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Grateful Dead 04/07/85
The Spectrum, Philadelphia, PA
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Set I
Why Don't We Do It In The Road?
Mississppi Half-Step Uptown Toodleloo
C.C. Rider
Birdsong
Dancin' In The Street
Deal
Set II
Shakedown Street
Samson & Delilah
She Belongs To Me
Man Smart (Woman Smarter)
Drums
Space
Gimme Some Lovin'
Truckin'
Smokestack Lightning
Morning Dew
Sugar Magnolia
Sunshine Daydream

Encore:
Keep Your Day Job
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By System
Sources
(3346) View Source    View Archive
Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks
(14614) View Source    View Archive
Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE)
(28488) View Source    View Archive
flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05.
(35081) View Source    View Archive
Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
(81454) View Source    View Archive
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
(87419) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
(91389) View Source    View Archive
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
(103429) View Source    View Archive
flac16; Recorded by Dave Cohen Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(107238) View Source    View Archive
flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(118484) View Source    View Archive
flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
(124835) View Source    View Archive
flac24; lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(128613) View Source    View Archive
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
(132713) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav
(139540) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
(139541) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
(139542) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
(140866) View Source    View Archive
flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141212) View Source    View Archive
flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
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User (active/rating) Media / # Show Sound Details DB Source User Source
Matt Vernon (1/4.8) SHN / 2 View 14614
Notes: sbd - keith
Matt Vernon (1/4.8) SHN / 2 B+ B+ View 28488
Notes: McCue aud [2006-10-07]Phil verty high in the mix - will test your sub-woofers. Ok show - 5 songs in set 1. Nothing that made this one stick in the player.
Matt Vernon (1/4.8) DVD / 3 View  
Notes: Brokedown House - Grateful Dead The Spectrum Philadelphia, PA April 7, 1985 Single camera audience shot DVD 1 Set 1 Why Don't We Do it in the Road Mississippi Half-Step C.C. Rider Bird Song Dancin' in the Streets Deal DVD 2 Set 2 Shakedown Street > Samson and Delilah She Belongs to Me -> Woman are Smarter -> Drums -> DVD 3 Space -> Gimme Some Lovin' -> Truckin' -> Smokestack Lightnin' -> Morning Dew -> Sugar Magnolia ENCORE: Day Job Video: Jeff Silbermans Master -> Harvey Lubars 1st GEN VHS-> panasonic standalone dvd recorder Audio: Source: Csbd>DAT>CDR>EAC>SHN (shnid = 3346) Seed Shns by Scott Z -- Thanks! Seeded to etree by darrin ([email protected]) on 2/14/2001 Notes: -Video capture by Eric using a standalone dvd recorder -sbd downloaded from tol with many thanks -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patching, Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin. Audio\Video Faults: 1) First 5.312 seconds that is the lead into Why Don't We Do It In the Road used the audio that came with the video. This portion of the audio was normalized to blend in better. 2) No other problems noted during first set. 3) Before Shakedown Street, part of the video was missing - used graphics and soundboard audio source to fill in. 4) Between Samson & Delilah and She Belongs to Me, 1 minute 43.972 seconds was missing from the soundboard source and filled in with audio from the original video soundtrack. This portion of the audio was normalized to blend in better. 5) Between Drums and Space, 40.000 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 6) During Space, 1 minute 51.600 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 7) During Morning Dew, 43.000 seconds was missing from the video source - used graphics and soundboard audio source to fill in. 8) During Sugar Magnolia, 43.100 seconds was missing from the video source - used graphics and soundboard audio source to fill in. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 30.00 Source picture letterboxed : Not letterboxed Bitrate : 8.00 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz 1536Kbps Audio application mode : Not specified Number of Audio channels : 2 Number of Audio streams : 1 Brokedown House Productions Do NOT Buy or Sell this video
Matt Vernon (1/4.8) FLAC / 2 B+ A- View 91389
Notes: Summary flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller [2008-05-14]I liked the sound on this - also Dancin in set 1 was good, space in set engaging. Overall satisfactory listen
SpiralLightofVenus (1/5) FLAC / 0 MTX View 132713
Notes: MTX TB13
SpiralLightofVenus (1/5) DVD / 0 AUD View  
Notes: DVD AUD TB5
SpiralLightofVenus (1/5) SHN / 0 SBD View 3346
Notes: SBD TB4
SpiralLightofVenus (1/5) DVD / 0 View  
Notes: DVD TB7
SpiralLightofVenus (1/5) FLAC / 0 AUD View 128613
Notes: AUD TB9
GratefulBrad (1/5) cdr / 2 A A View 3346 CSBD > DAT > CDR > EAC > SHN
Notes: Complete Soundboard
winterland121072 (1/0) / 0 View 132713
winterland121072 (1/0) / 0 View 3346
winterland121072 (1/0) / 0 View 81454
winterland121072 (1/0) / 0 View 91389
winterland121072 (1/0) / 0 View 28488
winterland121072 (1/0) / 0 View 35081
winterland121072 (1/0) / 0 View 103429
winterland121072 (1/0) / 0 View 87419
winterland121072 (1/0) / 0 View 87419
winterland121072 (1/0) / 0 View 107238
winterland121072 (1/0) / 0 View 118484
winterland121072 (1/0) / 0 View 14614
winterland121072 (1/0) / 0 View 124835
winterland121072 (1/0) / 0 View 128613
Purple Nation (1/5) DVD / 1 View   vhs transfer
David Schroer (1/5) cdr / 3 View  
Chuck Kiefe (1/5) CD-R / 2 View  
Notes: VHS (Amy Brightman) Master>Cass>PCM>Beta>DAT>CD
Israel Frankel (1/0) flac cd-r / 2 View 118484
doug smith (1/0) shn / 2 View 3346
Will Petty (1/0) shn / 2 View 3346