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Set I
Promised Land, Sugaree, Cassidy, Candyman, The Music Never Stopped, It Must Have Been The Roses, Looks Like Rain, Tennessee Jed, Let It Grow-> Might As Well
Set II
Saint Stephen-> Not Fade Away-> Drums-> Stella Blue, Samson & Delilah, Friend Of The Devil, Dancin' In The Streets-> The Wheel-> Sugar Magnolia-> Scarlet Begonias-> Sunshine Daydream, E: Johnny B. Goode
Set III
Comment
Last Changed By
Diana Hamilton [db admin]
Sources
(241) View Source
View Archive
SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
(8323) View Source
View Archive
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG
(8732) View Source
View Archive
Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
(10307) View Source
View Archive
Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon
(96088) View Source
View Archive
flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky
(110148) View Source
View Archive
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(130335) View Source
View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
(241) View Source
View Archive SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
(8323) View Source
View Archive SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG
(8732) View Source
View Archive Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
(10307) View Source
View Archive Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon
(96088) View Source
View Archive flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky
(110148) View Source
View Archive flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(130335) View Source
View Archive flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| thegreatdivide6 (1/0) | flac / 0 | View | betty boards | |||
| Notes: | sbd | |||||
| thegreatdivide6 (1/0) | flac / 0 | View | 96088 | |||
| Notes: | sbd | |||||
| thegreatdivide6 (1/0) | flac / 0 | View | 110148 | |||
| Notes: | sbd | |||||
| MrChips (1/0) | / 3 | A | View | |||
| Notes: | drop outs in TJ (1) & Dark Star (2). | |||||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | 110148 | Soundboard | ||
| Notes: | DVD 1155; lineage: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| KB Larsen (1/5) | shn / 2 | View | ||||
| Notes: | Thanks Tol! SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN. 3 audio | |||||
| KB Larsen (1/5) | shn / 2 | View | 8732 | |||
| Notes: | Thanks Chris! Jay Ashley remaster. 3 audio | |||||
| Hanf (1/5) | Shn / 0 | View | 241 | |||
| Kaz (1/5) | cdr / 3 | View | ||||
| x poordevil (1/5) | cdr SBD / 3 | A | View | 241 | SBD | |
| Notes: | trade w/no source info given, SBD source shown was a guess | |||||
| x poordevil (1/5) | dvd shn / 1 | View | 8732 | SBD (Bertha re-master) | ||
| x poordevil (1/5) | dvd shn / 1 | View | 241 | SBD | ||
| J Parzych (1/5) | FLAC / 0 | View | 96088 | |||
| J Parzych (1/5) | FLAC / 0 | View | 110148 | SBD -> Master Reel -> PCM -> Dat (44.1k) | ||
| Joe (1/5) | SHN / 0 | View | 8732 | |||
| C Montana (1/4) | CD-R / 2 | A | View | |||
| Imetdork (1/0) | FLAC / 0 | View | 110148 | |||
| Alex Bushe (1/5) | CD-R / 3 | View | SBD | |||
| aikox2 (1/4.9) | / 3 | View | ||||
| Notes: | CDR SBD. I was there : ) | |||||
| John Peters (1/0) | SHN / 1 | View | 8732 | SBD: MR > PCM > DAT > WAV > SHN > DAW(Bertha) > CDA | ||
| John Peters (1/0) | FLAC / 1 | View | 110148 | SBD: MR > PCM > DAT (44.1k); DAT (Sony R500) > Sound Devices 744T > Samplitude Professional v11.1... | ||
| Geoff MacNaughton (1/5) | 2 / 3 | A | View | 96088 | ||
| Richard Markley (1/5) | SHN / 2 | View | 8732 | |||
| Notes: | DVD181 | |||||
| Richard Markley (1/5) | flac / 2 | View | 110148 | |||
| Notes: | HD3 | |||||
| SIRMick (1/5) | SHN / 2 | View | 8732 | |||
| SIRMick (1/5) | SHN / 2 | View | 241 | |||
| Matt Vernon (1/4.8) | SHN / 3 | B+ | A- | View | 241 | |
| Notes: | betty board - mix and overal sound are of course great for a BBD BUT there are many drop outs scattered throughout and usually in annoying places. This disrupts the listening experience. This show is a prime example of "sit down and listen to them try to play professionally without any jam wankery". The songs are mechanical with some licks here and there. If you do not want to be energized, this would be a good show to listen to. Since I like some emotion with my gd, this didn't stay in the cd player. There are some atypical segues (LIG > MAW) and sandwiching Scarlet inside Sugar Mag. | |||||
| Matt Vernon (1/4.8) | SHN / 3 | View | 8732 | |||
| Notes: | Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD | |||||
| Matt Vernon (1/4.8) | SHN / 3 | B+ | A- | View | 10307 | |
| Notes: | Good sound for the Beacon even by today's standards. SHow itself was solid but unexceptional - maybe even a tad boring except for the St. Stephen > NFA pairing. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | B+ | A- | View | 96088 | |
| Notes: | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky [2009-04-05]Did not compare with prior seeds but no obvious transcription errors - laid back show, an interesting placement of Scarlet late in set 2, some other 76 pairings as well, | |||||