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Set I
Casey Jones, Jack Straw, Sunrise, Brown Eyed Women, El Paso, Dupree's Diamond Blues, Let It Grow, Deal
Set II
Samson & Delilah-> Scarlet Begonias-> Fire On The Mountain, Finiculi Finicula, Playin' In The Band-> Drums-> The Wheel-> Truckin'-> The Other One-> Wharf Rat-> Sugar Magnolia, E: Johnny B. Goode
Set III
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(278) View Source
View Archive
WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
(86354) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
(123102) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(142120) View Source
View Archive
flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
(142121) View Source
View Archive
flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
(142122) View Source
View Archive
flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E.
(278) View Source
View Archive WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
(86354) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
(123102) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(142120) View Source
View Archive flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
(142121) View Source
View Archive flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
(142122) View Source
View Archive flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| dpd (3/0) | CDR / 3 | View | ||||
| Engineer's Monkey (3/5) | SHN / 2 | View | 278 | |||
| Notes: | 10-02-1977 Portland, OR (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz Notes: Casey Jones has brief low-level crackle possibly due to a bad microphone; Wharf Rat has a thirty-second section of analog tape damage leading to a cut during the song. There is an illegal bootleg available of this date that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 seconds shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels, as best as we can get it to you. | |||||
| Jim Decker (3/5) | CDR / 3 | A | A | View | SBD | |
| Robert D. O'Brien (3/0) | / 3 | A | A | View | DSBD | |
| Joe Burnett (3/0) | SHN / 2 | View | ||||
| Jason Emery's Sleepyhouse (3/0) | CD-R / 3 | 3 | View | |||
| mark (3/0) | CDR / 3 | B+ | B+ | View | 278 | |
| Dave Balk (3/0) | / 0 | A+ | A+ | View | ||
| Wayne Baldwin (3/5) | CDR / 3 | A | A | View | MR>P2>D1>CDR | |
| Graig Kreindler (3/5) | cd / 3 | A+ | View | SBD>MR>PCM>DAT>?>CD | ||
| Notes: | Nice show!! | |||||
| Scott S (3/0) | CDR / 3 | View | 278 | |||
| Steve de Carteret (3/0) | CDR / 3 | View | SBD | |||
| Don Turner (3/5) | cdr / 2 | A- | View | Sound Board | ||
| Scott Jennings (3/0) | shn / 2 | View | (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips >... | |||
| chris (3/3) | CD / 3 | A+ | View | SBD | ||
| Richard Stein (3/5) | CDR / 3 | A | A | View | ||
| FAC (3/0) | CDR / 3 | View | ||||
| MikeB (3/0) | CDR / 3 | A | View | SBD | ||
| Tripp Wojohn (3/4) | SHN / 2 | View | MR>P2>D1 | |||
| Darkstar (3/4.3) | cdr / 3 | A+ | View | |||
| Notes: | All | |||||
| todd miller (3/0) | cdr / 3 | A | View | sbd | ||
| Xan Bonneau (3/5) | SHN / 3 | View | 278 | |||
| Chuck (3/0) | cdr / 3 | View | ||||
| Craig (3/0) | CDR / 3 | View | ||||
| Jack Cummiskey (3/0) | shn / 2 | View | ||||
| Ryan (3/5) | CDR / 3 | View | ||||
| Notes: | TAO | |||||
| Greg Berberich (3/0) | CDR / 3 | View | 278 | |||
| rich bouchard (3/0) | shn / 2 | View | 278 | |||
| Notes: | SHN 9 SHN 13 | |||||
| joe defranceschi (3/5) | cdr / 3 | 9 | 9 | View | ||
| Kevin Scala (3/0) | SHN / 2 | A | A | View | 278 | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz > PCM501ES analog out... |
| Notes: | BettyBoard | |||||