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Set I
Ollin Arrageed* > Promised Land, Sugaree, Passenger, Ramble On Rose, Looks Like Rain, Stagger Lee, I Need A Miracle
Set II
Bertha > Good Lovin', It Must Have Been The Roses, Estimated Prophet > He's Gone > Drums^ > I Got My Mojo Working^ > The Other One > Stella Blue > Sugar Magnolia^
E: U.S. Blues
E: U.S. Blues
Set III
Comment
* - w/ Hamza El Din
^ - w/ Lee Oskar
^ - w/ Lee Oskar
Last Changed By
Shaun
Sources
(6100) View Source
View Archive
sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation
(21248) View Source
View Archive
flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
(89721) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94599) View Source
View Archive
flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94600) View Source
View Archive
flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94852) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(102074) View Source
View Archive
flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
(102075) View Source
View Archive
flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
(6100) View Source
View Archive sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation
(21248) View Source
View Archive flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
(89721) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94599) View Source
View Archive flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94600) View Source
View Archive flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
(94852) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(102074) View Source
View Archive flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
(102075) View Source
View Archive flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John Peters (1/0) | FLAC / 1 | View | 89721 | SBD: MC (Maxell UDXL-I) > PCM (Analog Out) > Sony R500 (A>D Only) > Peak > AIFF;... | ||
| michael rosenberg (1/5) | cdr / 3 | a | a | View | 6100 | SBD |
| Geoff MacNaughton (1/5) | 2 / 3 | A | View | 94852 | ||
| Richard Markley (1/5) | flac / 2 | View | 21248 | |||
| Notes: | DVD350 | |||||
| Richard Markley (1/5) | flac / 2 | View | 89721 | |||
| Notes: | DVD626 | |||||
| Richard Markley (1/5) | flac / 2 | View | 94852 | |||
| Notes: | HD1 | |||||
| James (1/0) | / 0 | View | 94852 | |||
| SIRMick (1/5) | SHN / 2 | View | ||||
| Notes: | Nugs net d/l | |||||
| SIRMick (1/5) | SHN / 2 | View | 6100 | |||
| progsearch (1/5) | / 0 | View | 89721 | |||
| Matt Vernon (1/4.8) | SHN / 3 | B | A- | View | 6100 | |
| Notes: | sbd [2006-10-15] Sound quality and mix are very good. The interesting part of this show is the Ollin Arrageed. The rest is better than the first few dates of this run but if one widens the comparison to 78 I would put this on the must hear list. Comination of the song type, absence of cohesion to the sets (momentum building) and bland emotional delivery. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | B | A- | View | 89721 | |
| Notes: | Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller [2008-02-15]This whole run I find ;ackluster - this recording can't change the performances. Olin Agreed to start is cool, Lee Oskar detracts. | |||||
| Matt Vernon (1/4.8) | FLAC / 6 | View | 94600 | |||
| Notes: | flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | View | 89721 | |||
| Notes: | flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | B/A | A- | View | 94599 | |
| Notes: | flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 [2009-04-08]Nice clear sound on this recording - set 1 suffers from Bob's slide on Sugaree and INAM is too shrieky. Set 2 has a nice Estimated and Stella and teh TOO is good as well. Jerry thanks Lee Oskar at the end - overall, some moments but not near the top for 78. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A- | A- | View | 94852 | |
| Notes: | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) [2009-01-14}A well made matrix of maybe the best show of the run, though I find these shows some of my least favorite of 1978. Still, this matrix brings some sparkle to it. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | View | 94600 | |||
| Notes: | flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | B+ | A- | View | 102074 | |
| Notes: | flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8) [2009-11-06]Very clean, full, audience tape - only a few instances of noisy crowd at the start | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | x | x | View | 21248 | |
| Notes: | flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | MTX | View | 94852 | ||
| Notes: | MTX TB3 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | 21248 | ||
| Notes: | SBD TB4 | |||||
| Mark Diamond (1/3) | / 3 | View | 6100 | |||
| GratefulBrad (1/5) | flac / 0 | View | 89721 | |||
| DrGoody (1/5) | Flac / 2 | View | 6100 | SBD>Master Reel>Cassette>DAT>WAV | ||
| Craig S (1/0) | CDR / 3 | View | 89721 | |||
| winterland121072 (1/0) | / 0 | View | 89721 | |||
| winterland121072 (1/0) | / 0 | View | 102075 | |||
| winterland121072 (1/0) | / 0 | View | 21248 | |||
| winterland121072 (1/0) | / 0 | View | 94852 | |||
| winterland121072 (1/0) | / 0 | View | 102074 | |||