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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
OldNeumanntapr (1/5) | FLAC / 0 | A | View | 95399 | Set 1: Soundboard; Master Cassette >CD Set 2: Soundboard; Master Reel >DAT >Sonic Solutions >CD | |
Notes: | Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC Set 2: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] October 20, 2008 Patch Info: Sony ECM-99A -> Master Cassette -> Dat -> CD (shnid=5982) supplies: Cold Rain And Snow (0:00 - 0:42) Big River (1:29 - 2:24) Saint Stephen (0:00 - 0:59) Notes: -- All disc changes are seamless -- Thanks to Joe B. Jones for his help with the pitch correction | |||||
Joe (1/5) | FLAC / 0 | View | 95399 | |||
Imetdork (1/0) | RTV4N5 / 0 | View | ||||
Alex Bushe (1/5) | CD-R / 3 | View | matrix | |||
aikox2 (1/4.9) | / 3 | View | ||||
Notes: | CDR SBD. Road Trips Vol. 4 No. 5 | |||||
John Peters (1/0) | FLAC / 1 | View | 29323 | SBD/AUD Matrix | ||
Notes: | Sick Bits Vol. 6 | |||||
John Peters (1/0) | FLAC / 1 | View | Road Trips 4.5 | |||
Notes: | Not for Trade | |||||
John Peters (1/0) | FLAC / 1 | View | 95399 | Set 1: SBD: MC > CD; CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC; Set 2: SBD:... | ||
michael rosenberg (1/5) | cdr / 3 | a | b+ | View | 29323 | Sbd/Aud Matix |
michael rosenberg (1/5) | flac / 1 | A | A | View | Road Trips Volume 4 Number 5 | |
Notes: | Includes 6 tunes from 06-12-76 | |||||
Geoff MacNaughton (1/5) | / 3 | A+ | View | |||
Notes: | Road Trips Vol. 4 No. 5 | |||||
Richard Markley (1/5) | flac / 2 | View | 29323 | |||
Notes: | DVD485 | |||||
Richard Markley (1/5) | flac / 2 | View | 95399 | |||
Notes: | HD1 | |||||
James (1/0) | / 0 | View | 95399 | |||
Richard (1/5) | CD-R / 2 | A+ | View | 5426 | ||
Richard (1/5) | CD-R / 2 | View | 12207 | |||
Notes: | GD/Garcia spindle I; filler on disc 2 is The Dead soundcheck from 06-27-2004 | |||||
SIRMick (1/5) | SHN / 1 | View | 12382 | |||
SIRMick (1/5) | SHN / 1 | View | 5426 | |||
Matt Vernon (1/4.8) | SHN / 3 | A | A- | View | 5982 | |
Notes: | Hopkins aud complete show. The "bust out" of St. Stephen and the following Eyes is extremely good. The jam in St. Stephen in particular is one of the best that I have heard. Good aud tape - captures what it was like to be at the show. No between song cuts. This is one of the best shows from 76. [Note: I created a shn set w/ de-emphasis. This seemed to match the spectral sound other auds sourced around 6/2003 direct from the master cassettes, suggesting that Dolby might have been used on the originals but not decoded in the transfer to DAT.] | |||||
Matt Vernon (1/4.8) | SHN / 2 | A- | A- | View | 12207 | |
Notes: | set 2 sbd w/ aud patch at start of St. Stephen. FWIW, I attended this show, row L if I remember. The breakout of St. Stephen was very exciting. Everyone had "LiVe/Dead" engrained in their synapses so the slower pace and with Donna singing was constantly compared in my head with the recorded version. The jam is very nice. As the come to the end, everyone was wondering of they would do "11". Maybe after being on hiatus they woul dbreak back some of these oldies, but the "answer" was Eyes. Interesting. Overall Set 2 lacks an overall cohesion that would develop later on. It consists of a few continuous sections, again with very attentive playing for the most part without the sustained jams of yore. Sound and mix is very good. Note that at the end, Jerry says: "See you 'all later". In my experience, he only says this on dates when he's had a good time. One other note: Th eMusic Hall had seats so there was a strong tendency for evryone to say seated. Maybe that is why their playing was more "listening" focused than "danceable". | |||||
Matt Vernon (1/4.8) | SHN / 1 | A- | A/B | View | 12382 | |
Notes: | set 1 sbd w/ aud patches. Somewhat hissy but listenable. All songs are played very deliberately starting the attempt to be "just exactly perfect" and avoid wankery at all costs. Though there are interesting moments and many songs here will eventually migrate to set 2 status, by and large not much emotion. | |||||
Matt Vernon (1/4.8) | FLAC / 3 | A | A | View | 29323 | |
Notes: | sbd/aud matrix - I was very pleased with this matrix by Chris. Really captures the feeling of being there (which I was) by adding that hall ambiance and well placed audience whoops in the right places. Couple of comments - I remember watching Jerry who seemd to be concentrating very hard and looking at the other musicians - you can tell they had practiced some and wanted to seehow there new sound played at a real venue. Also, with the theater seats it was more a "listen and pay attention" show than a "dance and move about" show. I liked seeing them here and not at the Garden. The Stephen > Eyes > LIG works here (and I'm not a LIG fan). Definitely get this source if you want to hear a well played 76 show characteristic of that year. | |||||
Matt Vernon (1/4.8) | FLAC / 3 | B+ | A/B | View | 95399 | |
Notes: | flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2009-04-04]On this listen I didn't like the performance as much as my prior reviews would indicate - it suffers from the usual commentary for 76, namely tending to drag and be generally unexciting. Mickey's percussion is high in the mix on Dancin' | |||||
Matt Vernon (1/4.8) | FLAC / 3 | B/A | A/B | View | 99064 | |
Notes: | flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger [2009-05-24]This recording has better hall ambiance than the Steve Hopkins tape. This show has some good moments but it also has lots of pauses and features more than its fair share of slower tunes that impart a sit down concert feel to the evening. Usually shows that start with CR&S are good, and set 1 has a mixup of tunes like Scarlet, Cassidy, Crazy Fingers but somehow it doesn't click as much as it should. Set 2 starts strong with a SS > EOTW > LIG but then we get a BEW and in general Jerry picks slow tunes while Bobby selects rock tunes and as they alternate it gets confusing. Franklin's Tower as an encore is unusual and good. | |||||
Matt Vernon (1/4.8) | FLAC / 3 | X | X | View | 99063 | |
Notes: | flac24; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger | |||||
SpiralLightofVenus (1/5) | FLAC / 0 | MTX | View | 29323 | ||
Notes: | MTX TB4 | |||||
Mark Diamond (1/3) | / 3 | View | 5426 | |||
GratefulBrad (1/5) | flac / 0 | View | 5426 | |||
Craig S (1/0) | CDR / 3 | View | 95399 | |||
winterland121072 (1/0) | / 0 | View | 99063 |