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Grateful Dead 07/07/89
John F. Kennedy Stadium, Philadelphia, PA
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Set I
Hell In A Bucket >
Iko Iko
Little Red Rooster
Ramble On Rose
Stuck Inside Of Mobile With The Memphis Blues Again
Loser >
Let It Grow >
Blow Away
Set II
Box Of Rain >
Scarlet Begonias >
Fire On The Mountain
Estimated Prophet >
Standing On The Moon >
Drums >
Space >
The Other One >
Wharf Rat >
Turn On Your Lovelight

Encore:
Knockin' On Heaven's Door
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(4665) View Source    View Archive
AKG 414TL's FOB; via Dave of ratdog.org
(7855) View Source    View Archive
Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley
(10925) View Source    View Archive
Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston
(35410) View Source    View Archive
flac16; Seamless fix of shn id 7855 - Audience [was labeled as (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(89616) View Source    View Archive
flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 2008.
(89653) View Source    View Archive
flac16; Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2)
(96993) View Source    View Archive
flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009.
(96994) View Source    View Archive
flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.
(125119) View Source    View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125120) View Source    View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133776) View Source    View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(139283) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.40(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(140152) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(140262) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141727) View Source    View Archive
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
(142464) View Source    View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(142782) View Source    View Archive
flac24; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
(142783) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
(142784) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - dts mixing by Kevin Tobin
(142785) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
artisgilmore (1/0) D5 / 1 View  
artisgilmore (1/0) D5 / 3 View  
Matthew Kupchinsky (1/0) CDR-SHN / 2 View 7855 Healy Mix: SBD > MC > DAT > CDR
robin (1/4.9) CDR / 3 View   (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
Dene Wright (1/5) CD / 3 View   Sbd
Notes: Crimson White & Indigo. No trades.
Dene Wright (1/5) DVD / 1 View   Sbd
Notes: Crimson White & Indigo. No trades.
Randy (1/0) SHN / 2 View 7855
MattMan_Video (1/5) DVD / 1 A View   Pro-shot
Notes: Partial. Bucket > LRR. On Mule 6/11/96 dvd.
Jeff (1/5) SHN / 2 View 7855 (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
Notes: Grateful Dead 7/7/89 J.F.K. Stadium Philadephia, PA Source:(Healy Mix) SBD>MC>DAT>CDR>EAC>SHN Set 1 CD 1 1.Hell In A Bucket, 2.Iko Iko, 3.Little Red Rooster, 4.Ramble On Rose, 5.Memphis Blues, 6.Loser, 7.Let It Grow-> 8.Blow Away Set 2 CD 2 1.Box Of Rain, 2.Scarlet Begonias-> 3.Fire On The Mountain, 4.Estimated Prophet-> 5.Standing On The Moon-> 6.Drumz-> Set 2 cont. CD 3 1.Jam-> 2.The Other One-> 3.Wharf Rat-> 4.Turn On Your Lovelight. 5.E:Knockin' On Heaven's Door Flaws: digital static D1t1 @ 0:17 in tunning before Bucket Shn conversion done by Tim Wiley 2/27/02 [email protected] I used EAC in secure mode to extract all tracks at 100% no reported errors Many thanks to Paul B. for the cds. length expanded size cdr WAVE probs filename 7:48.69 82718080 -b- -- -xx gd89-07-07d1t1.shn 7:42.40 81590924 --- -- -xx gd89-07-07d1t2.shn 9:17.36 98339516 --- -- -xx gd89-07-07d1t3.shn 7:30.01 79382396 --- -- -xx gd89-07-07d1t4.shn 9:07.38 96580220 --- -- -xx gd89-07-07d1t5.shn 7:19.37 77526668 --- -- -xx gd89-07-07d1t6.shn 12:34.74 133179692 --- -- -xx gd89-07-07d1t7.shn 12:30.65 132452924 --- -- -xx gd89-07-07d1t8.shn 6:56.03 73389500 --- -- -xx gd89-07-07d2t1.shn 10:14.00 108309644 --- -- -xx gd89-07-07d2t2.shn 13:26.00 142178444 --- -- -xx gd89-07-07d2t3.shn 9:15.00 97902044 --- -- -xx gd89-07-07d2t4.shn 8:32.74 90490892 --- -- -xx gd89-07-07d2t5.shn 10:20.47 109478588 --- -- -xx gd89-07-07d2t6.shn 10:07.69 107237132 --- -- -xx gd89-07-07d3t1.shn 8:02.00 85024844 --- -- -xx gd89-07-07d3t2.shn 10:36.74 112364492 --- -- -xx gd89-07-07d3t3.shn 9:53.01 104607596 --- -- -xx gd89-07-07d3t4.shn 8:45.56 92741756 --- -- -xx gd89-07-07d3t5.shn 180:02.09 1817.22 MB (totals for 19 files, 0.6380 overall compression ratio)
spcwrnglr (1/5) cd / 3 View   Healy Mix SBD>MC>DAT>CDR
raincooker (1/0) / 3 A+ View   HEALY MATRIX, All
Bradley Sink (1/0) DVD / 3 View  
Notes: AUD, SBD set I, II GDDVDIII
Tom King (1/5) CDR / 3 View 4665 AUD
Tom King (1/5) CDR / 3 View 7855 SBD (Healy mix)
Drumpelstiltzken (1/5) CDR / 3 A A View  
Notes: FOB gd_37
Mark Gay (1/0) / 0 View 35410
Notes: 35410
Mark Gay (1/0) / 0 View 89616
Notes: 89616
Mark Gay (1/0) / 0 View 96994
Notes: 96994
Victor Pianello (1/5) DVD / 3 View  
Brian (1/5) CDSB / 3 View 7855 (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV)
Sigmund BoPs (1/5) CD-R / 3 View 7855
Arthur Sutherland (1/5) SHN / 2 View 7855 (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
Marklar (1/0) CDR / 3 View 7855
Redbeard (1/5) / 3 View 89616 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90
Chonz (1/5) CD / 3 View  
hoptrip (1/0) / 0 View 35410
justin tobin (1/5) CDR / 3 A View  
David Shapiro (1/0) dvd-r / 3 View 7855
Hans Voight (1/5) SHN / 2 A View 7855 Source:(Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
Notes: nice matrix
Terence Keating (1/5) shn / 2 View 7855