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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
David LeMond (5/5) | CDR / 2 | A- | View | |||
Adam (5/5) | CDR / 2 | D | View | |||
Notes: | Roger's Last Performance | |||||
gwendibbley (5/0) | / 0 | View | ||||
John (5/5) | CDR/FLAC / 2 | View | ||||
Notes: | This is a cd burnable edition at 44kHz sample rate. The sound quality is Ex- and not quite as good as Nigel's 6th Aug 1980 recording. Taper: Nigel Bradder Recording made from Block 5, Row U seat 27 Equipment Used to record the show: - Technics Single Point Stereo Microphone->Sony TC-153SD Cassette Deck->TDK AD-120 cassette The transfer was made on the 11th September 2006 from the Master TDK AD-120 cassette (see photo). The transfer was made using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to two wav files. The two wav files from the 120 min cassette were concatenated into a single wav using Adobe Audition. The 48kHz source was split into individual wav files, downsampled to 44kHz and saved in FLAC format. The resulting wave files have NOT been re-mastered or changed in ANY way this is a direct copy of the master tape. This is an excellent quality recording in stereo and I believe it is an upgrade on the other versions of this show that have circulated. | |||||
John (5/5) | CDR/FLAC / 2 | View | ||||
Notes: | "The Handwriting on the Wall" (mastered directly from the source tape) Lineage:cass(m)>eac>flac Mastered to CD from the original tape and speed corrected by Danalog of Man of Leisure Music (MoLM) www.molm.org. It's likely the original tape recording machine's calibration was slightly off. MoLM got the master tape on loan from Carzi, who got it from the taper. Recorded with a Technics Single Point Stereo Microphone and a Sony TC153SD Cassette deck. This recording has less audible background audience than the more common Golden Stars/MoLM source. It tends to have a fuller range of sound, but slightly less bass than the more cirulated source from this date. This is the same taper who is known to have recorded 04Nov73, 16Nov74, 17Nov74, 06Aug80 and 17Jun81. | |||||
rockcdr (5/5) | CD / 2 | View | ||||
Notes: | AUD | |||||
chris payment (5/3.4) | CDR / 2 | View | ||||
Notes: | #259- MOLM | |||||
Jack Warner (5/5) | FLAC / 0 | View | MAC>CD | |||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Livewall (EE008 & EE233) | |||
Notes: | Liberated bootleg on the Live Storm label. Lineage > Original Silver CDs > Nero > Wav > BonkEnc > Flac | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | The Last Few Bricks (EE021) | |||
Notes: | Liberated Sirene label bootleg. Lineage: silver>eac>flac | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Walllive (EE021) | |||
Notes: | liberated bootleg on the Seagull Records label. Silver>eac>flac | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Recorder 5 source (EE072) | |||
Notes: | Lineage: Unknow gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.2 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac Info file says, "Very bad recording, made the transfer only to know that exist a 5th recording and for historical purpose." | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Roger At Last (EE072) | |||
Notes: | liberated bootleg on the Ayanami label. Lineage: silver>eac>flac | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Nigel Bradder's source, 16-bit version (EE008 & EE233) | |||
Notes: | Equipment Used to record the show: - Technics Single Point Stereo Microphone->Sony TC-153SD Cassette Deck->TDK AD-120 cassette The transfer was made on the 11th September 2006 from the Master TDK AD-120 cassette (see photo). The transfer was made using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to two wav files. The two wav files from the 120 min cassette were concatenated into a single wav using Adobe Audition. The 48kHz source was split into individual wav files, downsampled to 44kHz and saved in FLAC format. The resulting wave files have NOT been re-mastered or changed in ANY way this is a direct copy of the master tape. This is an excellent quality recording in stereo and I believe it is an upgrade on the other versions of this show that have circulated. | |||||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Nigel Bradder's source, 24-bit version (EE008 & EE233) | |||
Notes: | Equipment Used to record the show: - Technics Single Point Stereo Microphone->Sony TC-153SD Cassette Deck->TDK AD-120 cassette The transfer was made on the 6th June 2009 from the master TDK AD-120 cassette (see photo). The transfer was made using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 96KHz 24bit resolution to two wav files (side 1 and side 2 of the cassette) The two wav files from the 120 min cassette were split into individual wav files and saved at FLAC level 8 using Traders Little Helper. | |||||
