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Phish 05/10/90
Pearl Street Night Club, Northampton, MA
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Set I
intro/tuning
Suzy Greenberg
Uncle Penn
Bouncin'
Divided Sky
Tweezer
My Sweet One//
//Bathtub Gin
Possum
Set II
Funky Bitch
Runaway Jim
Harry Hood
//Caravan
Reba
Oh Kee Pa>
AC/DC Bag
Good Times Bad Times

encore:
"Henrietta"
Whipping Post
Set III
 
Comment
 
Last Changed By Weave
Sources
(20314) View Source   
SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +14dB, no "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24bit/48kHz)> FLAC (24bit/48kHz) > remastering (see info file) > WAV (16bit,44.1kHz) > CDWav > SHNv3; Taped by John Redmond
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Chris Nestler (2/0) SHN / 2 View 20314
Dave Caimotto (2/0) CD-R/SHN / 2 A View   SBD > Nak CR-3A
Notes: SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - [email protected] on 09/27/2003) Mastering Notes: The 24/48 FLACs were converted to .WAV with FLAC v1.1.0 and loaded into Steinberg's WaveLab. The first step was to correct some anomolies in the original recording. There were small volume reductions in the left channel (a dirty spot on a record head maybe?) for all of Suzy Greenberg & Uncle Penn. After several approaches I decided to create a dual-mono mix of the right channel. There was another noteable change towards the front of Bouncin' and into the quiet section of Divided Sky. The tonal change was compensated for w/ the BBE Sonic Maximizer, with the settings @ 2 for Lo Contour and 3 for Process. The next step was to use Waves X-Noise on each seperate file and render each seperately. The files were loaded into Wavelab's Audio Montage, crossfades were performed at each tape flip and the following mastering processes were applied: Waves 2-band EQ, high pass @ 40Hz, Blue Tubes FA770 compressor, BBE Sonic Maximizer (Lo Contour = 3, Process = 3), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended). All mastering/edits performed @ Bunker 8 Digital Labs by Dr. Shakedown and Sigmund Droid [email protected]
Terrapanda (2/0) / 2 View 20314
khanti (2/3) SHN / 2 View 20314
Brad (2/0) SHN / 2 View 20314 SBD > Nak CR-3A
William Ferdinandsen (2/5) CDR / 2 View  
Chris (2/2.5) shn / 2 View 20314
John Fitzgerald (2/0) / 2 View  
Jeff Woolfall (2/0) CD / 2 A View 20314
JesseJ (2/0) SHN / 2 View   SBD > Nak CR-3A
Keith LeLievre (2/5) CDR/SHN / 2 A A View 20314
webalienz (2/0) SHN / 2 View 20314
Kristy Fruth (2/5) CD-R / 2 View  
A. Davis (2/4.2) SHN / 2 View 20314 SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +14dB, no
Notes: Old School Phish Project
Jay von Lehe_SHN (2/5) SHN / 2 View 20314 SBD
Weave (2/0) shn / 2 View 20314
southforkk (2/0) cdr / 2 View 20314 SOURCE SBD > Nak CR-3A
phorce (2/0) CD / 2 View 20314
Lance & Amy (2/5) CD / 2 View  
Matthew Kiefer (2/4) CD-R / 2 View 20314 SBD > Nak CR-3A
bfish (2/0) / 0 View  
Robert Kussy (2/0) / 0 View 20314 sbd
nick (2/0) / 0 View 20314
pls61 (2/0) / 0 View  
Derall Riley (1/5) SHN / 2 View 20314 SBD > Nak CR-3A
Ed Izsak (1/5) CDR / 2 View   SDBD
Hanf (1/5) Shn / 0 View 20314
aikox2 (1/4.9) / 0 View  
Peterphan (1/0) SHN / 2 View   SBD > Nak CR-3A
Notes: 2003 Remaster also
Glenn Moses (1/5) SHN / 2 View 20314 SBD > MCAS