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Set I
Hideaway $
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Touch Of Grey
New Minglewood Blues
Ramble On Rose
Box Of Rain
Dire Wolf
When I Paint My Masterpiece
Row Jimmy
Cassidy
Deal
Set II
Scarlet Begonias >
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Hell In A Bucket *
Ship Of Fools *
Estimated Prophet > *
Eyes Of The World > *
Drums >
Space >
Truckin' > *
The Other One > *
Morning Dew > *
Turn On Your Lovelight *
Encore:
Brokedown Palace *
Set III
Comment
Pay Per View video broadcast
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
National FM broadcast
Last time played and first performance since November 7, 1971 $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Clarence Clemons - Saxophone *
Last Changed By
J
Sources
(4603) View Source
View Archive
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive
flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive
flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive
flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(4603) View Source
View Archive Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
(16888) View Source
View Archive Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
(83718) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(123383) View Source
View Archive flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
(127418) View Source
View Archive flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
(138342) View Source
View Archive flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
(142379) View Source
View Archive flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Eddie (5/5) | DVD / 3 | View | Pro-shot | |||
| Notes: | Pro-shot, a Must have! | |||||
| mike brewer (5/0) | / 0 | View | 83718 | |||
| Aaron Starke (5/4) | cdr / 3 | A | View | 4603 | digital ppv feed>master vhs | |
| Notes: | summer solstice | |||||
| Rudolf E. Zielinski (5/5) | CDR / 3 | A+ | View | SBD-FM | ||
| Jeffry Allen Smith (5/0) | shn / 2 | View | 4603 | |||
| Dan (5/0) | / 0 | View | 83718 | |||
| ManWithTheHorn (5/0) | 3 x dvd / 3 | A+ | View | tv | ||
| David Hope- Ross (5/5) | VCD / 1 | View | ||||
| garret (5/0) | Flac / 23 | A | A | View | 83718 | SBD -> Cassette Master (TDK MA-XG90) |
| Notes: | Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Bob Weir has lots of gear issues causing static in the 1st Set -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay per view broadcast | |||||
| prn76 (5/4) | DVD / 2 | View | ||||
| john (5/5) | / 2 | View | 4603 | Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT... | ||
| barry bryson (5/4.3) | analog/180 / 2 | View | aud | |||
| Jon (5/0) | DVD / 2 | A+ | View | National Pay-per-view broadcast > VHS > JVC HR S-3900U > Canopus ACEDVio Capture Card > | ||
| Notes: | Perfect Quality and a Great show | |||||
| Frank Katen (5/0) | DVD+R / 3 | View | ||||
| Tico Van Zant (5/4) | shn / 2 | View | 4603 | |||
| Notes: | 3 audio disks | |||||
| Andrew Murawa (5/5) | cd / 3 | A | View | Digital PPV feed > Master VHS > Dan Sisler's 1st-gen professionally dubbed VHS>DAT... | ||
| Matt Bertollo (5/5) | CDR / 3 | SBD | View | 4603 | Digital PPV feed> Master VHS> VHS> DAT > CDR | |
| Notes: | 3 Audio or 2 SHN Guest Clarence Clemons | |||||
| Bouwser (5/5) | VHS / 2 | B | View | |||
| Notes: | mono | |||||
| Cappy (5/0) | DVD / 2 | View | 16888 | |||
| Notes: | Pay-per view | |||||
| Cappy (5/0) | FLAC / 1 | View | 83718 | |||
| Notes: | cm | |||||
| Steve's DVD's (5/0) | DVD / 2 | A | A | View | proshot pay per view | |
| Notes: | with Clarence Clemmons | |||||
| Alan(slydell) (5/0) | DVD / 2 | View | ||||
| Rob Lecker (5/0) | DVD / 2 | A | View | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital... | ||
| Notes: | w/ Clarence Clemmons | |||||
| Toto (5/5) | DVD / 2 | View | Video: Pro Shot > TV Broadcast > Master VHS > DVD / Audio: SBD | |||
| D. Watts (5/5) | cdr / 3 | View | ||||
| Neil Cohen (5/5) | / 3 | A | View | FM | ||
| E_Z_Wind (5/5) | DVD / 2 | View | BHP Payperview broadcast | |||
| dmjk007 (5/5) | DVD / 2 | A | A | View | ||
| Tripp McCandlish (5/4) | CDR / 3 | View | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital... | |||
| etreewv (5/5) | SHN / 2 | View | 4603 | Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT | ||