Notes: |
Luna
2004-11-12
Chicago, IL - Abbey Pub
Dean Wareham - guitar, vocals
Sean Eden - guitar, backing vocals
Britta Phillips - bass, backing vocals
Lee Wall - drums
Taper: Brian Skalinder / [email protected]
Location: Center, clamped to balcony, extended 6' out over crowd, ~9' up
Mic Config: DIN (20cm, 90?)
Source: Schoeps MK41/KC5/CMC6 > Lunatec V3 > Nomad JB3
Conversion: Nomad JB3 > Adaptec FireConnect 4300 > Notmad Explorer > PC
Format: 16-bit, 44.1 kHz
Editing: CD-Wave (tracking), Cool Edit Pro 2.0 (fades)
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* ### FREE ### *
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* - Only share this recording with others for FREE. *
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DISC ONE
01. [ fade in ]
02. Speedbumps
03. California (All The Way)
04. Owl & Pussycat
05. Lost In Space
06. Broken Chair
07. Sideshow By The Seashore
08. Malibu Lovenest
09. Tracy I Love You
10. Moon Palace
11. Black Postcards
12. Into The Fold
13. Four Thousand Days
14. Bonnie And Clyde
15. Friendly Advice
16. [ fade out ]
DISC TWO
01. [ fade in ]
02. Time To Quit
ENCORE 1
03. Season Of The Witch
04. Indian Summer
ENCORE 2
05. Fourth Of July
NOTES:
To seamlessly join the two discs, simply remove D1T16 and D2T01.
They planned on playing Cindy Tastes Of Barbecue for track 4, but due to technical difficulties with the guitar brought out to Dean, skipped it and played Owl & Pussycat instead.
Apostle Of Hustle opened - check 'em out, these guys are good! Too bad the crowd yapped through their whole set. Cool little venue, the Abbey. Pretty good selection of beer and drinks, good food. Holds ~500 with an open floor and a balcony that runs around both sides and the back. Balcony isn't all that great for listening, but if you want to sit down it's nice. Oh, and good service in the balcony from the roving servers! Oddest thing about the venue: they have a bathroom attendant! No kidding, very strange. Sat dead center in the balcony (in the 2nd row this night), which for reference is a terrible place to listen to the show, but a good place to record if the Abbey is jam-packed full. Terrible place to listen because sitting up there you're in a major bass trap, seated-head about even with the bottom of the massive concrete cross-beams and an open space above and behind you that goes up to the full ceiling height. Ran the mics at the base of the balcony to get away from the bass trap, and also extended them out horizontally 6' over the crowd to get a bit closer to the sound source. All in all, recordings turned out pretty well, I think. |