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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
cotaper (5/4.3) | cdr / 2 | B+ | View | |||
Notes: | 118 minutes | |||||
David LeMond (5/5) | CDR / 2 | A- | View | |||
Notes: | HRV CDR 012 | |||||
Rob Garretson (5/5) | flac / 1 | B+ | View | Audience Master Reel > DAT (x1) > Sony DTC-A7 > Optical >SoundBlaster > Cool Edit... | ||
Notes: | dvd 13 | |||||
Gregg Beebe (5/4.9) | CDR / 2 | View | Claudio | |||
Notes: | * DSOTM * | |||||
Denis Charette (5/4.5) | CDR / 2 | A | View | VG | ||
Notes: | "Bowl De Luna" Exc Aud | |||||
John (5/5) | CDR/FLAC / 2 | View | ||||
Knakkie (5/0) | DVD / 1 | View | ||||
Jonathan (5/0) | / 1 | View | ||||
Notes: | Just obtained the Fileset for this show (on 04-04-2006) and it seems to be of the same lineage as the cassette version, which was obtained from Randy Evans. | |||||
michael kass (5/5) | cdr / 2 | View | ||||
Jack Warner (5/5) | FLAC / 0 | View | MAR>R>CD | |||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | At The End Of The Raimbow (CC256) | |||
Notes: | Liberated Godfather Records bootleg | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | The Box 1432 Tape (C129 & AC124 & CC255) | |||
Notes: | Includes photos of the tape reel, box & ticket stub!; Lineage: Reel tape (low gen)->Sound Forge ->Channel converter Mono to Stereo->Fades, track splitup->Flac via Flac Frontend, level 6, sectors aligned and verified. No noise reduction or EQ. | |||||
Roy Martin\'s Music Collection (5/5) | SHN / 0 | View | Bowl de Luna V2 (SS078 & SS086) | |||
Notes: | The rev.A release is from a different source than the rev.0 release. Instead of speed correcting our previous version, I have received a new version that I believe is better than the masters that I used before. Here are the differences between this rev A release and the original version of Bowl De Luna: Foremost is the change in speed. The original ran somewhat fast. The difference can be seen in the track timings. A little math shows about a 3.5% increase in run time. Also note that StCftHotS has been moved to its proper position in the setlist: the encore. The original disc 2 track order of OoTD, CWtAE, StCftHotS, Echoes, ASoS was erroneous. This was discussed a while back. ASoS is the final song of the 2nd set (with the big fireworks display), and StC is the encore. The songs are in this order on the master tape, and StC WAS played as an encore for several shows around this period. All the "experts" agree that rev A does indeed have the correct running order. For those nit-pickers like me that own a copy of the original release and are concerned about the numerous (snap, crackle, pop, fizz, fizz) undesirable noises in this recording, let me say this... The majority of the glitches in the original are not of digital origin and therefore still exist in rev A. For example, that series of thumps at the very beginning of Echoes are still there. Those sounds are not digital in nature and are unfixable. Normally, I update the database section with glitch information for each release. Let me say that for BdL rev A, there are no digital glitches per se. I will not be creating a list for the static and feedback and other analog stuff (too much work fo something so meaningless). | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | first generation R2R transfer (CC256) | |||
Notes: | Source: ECM-22P mics > Sony 770 reel @ 7 1/2 ips 40-50 feet back, dead center First generation R2R copy Revox A77 (playback) > Sony TC755 reel 2010 first generation R2R transfer Technics 1506 (playback) > Sony R500 DAT > HHb850 CDR CDR rip (EAC) > Adobe Audition (fix speed/pitch, some editing and EQ) > TLH 2013 clean-up of edits, dropouts, pops, loudest claps and mic thumps and scrapes. Audacity > CD Wav > TLH (Flac level 8) > Stamp ID3 tag editor | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Crackers (CC255) | |||
