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Set I
Eclipse [Heartbeat->Breathe->Travel->Time->Breathe (reprise)->The Mortality Sequence->Money->Us and Them->Any Colour You Like->Brain Damage->Eclipse
Set II
One Of These Days, Careful With That Axe Eugene, Echoes, E: A Saucerful Of Secrets
Set III
Comment
Last Changed By
Pink Floyd Maintence Account
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John (5/5) | CDR/FLAC / 1 | View | ||||
| Notes: | This is a very nice surprise, minimal hiss, no distortions, right speed. Marked upgrade for real to the common version. Tape flip near the end of Echoes. - | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Carnegie Hall Upgrade (CC218) | |||
| Notes: | Info file provides no recording info or lineage | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | MOTB's remaster of Ken Lee's source (CC205 & CC218) | |||
| Notes: | Original Source Notes: This is the entire show of the only Gig at Carnegie Hall on May 2,1972. This is a Known 1st gen safety copy From Ken Lee's Master Cassette. All previous copies that circulated were mono. This is the history of this recording: Ken Recorded this with a set of Sony Dynamic carded micas (Model f98) > Sony TC126 Stereo cassette machine, using one Ampex 361 C-90 cassette tape. From Box 33, roughly equivalent to centre of the first balcony. Ken's brother in-law, Mark Cohen copied the one master tape, around 1976-78. Ken would make a safety copy, playing the master once, then retire it. The copy was made with a bad cable. This safety copy was flawed. The right channel had dropouts and static. And copies from that were patched to mono versions. He believed that the master was flawed due to a bad mic cable, but it was only a bad RCA cable on the 1st gen transfer. This copy is a different transfer. I discovered it 3 years ago (2008) in Mark's Tapes. I was comparing it to my copy and discovered after listening that a miracle was happening. No Tape Issues. The Correct Speed, No Broken Channels, Just sweet stereo imagery. Original Transfer Notes: Nakamichi DR2 > KorgMR1000 [email protected] > Audiogate > 24/88.2 > Wavelab 6 > Ozone4 > CDWave > R8Brain(16/44.1) MOTB Remastering Notes: Slight overall tape hiss reduction using Izotope RX Denoiser 2> slight EQ and balance adjustments > lowered audience applause gain after each song > removed a few very loud claps> there is one section of "Careful" where the mics get overloaded, can't fix> there is a tape flip during "Echoes", can't fix> overall the gain was slightly increased with less tape noise. | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | MOTB's remaster of Ken Lee's source, 24-bit/48kHz version (CC218) | |||
| Notes: | This is the history of this recording: Ken Recorded this with a set of Sony Dynamic carded micas (Model f98) > Sony TC126 Stereo cassette machine, using one Ampex 361 C-90 cassette tape. From Box 33, roughly equivalent to centre of the first balcony. Ken's brother in-law, Mark Cohen copied the one master tape, around 1976-78. Ken would make a safety copy, playing the master once, then retire it. The copy was made with a bad cable. This safety copy was flawed. The right channel had dropouts and static. And copies from that were patched to mono versions. He believed that the master was flawed due to a bad mic cable, but it was only a bad RCA cable on the 1st gen transfer. This copy is a different transfer. I discovered it 3 years ago (2008) in Mark's Tapes. I was comparing it to my copy and discovered after listening, that a miracle was happening. No Tape Issues. The Correct Speed, No Broken Channels, Just sweet stereo imagery. Original Transfer Notes: Nakamichi DR2 > KorgMR1000 [email protected] > Audiogate > 24/88.2 > Wavelab 6 > Ozone4 > CDWave > R8Brain MOTB Remastering Notes: Slight overall tape hiss reduction using Izotope RX Denoiser 2> slight EQ and balance adjustments > lowered audience applause gain after each song > removed a few very loud claps> there is one section of "Careful" where the mics get overloaded, can't fix> there is a tape flip during "Echoes", can't fix> overall the gain was slightly increased with less tape noise. | |||||
| Brian Donohue (5/5) | / 0 | View | Aud | |||
| Slick2007 (5/5) | FLAC / 1 | B+ | View | |||
| Carlos (5/5) | cdr / 1 | A+ | A- | View | ||
| Notes: | 2 set only | |||||
| Jeff Mitchell (5/0) | / 0 | View | ||||
| Jon Pavuk (5/4.3) | SHN / 1 | A | A- | View | Unknown Audience | |
| Notes: | Set 2 | |||||
| Jon Pavuk (5/4.3) | FLAC/DVD / 1 | A | A | View | set of Sony Dynamic carded micas (Model f98) > Sony TC126 Stereo cassette machine, using one... | |
| Notes: | 16 and 24 bit MOTB | |||||
| Jordan Jacobs (5/3) | xx / 0 | View | Flac | |||
| Notes: | AUD | |||||
| barry bryson (5/4.3) | CD / 1 | View | ||||
| Brad Foster (4/4.9) | FLAC / 1 | View | AUD | |||
| Marinus van der Plaats (4/5) | / 0 | View | ||||
| Zionpower (4/0) | / 0 | View | ||||
| Mike (4/5) | cdr / 1 | A- | A- | View | ||
| Notes: | "Carnegie Hall Upgrade" | |||||
| Bill Bruno (4/4.6) | shn / 1 | View | ||||
| Marty (3/4.9) | CDR / 1 | View | ||||
| Notes: | shn | |||||
| joe m (3/5) | FLAC / 1 | View | MOTB #167 | |||
| Mike Pageau (3/0) | AUD 16 / 1 | View | ||||
| Joe the Troll (3/0) | / 0 | View | ||||
| Ryan Merkel (3/0) | CDR / 2 | A- | View | |||
| William Gardner (3/0) | / 0 | View | ||||
| cosmiczoso (3/0) | / 0 | View | ||||
| Notes: | SBD | |||||
| Lost Sailor (2/0) | / 0 | View | MOTB Remaster Set 1 | |||
| Colin Waldschutz (2/4.9) | CDR / 1 | View | FLAC | |||
| Notes: | MOTB remaster | |||||
| Erick (2/3) | FLAC / 1 | View | ||||
| Notes: | Disc 2 | |||||
| jobber (2/0) | flac / 1 | View | ||||
| Notes: | Carnigie hall Upgrade | |||||
| ROY HAMILTON (2/4.9) | CDR / 1 | AUD | View | AUD | ||
| Notes: | CARNEGIE HALL UPGRADE | |||||
| Jerry Morgan (1/5) | CD / 1 | View | ||||
| Notes: | Carnegie Hall 1972 | |||||