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Set I
Bartender *
Crush *
Typical Situation *
Where Are You Going *
Dancing Nancies *
Crush *
Typical Situation *
Where Are You Going *
Dancing Nancies *
Set II
Intro
Dodo
Trouble
Piano Intro
Stay Or Leave
Save Me
Oh
Solsbury Hill
Gravedigger
Grey Blue Eyes
Oh, Sister +
The Maker +~
So Damn Lucky ~
Some Devil
American Tune
Too High ?
Hey Bulldog ?
Encore:
Waste !
Everyday !
Fool In The Rain
Thank you
Dodo
Trouble
Piano Intro
Stay Or Leave
Save Me
Oh
Solsbury Hill
Gravedigger
Grey Blue Eyes
Oh, Sister +
The Maker +~
So Damn Lucky ~
Some Devil
American Tune
Too High ?
Hey Bulldog ?
Encore:
Waste !
Everyday !
Fool In The Rain
Thank you
Set III
Comment
Special Guests:
* Dave And Tim
+ Emmylou Harris
~ Daniel Lanois
? Buddy Miller
! Dave And Trey
* Dave And Tim
+ Emmylou Harris
~ Daniel Lanois
? Buddy Miller
! Dave And Trey
Last Changed By
Dan
Sources
(77478) View Source
Taper: George Wang Source: DPA4022 > Sonosax SX-M2 > SBM-1 (Oade Mod) Location: Sec FLR 2, Row 8, Seat 1, 8th row center DAT > SHN: D100 > Digigram VXPocket V2 > Steinberg WaveLab v4.0c > Sony Vaio PCG-SRX87 > .wav > CD-WAV/mkwACT > .shn
(77479) View Source
Taper: Ian Stone
Source: Mbho603a/ka200n>mp2>ad2k+>vxpocket/lifebookp2120 @ 24/48
Location: Section 3, row 3 seat 14 - 6' DIN 90deg
(77478) View Source
Taper: George Wang Source: DPA4022 > Sonosax SX-M2 > SBM-1 (Oade Mod) Location: Sec FLR 2, Row 8, Seat 1, 8th row center DAT > SHN: D100 > Digigram VXPocket V2 > Steinberg WaveLab v4.0c > Sony Vaio PCG-SRX87 > .wav > CD-WAV/mkwACT > .shn
(77479) View Source
Taper: Ian Stone
Source: Mbho603a/ka200n>mp2>ad2k+>vxpocket/lifebookp2120 @ 24/48
Location: Section 3, row 3 seat 14 - 6' DIN 90deg
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 430 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Chris Mitchell (4/5) | shn / 2 | A+ | A | View | DPA4022 > Sonosax SX-M2 > SBM-1 (Oade Mod) | |
| Notes: | shnf= 998 MB Text file | |||||
| Brian Weber (4/0) | CDR / 3 | View | ||||
| heather cameron (4/0) | shn / 3 | View | ||||
| Mary Bramble (4/4.9) | CDR / 3 | View | AUD | |||
| Notes: | quality not confirmed... just ask. | |||||
| dcbullet (4/5) | Shn / 0 | View | Mbho603a/ka200n>mp2>ad2k+>vxpocket/lifebookp2120 @ 24/48 | |||
| KenWah (4/5) | AUD / 3 | View | ||||
| Notes: | Wang's Source | |||||
| Matt Mitcham (4/5) | CDR / 3 | A | View | |||
| Erin (4/0) | CD-R / 3 | View | ||||
| Phil Trautman (4/5) | cd-r / 3 | A | View | Mbho603a/ka200n>mp2>ad2k+>vxpocket/lifebookp2120 @ 24/48 | ||
| Notes: | .shn | |||||
| Nick Rogers (4/5) | (3) AUD / 3 | A | A | View | ||
| Notes: | there is a few pops on disk 2 track 10, but nothing horrible | |||||
| Jay Thananant (4/0) | / 0 | a | a | View | ||
| Notes: | attended show. great show | |||||
| Brian (4/4.8) | AUD / 3 | View | ||||
| Notes: | DAO | |||||
| Terry Mercer (4/4.3) | CDR / 3 | A+ | A | View | ||
| Notes: | w/ Daniel Lanois | |||||
| Michael (4/4.5) | Audio / 3 | A- | View | |||
| Damian (4/0) | Audio / 3 | View | ||||
| Dan (4/0) | / 3 | View | ||||
| Mark Teggart (4/0) | Audio / 3 | A | View | |||
| Chad Morris (4/5) | WAV, SHN-2 / 3 | View | ||||
| Notes: | Stone source | |||||
| Chad Morris (4/5) | WAV, SHN-2 / 3 | View | ||||
| Notes: | Wang source | |||||
| Chad Francis (4/4.7) | SHN / 2 | View | ||||
| Notes: | 3 audio | |||||
| Bryan (4/0) | CDR / 3 | A | A | View | ||
| Michele (4/0) | CDR / 3 | View | ||||
| Jim Christie (4/0) | / 3 | View | ||||
| deguitarguy (4/5) | CDR / 3 | A- | View | |||
| Tim (4/5) | shn / 3 | View | ||||
| Notes: | Have txt/md5/shn nfo | |||||
| Raichel (4/0) | CDR / 3 | B2 | View | |||
| Autumn (4/0) | CDR / 3 | B+ | A | View | ||
| chuck (4/5) | CD / 0 | View | ||||
| Greg (4/0) | SHN / 3 | View | ||||
| athorp (4/1) | AUD/2 SHN / 3 | View | ||||
| Notes: | Willoughby source | |||||