John Hiatt 07/20/1997

YOU ARE EDITING THE MASTER SHOW RECORD, NOT YOUR PERSONAL LIST!
Please . . . .
Enter GENERIC data for everyone to use
Specifics about your recording go in the 'Notes' on your list
No mic or recording info here
Do not list track numbers or timings
Use Initial Capitals For Just About Everything
Historical info and cross-references welcome

If you make a mistake, click on the show date to reload

John Hiatt 07/20/97
WXPN Singer Songwriter Weekend, Penns Landing, Philadelphia, PA

Compilation Name: Edit this compilation's name

Date: 07/20/97
Year: 1997
Venue: WXPN Singer Songwriter Weekend, Penns Landing
City: Philadelphia
State: PA

Set I

Slow Turning
Graduated
Ethylene
Sure Pinocchio
Little Head
Memphis In The Meantime
Icy Blue Heart
Tennessee Plates
Pirate Radio
Cry Love

Encores:
Have A Little Faith In Me
Thing Called Love

Set II

Set III

Comment

Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

User (active/rating)	Media / #	Show	Sound	Details	User Source
Gary (5/4.3)	CDR / 1			View
Notes:	SBD>DAT [RS Archives]
Mike Langen (2/4.9)	cdr / 1		A	View	sbrd
Notes:	John Hiatt and The Nashville Queens Penn's Landing Philadelphia, PA (USA) July 20, 1997 Excellent digital soundboard recording (from DAT master) Another stellar recording from "The RS Arvhives" (a Mexminute/TheCommish production) mp3 samples provided (as always) in the Comments section Setlist: 01. Announcer intro 02. Slow Turning 03. Graduated 04. Ethylene 05. Sure Pinocchio 06. Little Head 07. Memphis In The Meantime 08. Icy Blue Heart 09. Tennessee Plates 10. Pirate Radio 11. Cry Love 12. Have A Little Faith In Me 13. Band intro 14. Thing Called Love 15. Announcer outro The Nashville Queens are: Davey Faragher - bass, vocals (backgr) Gary Ferguson - drums David Immerglück - lead guitar, pedal steel, mandolin, vocals (also "that funny little wooden thing" in "Ethylene") Notes: * This show was part of a singer/songwriter weekend at Penn's Landing * Announcer's "little headliner" comment at the beginning of the show is a sly reference to Hiatt's then-current album ("Little Head") Lineage: DAT master > Sony PCM-R500 (playback) > HHB CDR-850 (burning) > CDR, then CDR > EAC > WAV > Editing (see below) > FLAC Frontend > FLAC Editing notes: * Re-tracked show (combined WAV files in Nero, then re-split with CD Wave) * To adjust for the gradual volume increase in Track 1 on the source, I increased the volume of Track a by +4dB (for 0:00-1:20) and +2dB (for 1:20-1:28). As a result, the volume of Track 1 is now much more level. * The overall volume of the show was a little on the low side; however, the volume of Track 14 was roughly 3dB higher than the other tracks in the show. In order to address these volume issues, I conservatively added only 2dB to everything but Track 14 since I wanted to avoid any undue clipping. * I excluded a 55-second track of pre-recorded music that followed the announcer outro at the end of the show About "The RS Archives": The RS Archive consists of a selection of live recordings made by a great individual who passed away in 2005. RS worked in the music industry in many capacities….a music fan….a musician….a sound engineer. He was considered one of the best behind the mixing board. I was honored to have known him for practically 35 years. There was no one like him….he was a wonderful human being. Everybody loved him. He was a level-headed guy who knew what sounded good and what didn't. He could conceive and design sound systems from scratch in his head to meet the artist’s needs. Whatever they wanted, he could do. For years, he mixed music at the annual Grammy Awards and the American Music Awards television show. RS worked closely for years with Daryl Hall and John Oates, Juice Newton, Anita Baker, Mariah Carey, Tears for Fears, Crack the Sky, Kid Creole and the Coconuts, Aretha Franklin, Pink Floyd, Whitney Houston, Bette Midler, Ann Murray, Michael Bolton, Kenny G, Tony Bennett, Johnny Cash, Eric Clapton, John Fogerty, Bonnie Raitt, Frank Sinatra, John Hiatt, Little Feat, Little Village, and Waylon Jennings…..to name a few. He had a huge reputation in the business, and that's why he was chosen to work with such budding clients as Mariah Carey. With the major stars, he was one of the preferred engineers they choose to work with. A particular client of RS who had a reputation for firing sound engineers with great regularity was Anita Baker, whom he won over not only with his technical abilities and personality, but with his refusal to put up with her criticism. He quit a few times but always came back because she loved the way he mixed her music. He could coddle difficult and temperamental celebrities, and they respected his work. He was able to kick back and get along with them. Even though he knew these people, he was a very modest man. So now, it is time to honor him by sharing some of the many recordings he made while on the road. All are perfect (or near perfect) soundboard recordings made from the master cassettes or master dat tapes. Unfortunately, I am not able to identify the original equipment these tapes were made on, however I can say that for the transferring process, the cassette tapes were played back on a Nakamichi CR-7A, and the dat tapes on a Sony PCM-R500. They were all burnt onto cdr using a HHB CDR-850. Please enjoy these tasty gems! Mexminute (fellow DIME member).
Supratik Chaudhuri (2/0)	/ 0			View
slugline (2/0)	/ 0			View	audience
Phil Aitchison (2/5)	CD-R / 1			View
David (1/5)	CDR / 1		A+	View	SBD
woodenalligator (1/5)	CDR / 1	A++	A+	View	SB
Mike Tausig (1/5)	FLAC / 1			View
Notes:	DAUD>MDAT>WAV>FLAC (w/ Nashville Queens)
taperBWeed (1/5)	/ 1			View	Schoeps MK4's>Schoeps VMS02IB>HHB PDR-1000
Glenn Steinkamp (0/0)	/ 0			View	sbd

