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Set I
Don't Ease Me In, Silver Threads, Friend Of The Devil, Candyman, Cold Jordan, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie
Set II
Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Drums-> The Main Ten-> Sugar Magnolia, Louie Louie Jam, It's A Man's World, Mama Tried, Sitting On Top Of The World, Cosmic Charlie, Casey Jones, Good Lovin'-> Drums-> Good Lovin'
Set III
Comment
Other artist(s): GD; NRPS; Southern Comfort first set acoustic
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
Last Changed By
randy walton
Sources
(98) View Source
View Archive
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
(6185) View Source
View Archive
shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
(132325) View Source
View Archive
flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
(98) View Source
View Archive acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
(6185) View Source
View Archive shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
(132325) View Source
View Archive flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| chad (3/5) | shn / 2 | View | 98 | MR>Cass>DAT>ZA2>CD>EAC>shn | ||
| Eric Handler (3/5) | SHN / 2 | View | 98 | SBD > MR > C > DAT > ZA2 > CD > EAC > shn | ||
| JMB (3/5) | shn / 2 | View | 98 | S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn | ||
| desact (3/0) | CD-R / 3 | View | 98 | |||
| Tom Hunt (3/4.8) | CDr / 3 | View | ||||
| Jeff MacLaren (3/5) | shn / 2 | A | View | 98 | ||
| Notes: | Acoustic & Electric | |||||
| John Daly (3/0) | cdr / 3 | View | 98 | |||
| scott (3/0) | / 0 | View | 98 | |||
| Michael (3/1) | AUDIO / 3 | A | View | Sbd->A1D0->Reel M->Cass 1->Dat 0->48k->CD-R. | ||
| Notes: | BAND Grateful Dead VENUE Fillmore West CITY San Francisco DATE 06/07/70 SET1 [45:09 +] Intro [0:11] ; Don't Ease Me In [3:03] ; [0:20] ; Silver Threads And Golden Needles [3:32] ; [0:06] % [0:51] ; Friend Of The Devil [3:38] ; [0:33] ; Candyman [5:44] ; [0:44] ; Cold Jordan [2:11] ; [0:59] ; Swing Low Sweet Chariot [3:00] ; [2:24] ; Cumberland Blues [4:#12] ; [1:02] ; Me And My Uncle [3:07] ; [0:30] ; New Speedway Boogie [8:57] ; [0:16] % SET2 [1:29:56 +] [0:17] ; Cryptical Envelopment [2:04] > drums [1:49] > The Other One [9:33] > Cryptical Envelopment [9:45] > space [0:20] > jam [1:15] > drums [1:12] > Main Ten jam [4:50] > transition [0:13] > Sugar Magnolia [4:46] ; [0:20] % [0:42] ; Louie Louie tease [0:31] ; [0:18] ; It's A Man's, Man's, Man's World [7:42] ; [0:33] ; Mama Tried [2:43] ; [0:10] % [0:29] ; Sittin On Top Of The World [3:14] ; [1:20] ; Teddy Bears Picnic tuning [0:13] ; [4:05] ; Cosmic Charlie [7:12] ; [0:53] ; Casey Jones [4:42] ; [0:36] ; drums [0:19] > Good Lovin' [1:51] > drums [3:53] > Good Lovin' [10:42] ; [0:37] % SET3 ENCORE The Frozen Logger COMMENTS Total time [2:15:05 +]. If the structure of this show was the same as on 6/5/70, then the acoustic set opened the evening, followed by sets from Southern Comfort and NRPS with Garcia on pedal steel, and then the Dead closed out the evening with their electric set (SET 2). Don't Ease Me In through Swing Low Sweet Chariot are acoustic; for the rest of the first set Garcia plays electric guitar & Weir acoustic. David Nelson plays mandolin on Cold Jordan and Swing Low, and he and Marmaduke contribute backup vocals. Before Cumberland Blues Garcia says "we're gonna do a few semi-electric numbers. We've got a million new labels." There is a short cut at 2:48 of Cumberland. Marmaduke adds backup vocals to Me And My Uncle. During the Cryptical Reprise jam Hunter is heard off mic raving away. During the pause after the Teddy Bear's Picnic tease Garcia says "We're waiting aound till a good idea comes up" and Weir remonstrates with someone in the audience requesting "Golden Road." Someone adds quasi-intelligible additional vocals to the opening of Cosmic Charlie. The encore is according to Rob Eaton; it does not appear on the circulating copies of the tapes. Eaton lists: 06/07/70 The Fillmore West, San Francisco Ca - complete 4.8, 134min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k, 7inch Master [email protected] 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0 RECORDING 136 SB CONTRIBUTORS Jim Powell Ryan Shriver Rob Eaton Jim Wise Michael Parrish | |||||
| Thomas (3/0) | / 2 | View | ||||
| Larry Sanders (3/0) | CDR / 3 | View | ||||
| Matt (3/0) | / 0 | A- | B | View | sbd | |
| Drew (3/0) | / 3 | View | ||||
| jason M (3/5) | cdr / 3 | View | ||||
| Ron Hollatz (3/0) | SHN (2) / 3 | see | View | 98 | S:MR>Cass>DAT>ZA2>CD>EAC>shn | |
| Notes: | Flaws: There is a reel cut during Casey Jones and It's A Man's World. DAT to CD conversion by David Hollister Editing: Recorded with SoundForge. Burned to CD using CD Architect. The only editing was to remove approximately 4 minutes and 22 seconds of repeated material on the DAT during the banter between Top of the World and Cosmic Charlie. I also removed a couple of minor pops. Other than that, no editing was done. The breaks between each CD were breaks that were already present on the DAT. The only addition was 2 seconds of silence prior to the start of disc 3. | |||||
| Dan Sodikoff (3/0) | / 2 | View | SBD | |||
| Notes: | GOOD LOVIN' SEQUENCE ON DISC #1 MISSING/FROZEN LOGGER | |||||
| Philzone (3/4.9) | Cdr / 3 | A | A- | View | S:MR>Cass>DAT>ZA2>CD>EAC>SHN>Cdr | |
| Notes: | reel cut during casey and man's world | |||||
| Tovi (3/0) | CDR / 3 | View | 98 | |||
| Waterface (3/5) | CDR / 3 | A | View | S:MR>Cass>DAT>ZA2>CD>EAC>SHN | ||
| GLENN3GL (3/5) | CDR / 3 | View | SBD | |||
| Notes: | SBD | |||||
| wharfrat70 (3/0) | / 0 | View | ||||
| Dave Konrad (3/4.6) | / 0 | View | 98 | SBD | ||
| greg wisniewski (3/0) | / 3 | View | MR>Cass>DAT>ZA2>CD | |||
| Russell Lane (3/0) | shn / 2 | View | ||||
| Neil Grant (3/4.8) | CDR / 3 | A | A | View | ||
| Marisha (3/0) | CDR / 3 | View | ||||
| marc lowenstein (3/0) | / 2 | View | ||||
| Tara Flynn (3/0) | CDR / 3 | A | View | MR>Cass>DAT>ZA2>CD>EAC>shn | ||
| Matt Sottile (3/0) | CDR / 3 | View | ||||
| Billy Angell (3/5) | cdr / 2 | View | ||||