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Set I
Promised Land, They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped
Set II
Bertha-> Good Lovin', It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around
Set III
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(277) View Source
View Archive
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
(277) View Source
View Archive Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
(10689) View Source
View Archive SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]
(86234) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
(123090) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(123211) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(140578) View Source
View Archive flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
(140589) View Source
View Archive flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Koolaid (0/5) | SHN / 2 | View | 10689 | |||
| Notes: | Bertha | |||||
| Koolaid (0/5) | SHN / 2 | View | 277 | |||
| Dave Baker (0/0) | / 0 | View | MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES... | |||
| Gerald Gorinsky (0/0) | SHN / 2 | View | 277 | |||
| Notes: | 2 SHN, 2 CDR | |||||
| Bad Lil Doggie (0/0) | cd / 2 | View | ||||
| Steve Smugar (0/0) | CD / 0 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Wharfrat65 (0/4) | SHN / 2 | View | 10689 | |||
| Bruce Warren (0/0) | CD / 2 | View | SBD | |||
| Eric (0/0) | / 0 | View | ||||
| steve (0/0) | cd-r / 1 | View | 10689 | |||
| Notes: | Set 2 Only | |||||
| Jenn (0/0) | cdr / 2 | A | View | sbd>master reels>pcm>pcm>dat>cdr | ||
| Notes: | beginning & end of promised land cut, end of TLEO is cut, there is some mic distortion for the first 90 seconds of estimated | |||||
| Robert Brown (0/5) | CDR / 2 | View | SBD>Reel/0>PCM>DAT>CD | |||
| Willy (0/4.8) | SHN / 2 | View | 277 | |||
| Notes: | Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips | |||||
| michele mintling (0/5) | SHN / 2 | View | 277 | |||
| Larry (0/0) | / 0 | View | ||||
| Adam Hoey (0/1) | SHN & CDR / 2 | View | ||||
| Gary Johnson (0/0) | CD / 2 | A | View | SBD>MR>DAT>CD | ||
| Maggiesfarm (0/0) | Audio / 2 | View | Betty Reel>PCM x2>DAT>CDR | |||
| Notes: | 10/01/77 Portland, OR (Complete show-- source tape: MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz PLEASE NOTE!!!:Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. 10/01/77 Portland, OR - Paramount Theater S:bR,P,D A+ Betty Reel>PCM x2>DAT>CDR, cuts in Promised Land and TLEO from original source Set I //Promised Land//, //They Love Each Other, Mexicali Blues, Dire Wolf, Cassidy, Deal, Passenger, Tennessee Jed, Minglewood Blues, Peggy-O, The Music Never Stopped, Set II Bertha-> Good Lovin, It Must Have Been The Roses, Estimated Prophet-> Eyes Of The World-> Dancin' In The Streets-> Drums-> Not Fade Away-> Black Peter-> Around & Around | |||||
| Rob Hall (0/0) | / 3 | View | ||||
| Scott Graham (0/0) | CD / 2 | View | ||||
| Brian Short (0/0) | cdr/audio / 2 | View | Betty Reel>PCM x2>DAT>CDR, | |||
| Notes: | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. | |||||
| justin clohesy (0/0) | / 0 | View | ||||
| Bilbo (0/0) | / 0 | View | ||||
| St.Alfonzo (0/0) | shn / 2 | View | 277 | |||
| Daniel Sittner (0/0) | CD-R / 2 | View | SBD-BettyReel>PCMx2>DAT>CD-R | |||
| Notes: | Cuts in Promised and TLEO from original source | |||||
| For Reference Only (0/3.5) | DAT / 0 | View | ||||
| Notes: | The Paramount Theatre, Portland Or - complete 4.9, 157min, Sbd, A0D1, Reel M->PCM 0->Dat 0, 48k 7inch Master [email protected] 1/2trk->PCM x 0->dbxk922->4100x 0 | |||||
| Lincoln and Carolyn (0/0) | CD-R / 2 | View | SBD | |||
| Tony Gardner (0/5) | shn / 2 | View | 10689 | |||
| Mike Snider (0/0) | / 0 | View | 277 | |||
| larry mcsweeney (0/5) | CDR / 2 | View | ||||