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Tool 04/12/02
Mother Hall, Osaka, Japan
Set I
The Grudge
Stinkfist
Intolerance
Parabol
Parabola
Schism
Sober
Disposition
Reflection
Parabol(a) video
Triad
Opiate
Lateralus
Set II
 
Set III
 
Comment
 
Last Changed By Rus K
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Mike Marteny (5/5) cdr / 2 A- View  
ToolMobb (5/5) CD / 2 View  
Damian (5/5) CD / 2 View  
Notes: Tool - 2002.04.12 Mother Hall - Osaka, Japan media type: CDR source: Sanken COS-11s > Sony TCD-D100 > CDR taper: unknown trade status: can trade disc 1 - 8 tracks - 58:46 disc 2 - 6 tracks - 60:16 notes: none
hockey2112 (5/0) FLAC / 2 View  
Notes: Archive Disc 75
Ben (5/5) FLAC / 2 View   Sanken COS-11s > Sony TCD-D100 > CDR(?)
Travis (5/3) cdr / 2 View   DAT - sonic studios dsm6s>sony d100
Gregt848 (5/5) CDR / 2 View  
Notes: Only Post 2000 performance of Intolerance. Continuous Quality Throughout
Pimpasaurus Sex (5/0) cd / 0 View  
Mike M (5/5) / 2 A A View  
Notes: awesome show*
Greenwheellover (5/5) CDR-DAO / 2 A View  
andrew (5/0) cdr / 2 View   DAT - sonic studios dsm6s>sony d100
Notes: awesome show
tooljuice (5/5) CD / 2 View   Sonic Studios DSM6S > Sony D100
zark (5/5) .shn / 2 View  
J.C. (5/5) CDR / 0 A+ View   DAT - sonic studios dsm6s>sony d100
Gary Bridgeman (5/0) CDR / 2 A View   Sonic Studios DSM-6S>Sony D100
mike cowgill (5/4.7) CDR / 2 View  
Notes: 2 discs
Ryan A. (4/5) cdr / 0 A View   COS-11S > D100/48 > cdr
Notes: Easily one of the Top 3 or 5 Tool audience recordings in existence in terms of sound quality. Crystal clear DAT recording. Minimal audience. All instruments can be heard in minute detail. But the key aspect of this show is the audience itself. You gotta love these Japanese crowds. So courteous, and so appropriate. They clap/cheer when the band comes on stage, when a song first begins, when the song is finished (and I mean completely finished), and when the band is done with its set. Nothing more, nothing in between. They LISTEN to the music in between (particularly the quiet parts), and they allow others around them to listen too. I wish American audiences would take a hint.
Kevin (4/0) / 0 View   sonic studios dsm6s>sony d100
Andy A. (3/0) CD / 2 View   Sanken COS-11s > Sony TCD-D100 > CDR(2)
To0L (3/5) SHN / 2 View   Sonic Studios DSM6S > Sony D100
dr (3/5) flac / 0 View  
Notes: source: Sanken COS-11s > Sony TCD-D100 > CDR taper: unknown
Michael (3/0) FLAC / 14 View   Sony TCD-D100
Jon (3/4.5) SHN / 1 View  
Notes: 2 CDR
grae (3/0) cdr, shn / 2 View   sonic studios dsm6s>sony d100
Karyn (2/5) shn / 2 a a View   DAT - sonic studios dsm6s>sony d100
Notes: *awesome show*
James (2/5) FLAC / 1 B2 A- View   Sanken COS-11s > Sony TCD-D100 > CDR(1) > FLAC
Deanna (2/4.9) CDR / 2 A View   sonic studios dsm6s>sony d100
Notes: Atsuko of Shonen Knife / additional percussion Triad
Thomas Cantley (2/0) CDR / 2 A View   Sonic Studios DSM6S > Sony D100
Notes: Parabola video not cut. You'll hear parabola twice.
Jason Grotesque V. (1/5) cdr flac / 2 a a- View   Sanken COS-11s > Sony TCD-D100 > CDR
egm313 (1/4) FLAC / 2 A View   Sanken COS-11s > Sony TCD-D100
Notes: Source A