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Set I
Soundcheck Jam
Set II
Set III
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Clifford Ball
Last Changed By
STLBlues
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(2229) View Source
88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave > SHN v3; Taped by Marcus Thunich; Transfer and encoding by Mike Wren, with thanks to Caleb Epstein; the current md5's reflect the 8-15-96 scheme, not 5-15-96 as orginally seeded; Note: FLAC version circulated 07/26/04
(30447) View Source
Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC
(2229) View Source
88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave > SHN v3; Taped by Marcus Thunich; Transfer and encoding by Mike Wren, with thanks to Caleb Epstein; the current md5's reflect the 8-15-96 scheme, not 5-15-96 as orginally seeded; Note: FLAC version circulated 07/26/04
(30447) View Source
Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Aaron Barger (3/0) | FLAC / 2 | View | 2229 | |||
| Notes: | Clifford Ball Radio | |||||
| Andrew Butler (3/0) | FLAC / 1 | View | 30447 | Nak300 | ||
| Resin421 (3/0) | / 0 | View | 2229 | 88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave... | ||
| Resin421 (3/0) | / 0 | View | 30447 | Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab >... | ||
| Corey (3/5) | Shn / 7 | View | FM > D7 | |||
| Notes: | Comes Together With 08/16 and 08/17 to make 7 Shn Disks! | |||||
| Nick's Cool List (3/5) | / 0 | View | 2229 | |||
| Nick's Cool List (3/5) | / 0 | View | 30447 | |||
| Matthew (3/4.8) | shn / 1 | View | Soundcheck only - Audio Technica Shotguns>Sony D6>Sony D6 Analog Master (see notes below) | |||
| Notes: | Phish 08/15/1996 Plattsburgh, NY The Clifford Ball Sound Check Source: Audio Technica Shotguns>Sony D6>Sony D6 Analog Master (see notes below) Transfer: D6>Hercules GT-XP (for A/D conversion)>Samplitude Producer 2496 (@44.1 kHz, De-Hissing)>CDWave>mkwACT v.97>.shn Patched and Transferred by: Rob Robar [email protected] Seeded on: May 21, 2002 Track 1 Track 2 Recording/Show Notes: This obviously is an incomplete recording. Capturing only 32 min of the 55 minute sound check. Upon hearing the sound check starting I walked to the front edge of the parking lot. When I got there it was about 10 minutes into the sound check. A large group had already gathered there. I saw one lone taper in the crowd at the edge of the lot. I talked to him and asked if I could patch my deck in. Only problem was I left my deck in my tent. He said it was fine by him. I ran back to my tent and grabbed my Sony D6 analog deck. By the time I got back to the front of the lot approximately 25 minutes had passed. Which is where this recording begins. The taper who was running the rig got there about 10 min into the sound check. So as far as I know no complete copy has ever surfaced of this sound check. A more detailed attempt at transcribing a set list can be found in The Phishing Companion. I have waited 5 ? years for another source to surface from this sound check. So far none has ever come to light. Even the taper from whom I patched has not been located to present what he had captured. If you are out there please email me so we can get more of this great event circulating. There are many factors to think about when listening to this source. We were at least 1 mile from the stage at the edge of the parking lot. The shotguns do a decent job of capturing what went down. You will hear those who were witnessing the event as well as the music. I present this recording as a document of what I personally feel was one of the greatest Phish moments in my 10 years of seeing the band. I have tracked this recording into 2 tracks as there is an obvious change in songs. If someone is able to transcribe and break down into more tracks, please email me so I can get a copy and amend this text file. I hope you all enjoy this piece of Phish history. Rob Robar [email protected] | |||||
| Ron Hollatz (3/0) | Flac(2) / 3 | View | 2229 | 88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave... | ||
| Ron Hollatz (3/0) | flac (1) / 1 | View | 30447 | Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab >... | ||
| Kenny Joyce (3/5) | FLAC / 1 | View | 30447 | |||
| G.Taylor (3/5) | CDR / 3 | View | 88.9 KA2XZE FM > D7 by Marcus Thunich <[email protected]>DA-P1 > Turtle Beach Fiji... | |||
| jason (3/0) | CDR / 1 | View | AUD1 Nak300 > DAT > XLII-S | |||
