Artists
Sources
Dates
List Management
Help
Add Source
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Tumbling Dice, Sweet Virginia, You Can't Always Get What You Want, Midnight Rambler, Band Introduction, Bye Bye Johnny
Set II
Set III
Comment
Bootlegs: Standing At The Kitchen Door, Street Fighting Men In Toronto 1972
Last Changed By
System
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Denis Charette (5/4.5) | CDR / 1 | C | View | Fair Aud | ||
| Notes: | "Toronto 1972 (1st Show)" | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Standing At The Kitchen Door (MM100) | |||
| Notes: | Liberated Vinyl Gang Products bootleg. Lineage: CDR received in a trade -> flac via TLH -> You | |||||
| Mac (4/5) | FLAC / 1 | View | AUD | |||
| StratoStadt (2/5) | CD - Audio / 1 | B- | View | Audience | ||
| Notes: | Toronto 1972 | |||||
| Ed Izsak (1/5) | CDR / 1 | View | AUD | |||
| Stuart Ferguson (1/4.3) | CDR / 1 | View | Audience | |||
| Notes: | DVD 1633; lineage: Audience recording. "Standing At The Kitchen Door" (Vinyl Gang Products, VGP-304-1/2) CDR received in a trade -> flac via TLH | |||||
| steve (0/0) | flac / 1 | View | ||||
| Notes: | My mother was at this show. | |||||
| steve (0/0) | Flac / 1 | View | " Standing At The Kitchen Door", Vinyl Gang, CD-R (trade) -> EAC -> FLAC TLH level 6,... | |||
| Notes: | " Standing At The Kitchen Door", Vinyl Gang Production | |||||
| O-Joe (0/5) | CD-R / 1 | B+ | View | sounds like an audience tape | ||
| Notes: | I say "sounds like an audience tape" because it's different than a typical '72 audience tape. The crowd sounds distant, almost like a backing track. There's no clapping or chatter from crowd members close to the microphone. In fact, it doesn't sound there's anybody at all close to the mic. But there is some crowd noise from the distance. And the sound, while loud, is a bit muddy. You can definitely hear all the instruments, but not with the clarity you would get from a soundboard. Still, it's a very strong recording and highly recommended. As I said, you can definitely hear ALL the instruments and they come through nice and loud, if not 100 percent clear. Clearly in the B+/A- range to me. | |||||
| Kevin (0/5) | CDr / 1 | C | View | AUD | ||