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Grateful Dead 04/12/78
Cameron Indoor Stadium, Durham, NC
Set I
Jack Straw, Dire Wolf, Beat It On Down The Line, Peggy-O, Mama Tried > Mexicali Blues, Finiculi Finicula, Row Jimmy, Minglewood Blues, Loser, Lazy Lightning > Supplication
Set II
Bertha > Good Lovin', It Must Have Been The Roses, Estimated Prophet > Eyes Of The World > Drums > Truckin' > Wharf Rat > Around & Around

E: U.S. Blues
Set III

Comment
Duke University
Last Changed By Dave
Sources
(11476) View Source    View Archive
SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
(14085) View Source    View Archive
Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
(18805) View Source    View Archive
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
(95673) View Source    View Archive
SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
(105875) View Source    View Archive
flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller
(106985) View Source    View Archive
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(107156) View Source    View Archive
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
(134566) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
(134567) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
(134820) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
(141776) View Source    View Archive
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Russell Castley (1/5) CDR / 3 A+ View 18805 Soundboard
Notes: SHN available (see SHN info)
Jenn (1/0) shn / 0 View 11476
Jenn (1/0) shn / 0 View 14085
Raydawg (1/5) cdr & SHN / 3 View 18805 SBD (FM broadcast)
Notes: Duke U.'s FM station (was 94.7 MHz at the time) broadcasted this show live; it's low power transmitter allowed it to be picked up within a .5 mile radius
FL_Otter (1/0) cdr / 3 A A View   SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
jim sweeney (1/0) / 0 A A View   sbd off gdlive.com
Adam Eaglestone (1/4.8) cd / 3 A View 14085 SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN
Notes: 4/04
Joel Tenney (1/5) SHN / 2 A A View 18805 SBD > GD Master 2
Notes: This show is a COLLECTOR'S DREAM! the size of the collection is irrelevant; just "owning" a good to high quality copy of this performance makes it invaluable to one's Show Library You need to LISTEN to this show, and to EXPERIENCE the dynamics (the loudness and softness of the overall volume during any of the songs performed) that the Dead pulled out their "Uncle Sam's Hat" with amazing results. There are possibly a dozen shows, over the 30 years the Dead had recorded their performances to crowds both large and small, which come close to, or possibly excel this evening's performance! This recording showcases the talents and craftsmanship of an "experience" which allows it to be admired and enjoyed, over and over, and you'll never grow tired of this recording. It was accomplished, not by "slight of hand", not by the people involved in the mixing and recording, not by some the guidance of some sort of a "higher power"... this was totally and completely the Dead doing this, both collectively as well as individually! They Boyz absorbed the energy from the audience and the venue were radiating, multiplying it to the umpteenth degree, and shot it back out, wave after wave after wave, to every atom of every individual inside the Stadium! This show was a unique experience for the audience... being able to both audibly and visually getting a glimpse of just one part of the overall "Grateful Dead Experience" which was very rarely heard, and even rarer to be experienced first-hand!
GHOST (1/0) SHN / 2 View 14085 SBD
Notes: Bertha remaster
andrew hoke (1/0) / 3 View   sbd
Queball (1/5) SHN / 2 View 11476
Patrick Robey (1/5) shn / 0 View 18805
Notes: sssb
John Mollman (1/0) SHN / 2 View 18805
Will Howerton (1/0) CD-R / 3 A View   SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15...
Notes: Awesome show. This is in SHN format. Jerry's voice is missing in 1st few songs, but comes back by beat it on down the line.
Jorge Rivas (1/0) CD / 3 View 18805 SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15...
Travis Clark (1/0) CD-R / 3 View  
Brooke Porch (1/0) SHN / 2 View 11476 SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
Notes: DL: 4/13/03
RUKIND (1/0) CDR / 2 B+ View   MPEG
Notes: VIDEO Sounds good, how many 78 videos do you see?
Matthew Hilty (1/5) / 0 View 11476
Sean Madigan (1/5) SHN / 2 View   SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15...
Cotsman (1/5) SHN / 3 View   SBD>MR>PCM>D>CD>SHN
snakevan (1/0) SHN / 2 sbd View  
ed cochran (1/0) Tape / 2 View  
Tommy Brame (shn) (1/5) SHN / 2 View 11476
Tommy Brame (shn) (1/5) / 2 View 14085
Conor Massey (1/0) / 0 View  
Ed Cochran (1/0) CD / 3 A View   SBD>MR>PCM>D>CD
Tony Cecce (1/0) SHN / 2 A A- View 18805
blackcrowes92 (1/0) FLAC / 2 View 106985
Adam Raines (0/5) CDR / 3 8 A+ View   SBD>MR>PCM>D>CD
Notes: Complete SBD>MR>PCM>D>CD