| Notes: | This disc contains the Soundcheck, flatbed jam & a filler of Dear Mrs Reagan - the info is as follows: August 15, 1996 Plattsburgh, NY Clifford Ball Source: AUD1 Nak300 > DAT > XLII-S Transfer: HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC 1 Sound Check (32:03) Filler 2 Attack on the Bass - Sound Check '97 (6:36) Notes: Turn this one up and it's like being in the lot for the soundcheck to the Clifford Ball. The stage is not close by, but you can hear the mad jam going down. This is the last half hour of the sound check. _________________________ Phish Plattsburgh Air Force Base Plattsburgh, NY 8/17/96 @ 3:30 am "The Clifford Ball Flatbed Jam" (excerpt) 13:39 ?mic > Sony D6 > Master DAT > Cass/1 > CDR > EAC > Soundforge 6.0 > FLAC Tape to cdr transfer done with an HHB 830-burnit stand alone burner. Notes: This excerpt of the infamous Clifford Ball faltbed jam was taped on the fly by Guy Gimbrone (RIP) and Justin Clutter of Roscoe, IL. Microphones used are unknown at this time because when Guy made this tape for me we were not in the habit of listing sources. One must be warned that this is a mobile recording with Guy holding the microphones and Justin carrying the deck as they followed the flatbed, dodging cops on horseback and fans. The microphones did get bumped and you will hear it. The only edits I made were to raise the volume of the first 51 seconds where levels were set low and then lower the volume of the next 13 seconds where levels were high, the fade-in to begin existed on the source tape. The excerpt ends abruptly and I left it that way without a fade because that is where the flatbed started moving faster and in Guy and Justin's efforts to keep up, the microphones detached from the deck. This is all was that was taped by Guy and Justin. Enjoy! Seed created on 2/19/04 and dedicated to the memory of Guy Gimbrone (2/6/69 - 9/9/03), my best friend whom I miss dearly. _________________________________ Phish or Trey Anastasio or Trey and Tom Marshall or Bivouac??? 4 track recording circa early 1980's 1. Dear Mrs. Reagen 2:00 This is one of the more obscure items I have had in my collection. It was a filler on a tape I got from a Vermonter in the early to mid 1990's. Maybe it was the White Tape, or Bivouac Jaun, I'm not sure. I used to look for old and rare recordings back then. Back when rare meant rare and you hand wrote tapes lists to send via snail mail. Some of you might not know that music was traded on cassettes back then ;) I have never seen any info about this nor have I stumbled onto anyone else who has this little gem. I decided to put it online for a couple reasons. I figured some people might enjoy it for one. More inportantly I was hoping to find an upgrade or prompt others to post some gems that are as rare as this. Some of you might not have even ever heard this tune, or heard of it. It was played very little in the very beginnings of Phishs career. This must be a four track home recording. I also know there were different version recorded of the same song. So if you have any info PLEASE hit me up at cleantone hotmail com to let me know. Keven? I would also appreciate an upgrade, or maybe share some other very rare recordings with me. Thanks in advance and enjoy! | |||||
| pete (3/0) | CDR / 3 | View | 2229 | 88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave... | ||
| Notes: | Kevin Shapiro's "From the Archives" at the Clifford Ball | |||||
| Tim (3/0) | / 0 | View | 2229 | |||
| Sean Rooney (3/0) | / 0 | View | FM > D7 | |||
| longcreektrailer (3/5) | .shn / 2 | View | 2229 | FM > D7 | ||
| Lost Sailor (2/0) | Flac / 0 | View | 2229 | 88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave > SHN v3;... | ||
| Lost Sailor (2/0) | Flac / 0 | View | 30447 | Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC | ||
| Colin Waldschutz (2/4.9) | CDR / 1 | View | 30447 | FLAC | ||
| Notes: | Soundcheck | |||||
| Brian Colligan (2/0) | flac / 2 | View | 2229 | |||
| Notes: | FM (88.9 KA2XZE FM > D7) | |||||
| Ace Mace (2/0) | / 0 | View | 2229 | |||
| Kurt Hafer (2/5) | FLAC / 2 | View | 2229 | |||
| Notes: | Clifford Ball Radio | |||||
| Kurt Hafer (2/5) | FLAC / 1 | View | AUD1 Nak300 > DAT > XLII-S; HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC | |||
| Notes: | Clifford Ball SC | |||||
| Kurt Hafer (2/5) | FLAC / 2 | View | 2229 | |||
| Luke Bailey (2/0) | FLAC / 1 | View | 30447 | Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab >... | ||
| Notes: | Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC | |||||
| Kenny Shook (2/0) | CDR / 3 | View | FM | |||
| Chris Nestler (2/0) | CDR/SHN / 3 | View | 2229 | |||
| Dave Caimotto (2/0) | FLAC / 1 | View | 30447 | |||
| Ferguson (2/0) | CDR / 4 | View | ||||