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Cream 11/15/66
Klook's Kleek R&B Club, Railway Hotel London-West, Hampstead, London, UK
Set I
Stepping Out (Bracken)
Sweet Wine (Baker/Godfrey)
Meet Me in the Bottom (McGhee)
N.S.U. (Bruce)
Hey Lawdy Mama (Wells)
Sleepy Time Time (Bruce/Godfrey)
Crossroads (Johnson/arr. Clapton)
Set II
 
Set III
 
Comment
 
Last Changed By Dave M [db.etree admin]
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Dene Wright (1/5) CD / 1 View   SBD
Sandy Cook (1/5) FLAC / 1 View  
Notes: Liberated bootleg
Joe (1/0) CD-R / 1 View  
dlnlee (1/4) CDR / 1 View   AUD
Notes: See 01/15/67
Lynn S (1/0) CD / 0 View  
Pete Morin-Smith (1/5) CDr / 1 View   Vinyl-Thorens TD 126 MK3-Goldring 1042 pickup-Dynavektor 505 Tonearm-Restek Vektor Preamp-Pioneer...
Jim Vogt (1/5) CD-R / 1 View  
Notes: "A Group called CREAM"
Chris Ryan (1/0) cdr / 1 View  
Notes: Setlist In different order
Gregg Rutter (1/5) CDR / 1 A- View   dubbed from an LP record
Notes: CREAM REMASTERED: RENOVATING THE BLUES; on the same disc with 3/7/1967
orest (1/0) SHN / 1 View  
Notes: 4 songs @ end of 4/22/67 Hey Lawdy Mama Meet Me in the Bottom Crossroads Stepping Out
Stewart Shannon (1/0) CDR / 1 View  
Justin (1/0) CD-R / 0 View  
Notes: PARTIAL
Karl (0/0) v0 / 1 View   AUD
Brian (0/0) / 0 View   sbd.crossborderboot.flac
Perry Butler (0/5) FLAC / 1 A- View   Vinyl-Thorens TD 126 MK3-Goldring 1042 pickup-Dynavektor 505 Tonearm-Restek Vektor Preamp
steve messenger (0/5) CD / 1 B View  
steve (0/0) Flac / 1 View   " Kooks Kleek"
Will C. (0/0) Flac / 1 View   Aud:M?>?>Lp>?>Flac
Notes: From "The Cream Remasters" CD1 (57 min) Live at Klook's Kleek, London (15th Nov. 1966) Klook's Kleek remastered quality: Klooks is dubbed from an LP record (that includes all bootleg versions on CD or tape). Original quality was reasonable but heavily clipped. The remaster needed only a modest rebalance, raising the bass slightly, but successfully reduced noise without loss of musical detail. Recording volume variations are corrected. Vocals are somewhat distant but clear , bass clear and present, drums clear and present but the guitar is dominant, which I feel is a realistic representation of their sound at the time. Sound quality is now good but naturally nothing could be done about the clipped sound. 1. Stepping Out (Bracken) 5.13 2. Sweet Wine (Baker/Godfrey) 4.19 3. Meet Me in the Bottom (McGhee) 4.25 4. N.S.U. (Bruce) 4.33 5. Hey Lawdy Mama (Wells) 3.03 6. Sleepy Time Time (Bruce/Godfrey) 6.41 7. Crossroads (Johnson/arr. Clapton) 3.28 Live at the Konserthusert, Stockholm ( 7th March 1967) Konserthusert remastered quality: This was a real enigma as it is widely touted as being of "excellent quality". It's problem is that all the versions I obtained were sped up. The best was a consistent 7%, the worse ranging from 7-15% ("I'm So Glad" was outrageously hyperactive!). I at last obtained a very good one which is a copy of a Swedish rebroadcast of 1972. Only a slight speed adjustment was required (typically) - bass and drums are quite clear with the guitar still somewhat recessed. 8. N.S.U. (Bruce) 4.06 9. Stepping Out (Bracken) 4.09 10. Traintime (Bruce) 5.55 11. Toad (Baker) 6.52 12. I'm So Glad (James) 4.58
Todd Manning (0/0) / 1 View  
calgarytrader (0/4.8) cdr / 1 a a View  
The Music Box (0/0) SHN / 1 View   The Cream Remasters
rich (0/0) / 0 View  
The Swingin'Pig (0/0) lossless / 1 View   CreamReMasters 01 'Renovating_The_Blues'
Jamie Lykos (0/5) CD-R / 1 View   LP > remaster
Notes: Cream Remasters
Justin Green (0/4.9) CDR / 1 View  
Notes: tracks 8-11 on "Ricky Tick" boot
Justin Green (0/4.9) CDR / 2 View  
Notes: "Renovating The Blues" (remastered); filler: tracks 8-12 on disc 1 are 3.7.67 Stockholm and disc 2 is 4.22.67 Ricky Tick, London
mjochim (0/0) SHN / 1 View   SBD > ?? > Boot LP > Silver CD > SHN
Notes: "Ricky Tick" (tracks 8-11)
mjochim (0/0) FLAC / 1 View   SBD > ?? > Boot LP > Silver > EAC (secure) > WAV > ?? > flac
Notes: Remaster ("Renovating The Blues" disc 1); possibly an amateurish attempt to record an official live album; source recording covers end of first set and beginning of second; all circulating copies sourced from original vinyl bootleg