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Set I
Phase Dance
Better Days Ahead
The Windup
James
Offramp
It's For You
The Bat, Part 2
O Berimbau >
Ozark
Turnaround
Pat's Solo >
As Falls Wichita, So Falls Wichita Falls
Jaco
?
Au Lait >
?
San Lorenzo
(Cross The) Heartland
American Garage
Better Days Ahead
The Windup
James
Offramp
It's For You
The Bat, Part 2
O Berimbau >
Ozark
Turnaround
Pat's Solo >
As Falls Wichita, So Falls Wichita Falls
Jaco
?
Au Lait >
?
San Lorenzo
(Cross The) Heartland
American Garage
Set II
Set III
Comment
Cornell University
Pat Metheny - Electric Guitars
Steve Rodby - Electric Bass
Lyle Mays - Keyboards
Naná Vasconcelos - Percussion, Vocals
Danny Gottlieb - Drums
Pat Metheny - Electric Guitars
Steve Rodby - Electric Bass
Lyle Mays - Keyboards
Naná Vasconcelos - Percussion, Vocals
Danny Gottlieb - Drums
Last Changed By
John Cook
Sources
(85089) View Source
Source: Two Nak 300's > Sony TC-D5M > first 40 minutes Maxell MX, remainder Maxell XLII
Lineage: Nak ZX7 cassette playback > UA5 custom Oade mod > IBM R40/Win XP Pro > Sound Forge 5.0 > CDR(.wav) > EAC > Win XP Pro > CDR > dBPowerAMP > FLAC > You
(100668) View Source
Two Nak 300's > Sony TC-D5M > cassette > Nak ZX7 > UA5 custom Oade mod > IBM R40/Win XP Pro > Sound Forge 5.0 > CDR(.wav) > EAC > Win XP Pro > FLAC Frontend > FLAC16
Taper: Doug Mow
Transfer by Doug Mow, EAC and encoding by Alex Ford
804 MB, 142:36
(85089) View Source
Source: Two Nak 300's > Sony TC-D5M > first 40 minutes Maxell MX, remainder Maxell XLII
Lineage: Nak ZX7 cassette playback > UA5 custom Oade mod > IBM R40/Win XP Pro > Sound Forge 5.0 > CDR(.wav) > EAC > Win XP Pro > CDR > dBPowerAMP > FLAC > You
(100668) View Source
Two Nak 300's > Sony TC-D5M > cassette > Nak ZX7 > UA5 custom Oade mod > IBM R40/Win XP Pro > Sound Forge 5.0 > CDR(.wav) > EAC > Win XP Pro > FLAC Frontend > FLAC16
Taper: Doug Mow
Transfer by Doug Mow, EAC and encoding by Alex Ford
804 MB, 142:36
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John Cook (4/5) | FLAC / 2 | View | 100668 | |||
| Notes: | 804 MB, 142:36 | |||||
| Arnold Eibel (4/0) | FLAC / 2 | View | ||||
| aaron f. (4/0) | audio / 2 | View | Nak 300's | |||
| Robbie Kellman (3/5) | flac / 2 | View | ||||
| Notes: | DVD No Miles Jazz | |||||
| Eddie (3/5) | cdr / 2 | View | ||||
| lolly (3/5) | CDR / 2 | View | AUD | |||
| Joe Breault (2/0) | cdr / 2 | View | ||||
| John (clutj) (2/4.7) | cdr/2 FLAC / 2 | A | A- | View | Two Nak 300's > Sony TC-D5M > first 40 minutes Maxell MX, remainder Maxell XLII | |
| Dan Inglima (2/5) | CDR / 2 | View | FLAC > Peak > CDR | |||
| Blaise (2/0) | SHN / 2 | View | Two Nak 300's > Sony TC-D5M > first 40 minutes Maxell MX, remainder Maxell XLII | |||
| openpath (1/5) | FLAC / 0 | View | 100668 | Two Nak 300's > Sony TC-D5M > cassette > Nak ZX7 > UA5 custom Oade mod > IBM R40/Win XP Pro >... | ||
| deathglider (1/5) | CD-R / 2 | View | ||||
| Notes: | Audience recording > Nakamichi 300's > Sony TC-D5M > Cassette tape master (Maxell MX, Maxell XLII) > Nakamichi ZX7 cassette player > UA5 custom Oade mod > WAV > Soundforge 5.0 > CD-R > EAC > FLAC Frontend > FLAC. FLAC[max300a] | |||||
| Doug (1/0) | / 0 | View | ||||
| martin (1/5) | WMA File / 1 | View | ||||
| Notes: | 1st set only | |||||
| denes (1/5) | CD / 2 | B+ | View | |||
| Terence Keating (1/5) | flac / 2 | View | ||||
| Cory Ahonen (1/5) | CDR / 2 | View | AUD | |||
| Bill Jagde (1/5) | CDR / 2 | A | View | Aud | ||
| Notes: | nice audience source | |||||
| Pat (0/4.8) | CD-R / 2 | View | ||||
| Bill Tripp (0/5) | FLAC / 2 | View | Nak ZX7 cassette playback > UA5 custom Oade mod > IBM R40/Win XP Pro > Sound Forge 5.0... | |||
| Notes: | First circulation of this source | |||||
| Mike Taylor (0/0) | CDR / 2 | B+ | View | |||
| Mike Cotton (0/5) | FLAC / 2 | View | Two Nak 300's > Sony TC-D5M > first 40 minutes Maxell MX, remainder Maxell XLII | |||