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Set I
Alabama Getaway-> Promised Land, Candyman, El Paso, Bird Song-> Little Red Rooster, Ramble On Rose, It's All Over Now, Brown Eyed Women, The Music Never Stopped, Deal
Set II
Scarlet Begonias-> Fire On The Mountain, Estimated Prophet-> Eyes Of The World-> Drums-> Uncle John's Band-> Truckin'-> Morning Dew-> One More Saturday Night, E: Don't Ease Me In
Set III
Comment
Last Changed By
System
Sources
(3419) View Source
View Archive
Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation
(13310) View Source
View Archive
Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation
(19017) View Source
View Archive
MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
(30625) View Source
View Archive
flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell
(31002) View Source
View Archive
flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller
(112575) View Source
View Archive
flac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz
(138616) View Source
View Archive
flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(138617) View Source
View Archive
flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(141511) View Source
View Archive
flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(3419) View Source
View Archive Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation
(13310) View Source
View Archive Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation
(19017) View Source
View Archive MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
(30625) View Source
View Archive flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell
(31002) View Source
View Archive flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller
(112575) View Source
View Archive flac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz
(138616) View Source
View Archive flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(138617) View Source
View Archive flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(141511) View Source
View Archive flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Chonz (1/5) | CD, SHN / 3 | View | ||||
| hoptrip (1/0) | / 3 | View | ||||
| hoptrip (1/0) | / 3 | View | 31002 | |||
| justin tobin (1/5) | CDR / 3 | A+ | View | |||
| Tim Burke (1/5) | SHN / 2 | View | 3419 | Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN | ||
| Hans Voight (1/5) | SHN / 2 | A | View | 3419 | Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN | |
| Terence Keating (1/5) | / 0 | View | 31002 | |||
| Mike McD (1/4.9) | cd / 3 | A+ | A | View | AUD. | |
| Notes: | Has hiss | |||||
| Tom Bashara/Eric Linstrom (1/5) | SHN, Audio / 2 | View | 3419 | Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN | ||
| Notes: | Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN | |||||
| Tom Bashara/Eric Linstrom (1/5) | FLAC / 2 | View | 31002 | |||
| Kima (1/0) | / 0 | View | 3419 | |||
| Kima (1/0) | flac / 3 | View | 30625 | |||
| Kima (1/0) | flac / 3 | View | 31002 | |||
| Brandon Calloway (1/0) | flac / 3 | View | 30625 | matrix (see notes) | ||
| Notes: | SBD: (shn ID 3415) Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN (via Jeff M.) AUD: (shn ID 19017) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Transfer: Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (via: A > D by Steven Martin + EAC > SHN by Jack Warner) | |||||
| Django (1/5) | SHN / 2 | View | 3419 | Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN | ||
| *.* (1/3) | FLAC / 2 | View | 31002 | |||
| Asa (1/5) | CD-R / 3 | View | ||||
| jgglass (1/0) | cdr / 3 | View | 30625 | |||
| jgglass (1/0) | cdr / 3 | View | 31002 | |||
| Ruby Tuesday (1/5) | DVD / 2 | View | AUD | |||
| Martin M. Pedersen (1/3) | shn / 3 | View | 3419 | |||
| Bill (1/5) | FLAC / 3 | View | 30625 | |||
| samson (1/0) | FLAC / 3 | A | A | View | 30625 | |
| Notes: | Sick Bits vol. 11 | |||||
| Beka (1/5) | CDR / 3 | A | A | View | 30625 | |
| Notes: | Sick Bits 11 SHNID: 30625 | |||||
| denance (1/4.9) | / 0 | View | 30625 | |||
| Dennis Lausier (1/4.8) | CD / 3 | A | A | View | 31002 | SBD -> Cassette Master -> Dat (44.1k)-> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC |
| Brandon Buser (1/5) | CDR / 3 | View | 30625 | Matrix: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; MAC (Taped by... | ||
| M. Flory (1/0) | CDR / 3 | View | Matrix:SBD: (shn ID 3415) see notes for details | |||
| Notes: | SBD: (shn ID 3415) Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN (via Jeff M.) AUD: (shn ID 19017) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Transfer: Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (via: A > D by Steven Martin + EAC > SHN by Jack Warner) [complete text files for each source appended at end] Transfer/Editing: All sources were snh files downloaded from the LlaMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 8/01/05 seeder's notes: "Given the two sources available on archive.org, I decided to put the effort into editing a matrix of this incredible night at Manor Downs (pronounced "Mayner") in Manor, TX (not Austin, Manor Downs is the racetrack outside of Austin about 6 miles in the town of Manor). The FOB AUD is an excellent recording for '82 and the SBD is balanced with everyone in the mix. Aside from the fact that the SBD is compressed and the AUD has a pretty slappy kick drum, the two sources work well together even when Phil drops huge bombs resulting in massive overload. This show is simply smokin', definately top 5 '82 along with 9-17, 4-6, 8-10 and 8-3. Apparently, post drums is actually after midnight, thus Jerry's birthday, which a few people remind him during the mellow part of the Dew. The crowd certainly got treated to "one of those shows" this night at the racetrack." Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched up about .12 (12 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. The SBD very close to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little EQ to the AUD source, cutting 2.5k about 1 dB to minimize the attack on the kick drum; also I applied Waves L2 (limiter) to the master 2 buss to keep things contained. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. The AUD is higher in the mix, but the SBD is compressed so it has much more presence. If I had to guess the SBD/AUD ratio would be somewhere between 2.5:1 and 3:1. The SBD suffers from occasional distortion as well as a pretty wispy and present hi-hat due to the previously employed compression, however I did nothing to the SBD. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t06 (6:36:51 - 6:36:64) - removed glitch (left channel only) d1t07 (8:06 - 8:11) - missing (crowd) d2t01 (0:00 - 0:06) - missing (crowd) d2t06 (0:04 - 0:15) - missing d3t02 (3:34 - 3:35) - minimized static (left channel only) d3t02 (8:28 - 8:29) - missing d3t05 (0:04 - 0:13) - missing d3t05 (4:44 - 4:56) - missing (crowd) AUD: d1t01 (0:00 - 0:49) - missing (crowd) d1t03 (4:17 - 4:45) - missing (crowd) d1t07 (8:00 - 8:01) - missing (crowd) d2t05 (0:02 - 0:11) - missing d2t05 (4:32 - 4:32) - removed glitch d3t02 (1:27 - 1:52) - removed dropout (right channel only) d3t03 (1:03 - 1:24) - removed dropout (right channel only) d3t04 (0:09 - 1:01) - removed dropout (right channel only) d3t05 (0:00 - 0:02) - missing d3t05 (4:23 - 4:31) - removed dropout (right channel only) Note that alot of the missing elements from the SBD or the AUD source are just crowd segments except for tape flips from both sources, fortunately not in the same places, thus full coverage is achieved. Thanks to Jeff M. for providing the SBD. Thanks to Steve Martin for recording the AUD and to Jack Warner for encoding it. | |||||
| Michael (1/5) | Flac / 3 | View | 31002 | 31002 | ||
| Notes: | SBD | |||||
| Michael Tatlow (1/5) | cdr / 3 | View | ||||