John Champion (5/5) | Silver CD / 2 | 8 | View | AUD "Livewall 1&2" | ||
gary k. (5/5) | cdr / 2 | B+ | View | AUD | ||
Brian Donohue (5/5) | / 0 | View | ||||
Rick Martin (5/5) | CDR / 2 | A | View | Aud>?>CDR | ||
Notes: | Complete | |||||
Drifty (5/4.9) | CDr / 2 | A- | View | |||
Notes: | Bootleg "Roger's Last Performance" | |||||
Slick2007 (5/5) | FLAC / 2 | A- | View | |||
Gary (5/4.3) | CDR / 2 | View | ||||
Notes: | AUD MoLM Waters'Last/Final Wall | |||||
Damian (5/5) | CD / 2 | View | ||||
Notes: | Pink Floyd: The Wall, 17Jun81, Earls Court, London Remastered by Danalog of Man of Leisure Music (MoLM) Source: Dan Kraft Archives First traded in 1999, released Summer, 2000 Disc one, set one: 01.) Intro/In the Flesh? 5:28 02.) The Thin Ice 2:41 03.) Another Brick in the Wall, part 1 6:07 The Happiest Days of Our Lives 04.) Another Brick in the Wall, part 2 6:08 05.) Mother 8:06 06.) Goodbye Blue Sky 3:58 07.) Empty Spaces (What Shall We Do Now?) 4:26 08.) Young Lust "Sorry Neil, only joking!" 5:15 09.) One of My Turns 3:57 10.) Don't Leave Me Now 4:00 11.) Another Brick in the Wall, part 3 4:37 12.) Brick-making interlude 1:20 13.) Goodbye Cruel World 0:59 Total time, disc one: 57:02 Disc two, set two: 01.) Hey You 4:49 02.) Is There Anybody Out There? 2:56 03.) Nobody Home 3:33 04.) Vera 2:00 05.) Bring the Boys Back Home 1:24 06.) Comfortably Numb 6:59 07.) The Show Must Go On 2:37 08.) In the Flesh 8:24 09.) Run Like Hell 7:35 10.) Waiting for the Worms 4:28 11.) Stop! 0:29 12.) The Trial 6:03 13.) Outside the Wall 2:45 Total time, disc two: 54:02 This is actually the very last "real" Pink Floyd concert, and the first-ever remastered release by Man of Leisure Music (MoLM). "Real," meaning that this was the last time the lineup of Waters, Gilmour, Mason and Wright peformed together. It is also the 30th and final performance of the fabled Wall tour, performed at Earls Court in London. First weeded out in .wav audio format in September, 2000, some earlier audio copies had been traded out by the three MoLM partners. This is now being re-circulated and archived in .shn format in order to better preserve the original work of Danalog, the re-mastering whiz of MoLM. This was painstakingly speed-corrected, edited, equalized and bass enhanced. Three versions of the entire show was burned to disc and tested before Dan settled on what was to become the final product. We here at MoLM think you will find this to be one of the finer performances of the Wall. We hope you find this roio to be the finest edition of this historic concert in circulation. Here are the shn codes from the original discs, extracted with EAC in secure mode, 99.9 percent accurate, and using MKW from etree.org to shorten the files: disc one: 9a588cc2fd7f7645e01c7a24778840c9 *Track01.shn 226ea3fe9cd805b98683c81087460027 *Track02.shn 2a4cec5782976081c07b56f160c53bd4 *Track03.shn 7a951203c4e55e0ad7e5aa964a4edb5d *Track04.shn f687273f64ea1dea2a63804b08ae927c *Track05.shn 490a830b2b3b577373b7c3547b82e014 *Track06.shn 1e12547d08afb605083b660066ab062e *Track07.shn d8f9b32cc3e73fa93b0a1dae5899b3c6 *Track08.shn 0d18de4d138ca05b4d0b8f14f2f41fed *Track09.shn 477e0960728c030b9b63ed31e94992a8 *Track10.shn e17b9ef8f6c65098f821f6caf81909f3 *Track11.shn 09d09659d7a34e5f94f974d5663c7c19 *Track12.shn 82e377b17b2e407e027ef86319e33ca3 *Track13.shn disc two: 797fbed0c5cf0a3a2669a00bec7df797 *Track01.shn 3422d8ed269e3ef7a0acd050a2895f7a *Track02.shn 2bdf8afed78344daf8af25ea9f321dd6 *Track03.shn 91fed10b296a34022b8f49924b0be4a8 *Track04.shn ab5263a7d8e87feb18d5f66f0a823644 *Track05.shn 9d1ceb63b05a3dc7df1867b42f31b258 *Track06.shn 7136ed16d2fbeadf1899b686ee929fe4 *Track07.shn c0c47ac903d5881df102a23271a37160 *Track08.shn 635f94477e9d3a223988b0e237b7b487 *Track09.shn 01bddb0375164c9a4159df37d45c64ee *Track10.shn b06c2986f581052bdb5f2adbda2711c7 *Track11.shn 57e9b1b32abeb859e2832d77b843aacd *Track12.shn 87884173268248684fe7f2c13c1c57fc *Track13.shn Enjoy! Flynn MoLM www.flupe.com | |||||
Jon Pavuk (5/4.3) | SHN / 2 | A | B+ | View | Audience>MOLM: The Wall, Earls Court | |
Notes: | Roger Waters' last show. | |||||
Jon Pavuk (5/4.3) | FLAC / 1 | A | A | View | WALLweed WWRM030>Audience>??>CDR (GEN??) > Amadeus II > WAV > xACT > FLAC | |
Jordan Jacobs (5/3) | CD/2 / 0 | View | ||||
Notes: | From the Masters of recording 3 Extremley Low Analog Generations- Upgrade AUD | |||||
Jordan Jacobs (5/3) | FLac / 0 | View | xx | |||
Notes: | Livewall | |||||
Brian (5/4) | CDR / 2 | A+ | View | Audience | ||
Notes: | Roger Waters last show w/ Pink Floyd. | |||||
wedsong1 (5/4.9) | CDR / 2 | B+ | View | |||
Notes: | Roger Waters' last show with Pink Floyd. | |||||
surfer1478 (5/5) | CDR / 2 | View | ||||
Notes: | trade from travis (ohyeah9949) |