Notes: | Lineage: early issue Crackers LP > Sony PS-LX250H > Sony STR-DE875 > SBLive > Cooledit Pro > CD Wave > FLAC48khz Comments: a raw transfer of the crackers lp. the lp is from an early issue with the chinese lady on the stork insert and plain white cardboard sleeve. no remastering or NR applied here, only speed Correction and de-clicking. Raw rip by Rudy | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Damn Braces, Bless Relaxes (CC255) | |||
Notes: | Liberated Sirene label bootleg Lineage ->Original Factory Pressed (4) Silver CDS & (1) DVD - Sirene-060 Disc 1 & 2 - Rec. 2, Disc 3 & 4 - Rec. 1 & Bonus NTSC DVD - 8mm Footage Description:Limited Collectors Edition Set of Pink Floyd`s Super Fantastic Hollywood Bowl Show from `72! Discs (1) and (2) utilise the second recording (Rec.2). This is a complete, excellent, dynamic tape from the audience. It most recently appeared on Crackers on the Zeus label. The only weakness with the Zeus release is the bass which had a lot of rumble and distortion present. The worst is in “One Of These Days” where the bass overloaded the rest of the music and made the track almost unlistenable. Sirene, by comparison, have tackled this issue by smoothing the bass line and diminishing its volume. “One Of These Days” on this new release doesn’t have the problems on the Zeus and sounds phenomenal. It’s clear and powerful and one of the most effective versions captured on tape. Discs (3) and (4) contain the first tape (Rec.1), the one that surfaced many years ago and is the source for the famous three LP set Crackers on TARKL(3969). It differs from the first tape source by emphasising the top end, not having any significant dropouts or cuts and by not being complete. This taper missed the opening of the show and ”Breathe” was edited from a soundboard from the February 20th Rainbow show. Sirene were able to find a virgin copy of the LP since there really is no evidence of its origin. | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Rob Bertrando's source (CC255) | |||
Notes: | Lineage information: Audience Master Reel recorded by Rob Bertrando: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center DAT Master > Weitzman DAT > Sony DTC-A7 via Optical Cable > Soundblaster > Cool Edit Pro 2.0* > 2 wav files (one per set) > Soundforge 7.0** > CD Wave > Flac Frontend (level 7, align sector boundaries) > flac | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Hollywood Bowl Revisited (CC255) | |||
Notes: | Liberated Sigma label bootleg Lineage: Silver CDs > EAC > WAV > FLAC (level 8) | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Winterland 1972 (CC258) | |||
Notes: | Liberated Sirene bootleg. Source: TDK Tape 100 Master Reel>Sirene-046 Silver CDs Copy 77 of 300>EAC>WAV>FLAC Rating: VG+ | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Bowl de Luna (EE181) | |||
Notes: | Bowl de Luna HRV CDR 012 cass(low)>eac>flac | |||||
John Champion (5/5) | 405 MB / 2 | View | AUD "Box 1432 Tape" | |||
randy walton (5/5) | cdr / 2 | a | View | aud | ||
Notes: | 117 minutes, correct speed and track order | |||||
sean hite (5/0) | / 0 | View | ||||
Notes: | HRV CDR 012 Recorded live at The Hollywood Bowl on the 22nd of September 1972 Los Angeles, California | |||||
Rick Martin (5/5) | CDR / 2 | A | View | Aud>RoIO - "Bowl de Luna" Harvested CDR012, revision A release>SHN>CDR | ||
Notes: | Complete | |||||
Rick Martin (5/5) | Flac / 2 | A- | View | Reel tape (low gen)->Sound Forge ->Channel converter Mono to Stereo->Fades, track... | ||
Notes: | Complete | |||||
Slick2007 (5/5) | SHN / 2 | B+ | View | |||
Gary (5/4.3) | CDR / 2 | View | ||||
Gary (5/4.3) | CDR / 2 | View | ||||
Notes: | AUD "Box 1432 Tape" | |||||
Marc Dreilinger (5/2.3) | SHN / 2 | View | AUD unknown lineage -- "Cracked Crackers" liberated boot | |||
Notes: | Archived Box 1 Disc 542 | |||||
Marc Dreilinger (5/2.3) | FLAC / 1 | View | AUD 2 source matrix "Platinum Crackers": "Platinum Edition" (Fireman's 5) was combined with... | |||
Notes: | Archived Box 1 Disc 276 |