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Grateful Dead 06/03/76
Paramount Theatre, Portland, OR
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Set I
Might As Well, Cassidy, Row Jimmy, Looks Like Rain, They Love Each Other, Lazy Lightning, Supplication, Candyman, The Music Never Stopped, Scarlet Begonias, Dancin' In The Streets
Set II
Samson & Delilah, Crazy Fingers-> Wharf Rat-> Let It Grow-> Drums-> It Must Have Been The Roses-> Around & Around-> Help On The Way-> Slipknot!-> Franklin's Tower-> One More Saturday Night, E: The Wheel
Set III

Comment

Last Changed By System
Sources
(7555) View Source    View Archive
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
(7719) View Source    View Archive
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
(7825) View Source    View Archive
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
(14263) View Source    View Archive
AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
(17266) View Source    View Archive
Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
(20004) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
(86745) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
(91912) View Source    View Archive
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
(99910) View Source    View Archive
flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
(123464) View Source    View Archive
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
(123607) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(123608) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
(123898) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
(139643) View Source    View Archive
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Rob Harrison (2/5) DAT / 2 View   SBD
Notes: All sets. Soundboard>Unknown media
Laura (2/0) / 0 View 7555
david farrell (2/0) shn / 0 View 7555
Andy Menyhar (2/0) / 3 A- View  
Dan (2/0) CDR / 3 View   SBD > RTR > PCM > ? > Illegal Bootleg CD > D
Joe Bauman (2/0) Shn / 2 View  
ron stransky (2/0) / 0 View  
matt bean (2/0) CD-R / 3 View   SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)
Scott (2/0) / 0 View  
Tripp Wojohn (2/0) SHN / 2 View   SBD > RTR > PCM > ? > Illegal Bootleg CD > D
Notes: SSSB
Kevin Boland (1/4.7) CD / 3 View   MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Carter (1/5) CDR / 3 A A View  
Charlie Yohe (1/5) CDR / 3 View 86745
Rick Childs (1/4.9) CDR / 3 A++ A++ View 7555
KerouacAW (1/0) ? / 0 ? View  
KerouacAW (1/0) ? / 0 ? View  
Gary Field (1/5) 20004 / 2 View 20004 SBD
Notes: SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included
Gary Field (1/5) 14263 / 2 View 14263 AUD
Notes: AUDMC > DAT > WAV > SHN; Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Gary Field (1/5) 7825 / 2 View 7825 AUD
Notes: unknown aud > ? > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw; Dolby decoded version
Gary Field (1/5) 7719 / 2 View 7719 SBD
Notes: LINEAGE: SBD > RTR > PCM > ? > Illegal Bootleg CD > D
Gary Field (1/5) 7555 / 2 View 7555 SBD
Notes: Source: MR > Reel > PCM > DAT > DAT Clone > WAV > SHN
Gary Field (1/5) 86745 / 2 View 86745 SBD
Notes: SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro [070820.2]
Gary Field (1/5) 91912 / 3 View 91912 MTX
Notes: MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN; matrix created using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) [080522.1]
Gary Field (1/5) 17266 / 2 View 17266 SBD
Notes: Bertha Remaster of the Master Reel/Reel source SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA [090501.1]
Gary Field (1/5) 99910 / 2 View 99910 AUD
Notes: aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac [090709.2]
Gary Field (1/5) / 0 View  
Gary Field (1/5) 123464 / 2 View 123464 AUD
Notes: Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC (Had been marked AKG D224E -> Cassette Master -> FLAC.); Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; Recorded By Reinhardt Holwein [130120.wd002]
Gary Field (1/5) 123607 / 2 View 123607 SBD
Notes: Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16 [130202.wd002]
Gary Field (1/5) 123608 / 7 View 123608 SBD
Notes: flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24 [130204.wd002]
Gary Field (1/5) 123898 / 2 View 123898 MTX
Notes: Matrix using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) [130330.wd002]