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Phish 08/16/97
Loring Air Force Base, Limestone, ME
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Set I
Makisupa Policeman -> Harpua Finale*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye, Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil
Set II
Wolfman's Brother -> Simple** -> My Soul, Slave to the Traffic Light, Rocky Top, Julius
Set III
Halley's Comet -> Cities -> Llama -> Lawn Boy, Limb By Limb, Funky Bitch# E: Contact, Loving Cup
Comment
* Picked up where Harpua left off at Clifford Ball on 8/17/96,
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
Last Changed By Daniel Shay
Sources
(687) View Source   
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source   
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source   
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source   
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source   
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source   
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source   
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source   
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source   
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source   
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source   
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source   
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source   
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source   
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source   
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
funktion8 (3/0) CDR / 4 A View   SBD > FM > DAT > CDR
funktion8 (3/0) CDR / 2 A View   prefm-dsbd dat > rme96/8 > cd
James Clark (3/5) CDR / 4 View   Set 1: FM > DAT Set 2 & 3: BTP Schoeps mk21>kc5>cmc6>sonosax SX-m2>Technics SV-MD1
Marvin Pate (3/0) shn / 5 View   Microtech Geffel m296>EAA pre-amp
Kurt Smith (3/0) 5shn/8cdr / 5 PCP View   Microtech Gefell m296 > EAA pre-amp
Notes: The Great Went 8/16 + 8/17/1997 Loring Air Force Base - Limestone, ME Source: Microtech Gefell m296 > EAA pre-amp Taper: Marc Nutter Seed: Supplied by John Cocci Mastering: John Cocci (DAT > CD) Extraction: Mike Monacella (using WinDAC w/ sector syncronization) **Special Thanks to John Cocci for all his hard work mastering this show** Disc Layout: > Disc 1 - Day 1 Set 1 thru Ginseng Sullivan > Disc 2 - Day 1 Set 1 con't > Disc 3 - Day 1 Set 2 > Disc 4 - Day 1 Set 3 thru Funky Bitch > Disc 5 - Day 1 Encore, Day 2 Set 1 thru Bouncin > Disc 6 - Day 2 Set 1 con't, Set 2 thru DWD>Jam > Disc 7 - Day 2 Set 2 con't > Disc 8 - Day 2 Set 3 **Disc layout chosen was best out of available options in terms of continuety and disc space - otherwise Disc 5 would only include the encore of Day 1 and all filler or other non-desireable options** Show Information: **as supplied by www.phish.net** 08-16-97 Loring Air Force Base, Limestone, ME 1: Makisupa Policeman-> Harpua*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye-> Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil (1:16) 2: Wolfman's Brother-> Simple**, My Soul#-> Slave to the Traffic Light, Rocky Top, Julius (1:08) 3: Halley's Comet-> Cities-> Llama-> Lawn Boy, Limb By Limb^-> Funky Bitch (0:59) E: Contact-> Loving Cup (0:13) 4: Disco Tent Jam The Great Went (Day One). *Starts with the theme and Jimmy story, picking up where the song aborted last year at the end of the Clifford Ball (08-17-96). **With theme from "The Odd Couple" tease/jam. #With a kind of a twisted "Seven Dwarves" sort of jam. ^Major fireworks are let off behind the stage during the song, culminating in a great finale display as Funky Bitch kicks in. 08-17-97 Loring Air Force Base, Limestone, ME 1: The Wedge, Beauty of My Dreams, Dogs Stole Things, Vultures, Water in the Sky-> Maze, Bouncing Around the Room-> Tweezer*-> Taste, Carolina (1:17) 2: Down With Disease-> Bathtub Gin-> Uncle Pen, Also Sprach Zarathustra->Art Jam**-> Harry Hood (1:35) 3: Buffalo Bill-> NICU-> Weigh-> Guyute, Dirt, Scent of a Mule#-> Prince Caspian (0:57) E: When the Circus Comes-> Tweezer Reprise^ (0:12) The Great Went (Day Two). *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As "Harry Hood" goes into its jam, Trey asks Chris to turn the lights off, and the band jams while the front section has a gigantic Glow Stick War. Trey tells the crowd at the end of the jamto "go and get more of those, because that was cool." #No Muel Duel. ^The entire art tower was burned to the ground.
ryguy (3/0) CD-R / 4 A+ View  
Notes: DAO
Danaca Booth (3/0) CDR / 4 A View   Microtech Gefell m296 > EAA pre-amp
Notes: source: Microtech Gefell m296 > EAA pre-amp (Omis, run split about 10 ft. apart aimed directly between main stacks and the first set of delay stacks). Extraction: WinDAC w/ sectar syncronization Dropouts:
Jeremy Monroe (3/0) cdr / 5 A View  
Notes: The Great Went
Mike (3/5) CD / 4 View   FM>DAT>CD
Notes: Multiple dropouts on d3t1
Mike O'Malley (3/5) CDR / 5 View   Microtech Gefell m296 > EAA pre-amp
Notes: .shn available
Ed Wawrzyniak (3/5) SHN / 3 View 947 Microtech Gefell m296 > EAA pre-amp
Shawn Norris (3/5) CD / 5 View  
Shaun Hawkins (3/0) CDR / 4 A View  
Notes: Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp
Jeff Johnson (3/5) SHN / 3 A A View 687 Set 1 source: FM > DAT Set 2 & 3 Source [EP]: BTP Schoeps mk21>kc5>cmc6>sonosax...