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Gary (5/4.3)

CDR / 1

View

Notes:

SBD>DAT [RS Archives]

Mike Langen (2/4.9)

cdr / 1

View

sbrd

Notes:

John Hiatt and The Nashville Queens Penn's Landing Philadelphia, PA (USA) July 20, 1997 Excellent digital soundboard recording (from DAT master) Another stellar recording from "The RS Arvhives" (a Mexminute/TheCommish production) ** mp3 samples provided (as always) in the Comments section ** Setlist: 01. Announcer intro 02. Slow Turning 03. Graduated 04. Ethylene 05. Sure Pinocchio 06. Little Head 07. Memphis In The Meantime 08. Icy Blue Heart 09. Tennessee Plates 10. Pirate Radio 11. Cry Love 12. Have A Little Faith In Me 13. Band intro 14. Thing Called Love 15. Announcer outro The Nashville Queens are: Davey Faragher - bass, vocals (backgr) Gary Ferguson - drums David Immerglück - lead guitar, pedal steel, mandolin, vocals (also "that funny little wooden thing" in "Ethylene") Notes: * This show was part of a singer/songwriter weekend at Penn's Landing * Announcer's "little headliner" comment at the beginning of the show is a sly reference to Hiatt's then-current album ("Little Head") Lineage: DAT master > Sony PCM-R500 (playback) > HHB CDR-850 (burning) > CDR, then CDR > EAC > WAV > Editing (see below) > FLAC Frontend > FLAC Editing notes: * Re-tracked show (combined WAV files in Nero, then re-split with CD Wave) * To adjust for the gradual volume increase in Track 1 on the source, I increased the volume of Track a by +4dB (for 0:00-1:20) and +2dB (for 1:20-1:28). As a result, the volume of Track 1 is now much more level. * The overall volume of the show was a little on the low side; however, the volume of Track 14 was roughly 3dB higher than the other tracks in the show. In order to address these volume issues, I conservatively added only 2dB to everything but Track 14 since I wanted to avoid any undue clipping. * I excluded a 55-second track of pre-recorded music that followed the announcer outro at the end of the show About "The RS Archives": The RS Archive consists of a selection of live recordings made by a great individual who passed away in 2005. RS worked in the music industry in many capacities….a music fan….a musician….a sound engineer. He was considered one of the best behind the mixing board. I was honored to have known him for practically 35 years. There was no one like him….he was a wonderful human being. Everybody loved him. He was a level-headed guy who knew what sounded good and what didn't. He could conceive and design sound systems from scratch in his head to meet the artist’s needs. Whatever they wanted, he could do. For years, he mixed music at the annual Grammy Awards and the American Music Awards television show. RS worked closely for years with Daryl Hall and John Oates, Juice Newton, Anita Baker, Mariah Carey, Tears for Fears, Crack the Sky, Kid Creole and the Coconuts, Aretha Franklin, Pink Floyd, Whitney Houston, Bette Midler, Ann Murray, Michael Bolton, Kenny G, Tony Bennett, Johnny Cash, Eric Clapton, John Fogerty, Bonnie Raitt, Frank Sinatra, John Hiatt, Little Feat, Little Village, and Waylon Jennings…..to name a few. He had a huge reputation in the business, and that's why he was chosen to work with such budding clients as Mariah Carey. With the major stars, he was one of the preferred engineers they choose to work with. A particular client of RS who had a reputation for firing sound engineers with great regularity was Anita Baker, whom he won over not only with his technical abilities and personality, but with his refusal to put up with her criticism. He quit a few times but always came back because she loved the way he mixed her music. He could coddle difficult and temperamental celebrities, and they respected his work. He was able to kick back and get along with them. Even though he knew these people, he was a very modest man. So now, it is time to honor him by sharing some of the many recordings he made while on the road. All are perfect (or near perfect) soundboard recordings made from the master cassettes or master dat tapes. Unfortunately, I am not able to identify the original equipment these tapes were made on, however I can say that for the transferring process, the cassette tapes were played back on a Nakamichi CR-7A, and the dat tapes on a Sony PCM-R500. They were all burnt onto cdr using a HHB CDR-850. Please enjoy these tasty gems! Mexminute (fellow DIME member).

Supratik Chaudhuri (2/0)

/ 0

View

slugline (2/0)

/ 0

View

audience

Phil Aitchison (2/5)

CD-R / 1

View

David (1/5)

CDR / 1