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Phish 12/30/94
Madison Square Garden, New York, NY
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Set I
Wilson->Rift, AC/DC Bag, Sparkle, Simple, Stash, Fee->Scent of a Mule, Cavern
Set II
Sample in a Jar, Poor Heart->Tweezer, I'm Blue I'm Lonesome*, You Enjoy Myself, Purple Rain->HYHU, Harry Hood, Tweezer Reprise, (encore) Frankenstein
Set III
 
Comment
*Acoustic; This show was described as Page's peak experience with Phish in an Entertainment Weekly article. Note this is the "later show" on this date. The earlier-in-day Letterman taping is also listed in this db- if you want to list the "Late Show with Letterman" gig, use this link.
Last Changed By Hamilton, Greg & Diana
Sources
(2086) View Source   
purported SBD/Aud matrix > cass/0 > DAT (see info file for more details); Seed provided by Mark Oppenlander; SHN conversion by Jason Fritz; Retracking and editing by Mike Wren
(7805) View Source   
flac16, 44kHz; (FOB/ORTF) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10; Sony PCM-r500 > Sek'd Prodif Plus > Soundforge > CDWave > FLAC; Source by Eliot Byron; Transfer by Jim Raras
(32559) View Source   
AKG 460B/ck61 > custom pre-amp > Teac DAP-20 > Casio DAT deck @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
(134030) View Source   
flac16, 48kHz; Sennheiser k3u/me80's > Sony TCD-D10 > Sony TCD-D7 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by unknown; Patch DAT(m) provided by Bill Shaw; Transfer by Terry Watts
(138834) View Source   
flac16 44.1khz Set 1 only. Source: SBD > C0 > DAT. Transfer: Archive PYTHON > vDAT > Audacity > CDWave > xAct > Flac. Seeded to Etree 7/2017 by Rusty
(138842) View Source   
flac16 48khz Source: Set 1 only. SBD > C0 > DAT. Transfer: Archive PYTHON > vDAT > Audacity > CDWave > xAct > Flac. Seeded to Etree 7/2017 by Rusty
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
kevin floyd (1/5) shn / 2 View   DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 >Sonosax SX-M2 > Apogee AD-500e >...
Notes: dankseed
Jason (1/0) CD-R / 2 View  
Notes: (I do not see this release listed on etree...I do however see the SBD(Matrix) source listed)
Chris Loersch (1/5) SHN / 2 View 2086 SBD\AUD(Matrix) -> ? -> Original Silvers -> Eac(secure) -> Wav -> SHN
Notes: Liberated Boot - Vice Grip Records
Erik Blenheim (1/0) / 0 View  
Mike (1/0) shn / 2 A A- View 2086 Disputed, has been called SBD matrix, FOB, Shotgun, FM, etc
MikesSongs (1/3.5) SHN / 3 View 2086
Chris (1/0) / 2 View  
Notes: Set 1 Wilson->Rift, AC/DC Bag, Sparkle, Simple, Stash, Fee->Scent of a Mule, Cavern set2 Sample in a Jar, Poor Heart->Tweezer, I'm Blue I'm Lonesome*, You Enjoy Myself, Purple Rain->HYHU, Harry Hood, Tweezer Reprise, (encore) Frankenstein set3 Comment *Acoustic; This show was described as Page's peak experience with Phish in an Entertainment Weekly article. Note this is the "later show" on this date. The earlier-in-day Letterman taping is also listed in this db- if you want to list the "Late Show with Letterman" gig, use this link.
Justin Gostony (1/5) / 2 View   SBD / AUD Matrix
elkhartadam (1/0) SHN / 2 A A+ View 2086 SBD/Aud matrix > cass/0 > DAT
Notes: First MSG show
John Clark (1/0) shn / 2 View 2086
Brian Kilpatrick (1/4) CDR/SHN / 2 A View   See Notes
Jim Rizzo (1/5) shn / 2 View  
Notes: 13,14
Gabriel Lowe (1/5) shn / 2 View 2086 purported SBD/Aud matrix > cass/0 > DAT
tim cook (1/0) CD / 1 View   SBD/Matrix
Notes: Set 1
Lee Wagner (1/0) cd-r / 2 View  
Raj (1/0) SHN / 2 View 2086
jwebbs (1/5) CDR / 3 View   SBD/Aud matrix > cass/0 > DAT
Jody Bugabear (1/5) SHN / 2 View   dankseed **see notes
Notes: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Set 1: Master (from D10) used in below transfer Set 2: Master > clone(s) (backup) used in below transfer (see below) This recording was done on a stand in Row M, (aka DFC!). Fades in/out beg/end of sets--3 sec fade-in's and 5 sec fade out's Eliot provided two separate versions of set-2; both clones directly from the master--which is not around. One of the clones has a dropout from cloning (weird loss of signal) in Harry Hood (I'll call this clone 'clone A' as it is used for most of set-2) the other clone ('clone B') has a cut at the beginning of Sample. Hence, we don't have access to the master anymore and these are the two closest things around. So, to make a perfect source from these two nearly perfect clones of the master I have used clone A up until right before Harry and there I have patched in clone B for the rest of the show (about 23m23s). This was done by patching the two sources at the sample level in SF 5.0 during the crowd noise between HYHU and Harry Hood. More detailed info is provided in the 48k .shn's as the timing is pertinent in those files and not here, because all the edits were done at 48k prior to resampling. No music was disturbed and the patch is done at the sample level so it's inaudible to the human ear, or as close to perfect as it's gonna get.
Greg Miller (1/5) SHN / 2 View 2086 purported SBD/Aud matrix > cass/0 > DAT
Notes: Source: See Notes Conversion: CD-R > EAC > SHN v3 by Jason Fritz from a CD-R kindly provided by Mark Oppenlander Additional Editing, retracking and information by Mike Wren his source is a purported SBD/Aud matrix > cass/0 > DAT (as noted at http://www.freedumb.net/sbd/sbdlist.html), however this lineage is questionable.
captain23 (1/5) shn / 3 View  
Chris (1/5) CDR / 2 View  
Thomas Raymo (1/5) SHN / 2 View 2086
Notes: OK :-)
The AlphaDog (1/0) shn / 2 View  
Meaty (1/0) shn / 2 fob View 2086
Jon Russell (1/5) SHN / 2 View  
Lee (1/0) / 2 a b View   SBD (poor)
Darren Daniel (1/0) Cd-r / 3 A+ View   DMTX
Adam Feinberg (1/0) CDR / 2 A- B+ View   AUD
Notes: Show's ok, sound's ok
Matt Laufer (1/0) CD / 2 View 2086 ??SBD/AUD MATRIX??
Reese (1/0) CDR / 2 View