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Set I
Makisupa Policeman -> Harpua Finale*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye, Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil
Set II
Wolfman's Brother -> Simple** -> My Soul, Slave to the Traffic Light, Rocky Top, Julius
Set III
Halley's Comet -> Cities -> Llama -> Lawn Boy, Limb By Limb, Funky Bitch# E: Contact, Loving Cup
Comment
* Picked up where Harpua left off at Clifford Ball on 8/17/96,
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
Last Changed By
Daniel Shay
Sources
(687) View Source
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
(687) View Source
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| natefein (3/0) | FLAC / 3 | View | 11733 | |||
| Patrick (3/4) | cd-r / 4 | A | View | |||
| Kevin Brooks (3/0) | CDR / 5 | View | Microtech Gefell m296> EAA pre-amp | |||
| Notes: | when combined with 8.17.97 it is 8 discs total | |||||
| fxdjr (3/0) | / 4 | View | ||||
| Dan (3/0) | cdr / 4 | View | 11733 | |||
| jason (3/0) | CDR / 1 | A- | View | Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT | ||
| Notes: | Phish @ the Great Went "Disco" set 8-16-1997 Late Night (approx 2am morning of 8-17) Loring Air Force Base, Limestone, Maine 1.. unknown > (39:47) 2.. unknown (06:55) note : This is the Entire set, two sources spliced together. recording/transfer sources : track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording and transfer by Jon Weber [email protected] able assistance from Darryl Snyder track 2 = Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT recording and transfer by Adam Shiffman / Justin Brooks [email protected] performance note : This was a latenight set during the Great Went, that took place the morning of August 17. All four members of Phish played keyboards/synthesizers (with occasional vocal forays), sitting on the back of an eighteen-wheeler, which was parked near the entrance to the concert field. There was a small lighting rig. Earlier in the day there were a few thousand rave-style fliers circulating ambiguously advertising a "Disco" featuring MC Neoncellgap, DJ LeMore LaLip, etc, and you can hear some announcements to that effect at the end of the set. Also of note : brief footage of this set can be seen during the film "Bittersweet Motel", during the Great Went "2001" montage. recording note by taper Jon Weber : This is the entire set. For a while now, a partial version (the final 15+ minutes) of this set has been circulating in SHN format. Props to Adam and Justin for getting that out there. I've included the source listing for their source (which was used for track 2) above. Since I feel a little guilty for not circulating *my* source sooner, there are a few things worth noting. First, I was indeed rolling just as the set started. One of my best friends was working for DryGoods at the time, and she tipped me off to exactly where the latenight set was taking place.... so I was standing there with my equipment, waiting for them to start, before any crowd had shown up. Problem is, there were two subsequent "flaws" that prevented me from circulating this tape since then : 1.. the aforementioned DryGoods friend walks up to me early in the set, with her friend (now Paluska's wife), and I'm standing there with mic's on my glasses and wires hanging off of me. I try to play it off cool, as you'll unfortunately hear my attempt on the tape. I felt a little guilty getting the latenight info from her, and then Shushing her for taping purposes. Fortunately there's only about 20 seconds total of conversation. A nice phishstorical footnote is that this same friend is the one whose hearty laugh is featured at the end of the studio version of "Twist". 2... after the show, I got back to my tent and we were checking out Radio WENT. It seemed that they were rebroadcasting the main stage show, so I immediately hooked up my DAT and started recording. A classic stoner move, it turned out that I erased over the final ten minutes of the Disco Set, rendering my source Incomplete! So, for the longest time, and recalling that I saw a tape stand show up about halfway through the show.... I knew there was another source that would eventually surface and could provide the ending to my recording which started at the beginning. I spliced the two sources during a moment of audience applause 39+ minutes into the set -- I made no attempt to EQ or compress anything to match the sources, you will probably notice a difference, but no music was lost in the splice. Thanks to Phish for all the great memories and Went.... Jon Weber - Sept 2003 transfer notes : EAC steps were necessary due to a degrading master DAT (Darryl saved us with an archived CDR). As now, it's as pure as it can be - so enjoy. seeded via bt.etree.org, september 2004 by mudderbug original seed had bad edit on track 2, it cut 45 seconds before the end of the set. This text file was seeded with the corrected and complete version. | |||||
| Bret Andrea (3/5) | CDR / 4 | A+ | A+ | View | FM > DAT | |
| Renee (3/5) | shn / 2 | View | ||||
| Jen Kraai (3/0) | CDR / 4 | View | ||||
| Brian Johnson (3/0) | cdr / 4 | A | A | View | 11733 | FM |
| alderon planet (3/0) | CDR / 4 | View | Set 1 source: FM > DAT Set 2 & 3 Source [EP]:BTP Schoeps mk21>kc5>cmc6>sonosax... | |||
| alderon planet (3/0) | CDR / 1 | View | Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz DAT->PC via TB Fiji digi I/O... | |||
| Notes: | GREAT WENT DISCO - This is not the complete set - They actually played over half an hour, but the complete copies I've heard had other problems.. - Sound quality improves after the first minute (we moved closer) | |||||
| John Lynes (3/5) | cd / 4 | A | A- | View | ||
| Adam Schwartzberg (3/0) | / 4 | View | ||||
| Notes: | The Great Went | |||||
| Jeremy Wilson (3/0) | CDR / 4 | A | View | |||
| Notes: | DAO | |||||
| Tracy (3/5) | CDR / 4 | A+ | View | |||
| Justin White (3/0) | CDR / 5 | View | ||||
| Notes: | w/ complete late night Disco 4th Set | |||||
| tyler mcghee (3/0) | SHN / 2 | A | B+ | View | Microtech Gefell m296 > EAA pre-amp | |
| Notes: | The Great Went! AUD |
|||||
| Scott McWatty (3/4.5) | cdr / 4 | View | Microtech Gefell m296 > EAA pre-Amp | |||
| Notes: | 8/16 & 17/97 8 discs Total | |||||
| Doug & Marsi (3/5) | / 4 | View | ||||
| Stiff (3/0) | CDR / 4 | A | A | View | ||
| Notes: | All of the Went takes 8 | |||||
| Matt Havron (3/5) | cdr / 4 | View | ||||
| hornsby23 (3/4.5) | cdr / 4 | View | 11733 | FM>DAT | ||
| Chris (3/5) | CD / 4 | View | SBD | |||
| jdubya (3/0) | CDR / 4 | A | View | |||
| Kenn Kerper (3/4) | shn / 0 | View | 11733 | Set 1 source: FM > DAT@48k->Montego II Plus@44k->HD via Soundforge->CDWav Set 2 and... | ||
| Arjen (3/0) | shn / 3 | View | FM source | |||
| Jason (3/0) | AUD / 4 | View | Set 1 source: FM > DAT; Set 2 and 3 Source: FM > DA-P1 | |||
| Notes: | FM (SBD) | |||||
| Blake Ciperski (3/4.8) | CDR / 4 | View | FM>DAT>CDR | |||
| joshua buxton (3/5) | CD-R / 4 | View | ||||