tobin
(137063) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=25296) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shnid=136901) Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - dts mixing by Kevin Tobin
(137064) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25296) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shnid=136901) Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
Neil Hobson (4/5) cdr / 3 A View  
Roger Moroney (4/5) cdr / 4 View  
Notes: shn
shakedown80 (4/3.5) / 0 View 25296
shakedown80 (4/3.5) / 0 View 27712
shakedown80 (4/3.5) / 0 View 27755
paul (4/4.9) cdr / 3 a a View  
Michael Gordon (4/5) SHN / 0 A View   SBD
Jeff (4/0) FLAC / 3 View  
Notes: SBD
Matt McGrath (4/4.8) SHN / 2 View 11541 SBD
markwish (4/5) flac / 2 View 25296 SBD (24 Track Recording Mix) -> Master Dat (44.1k)
Jeff Fursetzer (4/5) CDR / 3 A A View  
boyd (4/1) flac / 3 View 25296 SBD (24 Track Recording Mix) -> Master Dat (44.1k); Dat (Sony D8) -> RME Hammerfall Digiface ->...
Daniel van Nierop (4/4.8) CDR / 3 A View  
Notes: DAO
Nick Smith (4/5) cd-r / 3 A++ View  
Notes: gdlive mp3 i think
matt feltz (4/5) CDR / 3 A A- View  
Notes: W Trey and Page - clean AUD
Zeke Phillips (4/4.3) shn / 2 View 6413 SBD
Notes: E-Jade sbd mix
Patrick Moylan (4/0) / 3 View   DSBD
Jackstraw (4/5) CDR / 3 B View  
ccryder (4/4.7) shn / 2 ver ver View 1477
Charles Wier (4/5) SHN / 3 View 1477
Charles Wier (4/5) SHN / 4 View 6413
Friedemann Rothfuchs (4/5) SHN / 2 A+ View   SBD with FOB Schoeps patches
Notes: PHIL LESH & FRIENDS Friday, April 16, 1999 THE WARFIELD, SAN FRANCISCO, CA Trey Anastasio (Phish): Guitar, vocals Page McConnell (Phish): Grand Piano & organ, vocals John Molo (Other Ones): Drums Phil Lesh (Grateful Dead, Other Ones): Lead Bass, vocals Steve Kimock (Zero, SK&F, KVHW, Other Ones): Guitars Special Guest: Donna Jean Godchaux Disc 1 (80 min): 1. Help on the Way->Slipknot!# 23:17 2. Franklin's Tower 13:42 3. Wish You Were Here 10:46 4. Tennessee Jed 08:06 5. Stella Blue 09:20 6. Alligator 14:45 Total time: 79:57 Disc 2: 1. Bertha-> 09:13 2. Prince Caspian-> 14:17 3. St. Stephen-> 15:60 4. The Eleven-> 08:08 5. Unbroken Chain 10:10 Total time: 57:47 Disc 3: 1. Chalkdust Torture 11:30 2. Mountains of the Moon* 09:11 3. Scarlet Begonias-> 10:26 4. Fire on the Mountain 12:07 5. Organ Donor Rap 06:02 6. Ripple 06:49 Total time: 56:06 # 1st 3 seconds of Help patched from DAUD 0:00--0:54 of Mountains of the Moon patched from DAUD Extracted, patched, and SHN by Syd Schwartz [email protected] Source info: SBD->DAT->CD (via standalone burner)->EAC (tested for accuracy 4 times on 3 seperate computers)->SHN Patch source: DAUD from FOB/DFC:ortf bar; Schoeps mk4> kc5-actives> cmc6> ad1000 (clamped to drinkrail), taper R. Clay; CD mastering McCloskey, SonyR500> AES/EBU monster cable> ZA2> SoundForge/CDArchitect> Plextor8x20->EAC->CD->EAC (tested for accuracy 4 times on 3 seperate computers)->SHN. Track 2 (Box of Rain) begins from DSBD source as on discs 1 & 2, but is then patched with same FOB DAUD beginning at 3:13 through the end of the show as this was missing from the DSBD. Tracks 3-7 are all SBD->DAT->CD (via standalone burner)->EAC (tested for accuracy 4 times on 3 seperate computers)->SHN. There are several different soundboard sources of the 4/99 Phil & Phriends run coming into circulation as of early 2001. I have sampled 4 different ones (which are all that I am aware of as of mid-March) and this is by far the sonically superior source and mix. FAQ about this version (the E-Jade Mix) April 1999 Phil & Phriends shows: Q: How does this version differ from other the other soundboards in circulation A: There are at least 3 other versions in circulation that I have heard. 2 of the 3 have one analog gen (one of those is pitched slightly slow). The other DSBD has additional cuts (i.e., Alligator is hacked) and has a different sound to it--the vocals are way out in front and the overall balance between the instruments is less than ideal. Q: So why do you refer to this version as a different mix? A: Conjecture on my part really. I've heard from more than one source that these shows were a good deal closer to official release than most people think. Close enough, that post-production work on the master tapes was underway (though I don't know how much, who did it or what the final sonic vision was supposed to sound like). My guess is that the other full DSBD was probably from the 2-track DAT master or the unmixed multi-track tapes, while this version has undergone some dB adjustments on an individual instrument level to provide the level of balance and overall presence. Again, this is pure guesswork on my part but I my hypothesis is backed up by several "can't confrim nor deny" answers I've gotten from a few folks in the know. If you have further info, conspiracy theories, or a good recipe for Peking duck, please get in touch with me via email. Q: Why didn't you break up Help on the Way and Slipknot into two seperate tracks? How lazy! A: Think of it as an imperfection in a fine piece of woodwork. It adds character and personality. Q: Why didn't you patch the missing parts with one of the other soundboard sources? A: First of all, as I mentioned, 2 of the other boards had analog gens. I actually gave it a shot, but found the difference in sound was actually more jarring from the analog gen boards than from the outstanding "drink rail" DAUD. And the other DSBD was missing the donor rap/Box of Rain encore entirely, so it wasn't an option. Q: Do you honestly believe that this is the definitive soundboard source of this show? A: Yes. Q: OK, so lets accept for the moment that your theory on the source of these shows is correct. If they were in post-production, why are there cuts and missing segments? A: My understanding from the Lone PhGunmen is cuts were intentionally introduced when these shows were given to family/friends so that leaks could be tracked. Q: So does the circulation of these show pose a problem for the GD and/or Phish camps? A: From what I've been told, there might have been an eyebrow or two raised a couple of months ago, but at this point its not an issue. Prior to 6 months ago, the widespread trading of this show could have caused utter mayhem, bedlam, chaos and the issuance of small craft advisories. On both coasts. Q: Why call it the "E-Jade mix" A: During the entire comparison process amongst the different versions, and the subsequent patching process, the volume coming from the stereo and computer speakers frequently woke my 18 month-old daughter, Emily Jade Schwartz. As she's had to endure repeated looping of miniscule and titanic excerpts of this music, and I'm a narcissistic proud parent, the moniker seemed only natural.
bob (4/5) DTS / 3 View  
Adam Olsen (4/5) cdr / 3 View  
goodwin (4/5) CD-R / 3 A++ View 25296
Notes: w/Trey, Page, SKimock
Stuart Kortie (4/5) Shn / 2 View 10169
Doug Nawrocki (4/4.8) SHN / 2 View   SBD > DAT
thanxmikey (4/0) / 3 View   DSBD > DAT
Joey Bohlmann (4/5) CDR / 3 A View  
Brian (4/0) SHN / 2 A A View   SBD > DAT > CD > EAC > SHN
Notes: SBD > DAT > CD > EAC > SHN