Notes: The Great Went
Bob Renz (3/5) CDR / 4 View  
Frank (3/0) cdr / 5 A A View 947 Microtech Gefell m296 > EAA pre-amp
Mike (3/0) CD-R / 4 A View  
Jake (3/1) AUDIO / 4 A- View   AUD>Microtech Gefell m296 > EAA pre-amp>CD-R. Some wash due to the wind.
Jake (3/1) AUDIO / 4 A- View   AUD>Microtech Gefell m296 > EAA pre-amp>CD-R. Some wash due to the wind.
Mike (3/0) CDR / 4 A+ A+ View  
Curt Casciato (3/0) CDR / 4 A A View  
nick (3/1.1) CD / 0 View  
Clay Faine (3/0) SHN / 5 Etr View   Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main...
Notes: [center]The Great Went 8/16 + 8/17/1997 Loring Air Force Base - Limestone, ME Source: Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp Taper: Marc Nutter Seed: Supplied by John Cocci Mastering: John Cocci (DAT > CD) Extraction: Mike Monacella (using WinDAC w/ sector syncronization) **Special Thanks to John Cocci for all his hard work mastering this show** Disc Layout: > Disc 1 - Day 1 Set 1 thru Ginseng Sullivan > Disc 2 - Day 1 Set 1 con't > Disc 3 - Day 1 Set 2 > Disc 4 - Day 1 Set 3 thru Funky Bitch > Disc 5 - Day 1 Encore, Day 2 Set 1 thru Bouncin > Disc 6 - Day 2 Set 1 con't, Set 2 thru DWD>Jam > Disc 7 - Day 2 Set 2 con't > Disc 8 - Day 2 Set 3 **Disc layout chosen was best out of available options in terms of continuety and disc space - otherwise Disc 5 would only include the encore of Day 1 and all filler or other non-desireable options** Known flaws: slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; small pop in NICU d8t2 1:18; Guyute/Dirt on one track, d8t4; note d4t6 "pops" are fireworks Day One: Set One: Disc One: 1. Makisupa Policeman-> 2. Harpua*, 3. Chalk Dust Torture, 4. Theme From the Bottom, 5. Punch You in the Eye-> 6. Ghost, 7. Ginseng Sullivan, Disc Two: 1. You Enjoy Myself, 2. Train Song, 3. Character Zero, 4. The Squirming Coil Set Two: Disc Three: 1. Wolfman's Brother-> 2. Simple**, 3. My Soul-> 4. Jam# 5. Slave to the Traffic Light, 6. Rocky Top, 7. Julius Set Three: Disc Four: 1. Halley's Comet-> 2. Cities-> 3. Llama-> 4. Lawn Boy, 5. Limb By Limb^-> 6. Funky Bitch Disc Five: Encore: 1. Contact-> 2. Loving Cup *Starts with the theme and Jimmy story, picking up where the song aborted last year at the end of the Clifford Ball **With theme from "The Odd Couple" tease/jam. #With a kind of a twisted "Seven Dwarves" sort of jam. ^Major fireworks are let off behind the stage during the song, culminating in a great finale display as Funky Bitch kicks in. Day Two: Set One: 3. The Wedge, 4. Beauty of My Dreams, 5. Dogs Stole Things, 6. Vultures, 7. Water in the Sky-> 8. Maze, 9. Bouncing Around the Room-> Disc Six: 1. Tweezer*-> 2. Taste, 3. Carolina Set Two: 4. Down With Disease-> Disc Seven: 1. Bathtub Gin-> 2. Uncle Pen, 3. Also Sprach Zarathustra-> 4. Art Jam**-> 5. Harry Hood Disc Eight: Set Three: 1. Buffalo Bill-> 2. NICU-> 3. Weigh-> 4. Guyute, Dirt, 5. Scent of a Mule#-> 6. Prince Caspian Encore: 7. When the Circus Comes-> 8. Tweezer Reprise^ *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. #No Muel Duel. ^The entire art tower was burned to the ground. --- --- additional tracking comments: Date: Thu, 11 Nov 1999 17:10:00 -0500 From: Anthony Marco To: [email protected] Subject: [etree] Went SHN tracking Those downloading and burning the current circulation of Went may want to consider the following shift in tracks to save a disc. This only works if you have the edited version of the Disco Tent Jam (about 17:00) that seems to be on some ftps. Add "Disco Tent Jam" as d5t3 (after Loving Cup) Move "Bouncing" to d6t1 (before Tweezer) Disc 5 - 72:26 Disc 6 - 63:16 This shift retains set integrity AND puts the "Disco" in its proper chronological place... everything on 8 instead of 9. [/center]
Dave Striepe (3/0) SHN / 5 A A View 947 Gefell M296 >EAA PreAmp >DAT>SHN
mattress (3/0) shn / 3 View   Microtech Gefell m296 > EAA pre-amp
dylan wolfe (3/5) SHN / 6 View 947 Microtech Gefell m296 > EAA pre-amp
Notes: On Memorex Discs, freebes from the keck collection.
andy kufel (3/0) shn / 4 View   Set 1 source: FM > DAT , Set 2 & 3 Source [EP]: BTP Schoeps mk21>kc5>cmc6>sonosax...
Notes: d1-512 d2-509 d3-513 d4-514
David (3/0) CDR / 4 A A View  
Adam (3/0) / 0 View  
paul ebenkamp (3/0) analog / 1 A+ A View  
Notes: set III only.