Grateful Dead 05/08/1977

Sources

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w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation

(4982) View Source

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freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin

(5002) View Source

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Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks

(26856) View Source

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DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

(26857) View Source

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Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN

(28301) View Source

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MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs

(28354) View Source

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flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation

(29303) View Source

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flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson

(29511) View Source

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Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"

(30756) View Source

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flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)

(35086) View Source

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flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

(87486) View Source

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flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation

(97274) View Source

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flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation

(111493) View Source

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flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274

(117026) View Source

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flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

(117027) View Source

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flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

(134093) View Source

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flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

(137569) View Source

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flac24; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

(137570) View Source

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flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

(137571) View Source

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flac24; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

(137572) View Source

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flac16; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
david (0/0)	shn / 2			View	5002	Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played...
tosamah (0/0)	/ 3		A+	View
Jimmy (0/0)	CDR / 3		A	View		SBD Master Reel>DAT>CD-R
hank (0/0)	SHN / 2			View	266	Betty Board Soundboard sections
hank (0/0)	SHN / 2			View	266	Betty Board Soundboard sections
Esau (0/0)	CDR / 3		A	View		SBD >RTR
Notes:	Disc I (Set I): 1. New Minglewood Blues 5:55 2. Loser 8.51 3. El Paso 5:23 4. They Love Each Other 9:10 5. Jack Straw 8:05 6. Deal 7:28 7. Lazy Lightning> Supplication 5:36 8. Brown-Eyed Woman 5:49 56:17 Disc 2 (Set I continued): 1. Momma Tried 5:01 2. Row Jimmy 12:37 3. Dancing in the Streets 18:11 (Set II): 4. Scarlet Begonias > Fire on the Mountain 25:02 60:51 Disc 3 (Set II continued): 1. Estimated Prophet 11:28 2. St. Stephen> Not Fade Away> St. Stephen 23:08 3. Morning Dew 14:40 (Encore): 4. One More Saturday Night 5:26 54:42
Marty Peterson (0/0)	cdr / 3		A+	View		SBD(bettyboard)>MR>PCM>DAT>CDr
Chris (0/0)	shn / 3			View
Jeff Straw (0/0)	/ 0			View
Matt (0/0)	Shn / 0			View	4982	SBD
Notes:	Archive 054, 77-05-08.sbd.eaton.4982.sbeok.shnf
Matt (0/0)	Shn / 0			View		SBD
Notes:	Archive 046, 77-05-08.MTX
Matt (0/0)	flac16 / 0			View		SBD
Notes:	Archive 093, 77-05-08matrix.flac16f
RonMexico (0/0)	FLAC / CD-R / 0			View		"3 Source Matrix Mix, SBD + AUD1 + AUD2"
Notes:	Grateful Dead Barton Hall, Cornell Univ. Ithaca, NY May 8, 1977 SBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) Disc 1 - Set I 01 [05:16] Minglewood Blues 02 [07:54] Loser 03 [04:40] El Paso 04 [07:35] They Love Each Other 05 [07:38] Jack Straw 06 [06:49] Deal 07 [03:32] Lazy Lightning > 08 [05:07] Supplication 09 [06:01] Brown Eyed Women 10 [03:34] Mama Tried 11 [11:28] Row Jimmy 12 [16:40] Dancin' In The Streets TT [88:13] requires a 90 min CDR Disc - Set II 01 [01:48] Take A Step Back 02 [09:37] Scarlet Begonias > 03 [16:45] Fire On The Mountain 04 [08:45] Estimated Prophet 05 [04:44] Saint Stephen > 06 [16:21] Not Fade Away > 07 [01:54] Saint Stephen > 08 [14:29] Morning Dew Encore 09 [05:20] Saturday Night TT [79:41] --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- FLAC fingerprint gd1977-05-08-mtx-d1t01.flac:58a4158b97476842f3f83554d8856914 gd1977-05-08-mtx-d1t02.flac:d31b11773bb87006d5fd441032be9d2c gd1977-05-08-mtx-d1t03.flac:860e05153cb35fdda81e04b6218e3fa1 gd1977-05-08-mtx-d1t04.flac:83841cc9b8c69060cb134a54e191c44e gd1977-05-08-mtx-d1t05.flac:c5136a198cbd0934f1dd36ff7da6be96 gd1977-05-08-mtx-d1t06.flac:62773726e710465cde1ea5742d5fe29b gd1977-05-08-mtx-d1t07.flac:906431609611a91ff6c8fc903e8388cf gd1977-05-08-mtx-d1t08.flac:555e3419186c47bd1244a0e6fb079c89 gd1977-05-08-mtx-d1t09.flac:8ba19acb5780049cc68a54855c7d78fd gd1977-05-08-mtx-d1t10.flac:a1d5653935b1ead58ba6e9f4a444121c gd1977-05-08-mtx-d1t11.flac:0465b249bde4b76d43951046b3acb529 gd1977-05-08-mtx-d1t12.flac:9c2b6765abef7d53eca4da5254993b7c gd1977-05-08-mtx-d2t01.flac:9b8170cb2df2d8f1810ba15e6bce136c gd1977-05-08-mtx-d2t02.flac:31dce0f8c1d030de1d16e534a725f67a gd1977-05-08-mtx-d2t03.flac:8eb49a1331fd562221a4a7d152faa4e8 gd1977-05-08-mtx-d2t04.flac:f44215dc8ea478646fc583176de5e5cf gd1977-05-08-mtx-d2t05.flac:e8deb1798032d88ffc954de412c18330 gd1977-05-08-mtx-d2t06.flac:038fd15c8e8fa21964c0a8330ac13cbd gd1977-05-08-mtx-d2t07.flac:9eab3579b1f320596ecfc526e1637175 gd1977-05-08-mtx-d2t08.flac:7ec3211710e59532dd66d102ad92bc61 gd1977-05-08-mtx-d2t09.flac:f66d24ac7072aee2b0cbdd36a5b8987f
Chris Dohman (0/0)	cdr / 3		A+	View		Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT...
Havanos (0/0)	cdr / 3	A	A	View		Eaton Remaster
craig (0/0)	/ 0			View
Holden Oversoul (0/0)	/ 0			View
Justin Edgar (/0)	CDR / 3		A	View		BBDDATCD
Notes:	aud. splices for dropouts at start of show
Pete George (/0)	CD-R / 3	A+	A+	View		7" two-track BBD reel>Sony [email protected]>Fostex D5@48khz>ZA2>CD (WBOTB Tree)
Matt Kelly (/0)	CDR / 3			View		etree
andrew singer (/5)	CD-R / 3			View
Notes:	... Chris Peterson ...
Chris Jonus (/0)	CDR / 2		A	View		SDBDMRPCMDATCDR
Notes:	NOT the complete show- I believe that every section of tuning and crowd noise has been removed from the original complete show- resulting in track break problems that are very annoying- I think the sound is fantastic, but it is not complete-
MIKE WADE (/0)	CDR / 3		A+	View		BETTY BOARD


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