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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Dave Tjostem (3/0) | C90 / 1 | A- | A- | View | sbd | |
John Kilcar (3/4.6) | MD / 1 | View | ||||
scott (3/0) | cdr / 1 | A- | View | |||
Josh Cooperman (3/3.8) | CDR / 1 | A | View | |||
Notes: | Shares space with 10-26-63 | |||||
Snoopy (3/0) | shn / 1 | View | ||||
Notes: | w/ Dylan the Banjo Tapes 02-08-63 | |||||
Jim Decker (3/5) | CDR / 1 | View | SBD | |||
Notes: | Unreleased Columbia album compiled from Town Hall (April 12, 1963) and Carnegie Hall (October 26, 1963) Tracklist: Last Thoughts On Woody Guthrie, Lay Down Your Weary Tune, Dusty Old Fairgrounds, John Brown, When the Ship Comes In, Who Killed Davy Moore, Percy's Song, Bob Dylan's New Orleans Rag, Seven Curses | |||||
Beth (3/0) | CDR / 1 | A | View | |||
Notes: | SBD | |||||
Greg Schultz (3/0) | WAV, SHN / 2 | A+ | View | |||
ben (3/0) | cdr / 1 | a | View | |||
Notes: | fits on one cd with "banjo tapes" to makeup "banjo tapes & town hall" | |||||
Tom Lee (3/0) | cdr / 1 | View | unreleased | |||
Tom Lee (3/0) | 1cdr / 0 | View | alternate in concert - more complete show | |||
Tim (3/0) | CDR / 1 | View | ||||
Dave Huck (3/0) | CDR / 1 | A | View | |||
Lizz (3/0) | CD-R / 1 | A | A | View | ||
Todd W. Berner (3/0) | CD-R / 1 | A | A | View | ||
mccoy (3/0) | shn / 1 | View | bootleg cd > wav > shn | |||
Notes: | : the banjo tapes and nyc townhall | |||||
mojo7 (2/5) | / 0 | View | ||||
CMFrolio (2/5) | flac / 1 | View | ||||
Notes: | sbd | |||||
A.D.Y. List (2/5) | Digital / 1 | A | A | View | SBD | |
Notes: | Staggering! There are simply no superlatives that could do this release justice. Sony brought the master tape of this show to light for consideration of the bootleg series. Why it was abandoned is anyone's guess. We have long petitioned them to create or work with an independent manufacturer that could afford to produce small quantity releases that might not have the appeal to the masses that Sony or Legacy would require to view it as a profitable venture. In this day and age of the Goliath Labels being wounded by greed and conquered by technology, one would think that an idea such as this would make Label executives giddy at the prospects, yet they continue to turn a deaf ear. To fulfill the demand, boot labels do their best to get the material to the public. Some are only looking for the quick bottom line, but there are a few who are truly interested in producing labor of love packages. Rattlesnake has long been at the forefront of those beautiful looking and sounding packages. A similar package was released six months earlier by Hollow Horn. Whether this recording is taken from that one or the same master is uncertain, but it is not a direct copy to copy. This release has been mastered independently, although the quality is nearly identical. Along with the brilliant package, this one also has a 16 page booklet! The title is not quite so imaginative, but who needs fantasy with a reality like this beauty. The package is full of photos and images, track information and concert reviews. With all the hoopla of the splendid visuals of this release laid aside, the sound recording is worthy of even more praise! There are a couple of minor technicalities that Legacy would have corrected were they to have issued the concert, but they would be hard pressed to be able to clean up the recording any more. It is simply perfection as it is. Dylan fans can finally rejoice at the release of this incredible masterpiece that has been locked away for nearly half a century! The Town Hall concert is steeped in the rich tradition of Dylan folklore. It was, for all practical purposes, Dylan's first USA concert of any merit. There were about 600 people in the audience, far more than the young singer had ever faced before, and there are a few nervous moments evident in the show. But, what an incredible and historic show it is! The tape is turned on about a minute before the show, and the listener is transported into the middle of the audience as they anticipate Bob's arrival on the stage. About five seconds worth of hand clapping introduces the harmonica intro of the first song. There is no other introduction. Oh, to travel back to that first major performance and to be able to give this young man an introduction with the foreknowledge of what would come! The introduction would be as long as the concert! This ranks high as one of the most important boot releases of all time, and on top of that, it's simply a thrill and a joy to just sit back and listen to. If you're only planning on getting one bootleg this decade, choose either this one or the Hollow Horn release. Either choice is a winner. The main difference is the package. Both are beautiful beyond description. Hollow Horn is a folding cardboard digi-pack, while this release comes in a plastic jewel case. © 2008 CD Pinkerton - bobsboots.com Notes by bobsboots.com | |||||
Earl Greaves (2/5) | cdr / 2 | View | ||||
Notes: | Hollow Horn | |||||
Earl Greaves (2/5) | cdr / 1 | View | ||||
Chad (2/5) | shn / 1 | a- | View | SBD master reels > unrl. 1964 Columbia acetate > CD bootleg > SHN | ||
Notes: | this is NOT the show that i am listing it under , but rather it is columbia's unreleased live dylan album "Wild Wolf" . the album is 4 songs from the 4-12-63 show , and 5 songs from the 10-26-63 show . it is from SBD master reels > unrl. 1964 Columbia acetate . | |||||
Don Sadler (2/0) | FLAC / 2 | View | ||||
Ben (2/4.6) | cdr / 1 | View | ||||
Notes: | In Concert http://www.bobsboots.com/CDs/cd-i-18.html | |||||
pr (2/0) | / 0 | View | ||||
slugline (2/0) | / 0 | View | not identified | |||
LEE SPATZ (2/0) | CDA/FLAC / 2 | A | A | View | SBD | |
ggloyd (2/4.9) | cdr / 1 | A | View | |||
Notes: | This is on the same disc as 10/26/63 (Carnegie Hall) though is missing "Last Thoughts" because of this. | |||||
AAA Audio (2/4.8) | cdr / 1 | View | ||||
Notes: | In Concert | |||||
William Ferdinandsen (2/5) | / 1 | View | ||||
Notes: | with 10/26/63 |