Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Yes 08/15/77
Providence Civic Center, Providence, RI
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Firebird Suite, Parallels, I've Seen All Good People, Close To The Edge, Wonderous Stories, Colours Of The Rainbow-> Turn Of The Century, Tour Song, And You And I, Flight Jam-> Awaken, Starship Trooper, Roundabout, Yours Is No Disgrace
Set II

Set III

Comment
Lineup: Anderson, Howe, Squire, Wakeman, White, Unofficial Recordings: Audio: Audience - 118 min
Last Changed By System
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

1 - 30 | 31 - 47    Next >>

User (active/rating) Media / # Show Sound Details DB Source User Source
buc2220 (5/5) HARDRIVE / 2 View   AUD
Notes: PRRP034 Musical Rainbows
rockcdr (5/5) CD / 2 View  
Notes: AUD
Roy Martin\'s Music Collection (5/5) FLAC / 0 View   44.1kHz version of the Dan Lampinski source (A064)
Notes: Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> BpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
Roy Martin\'s Music Collection (5/5) FLAC / 0 View   96kHz version of the Dan Lampinski source (D017)
Notes: Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End (FLAC 8)
Roy Martin\'s Music Collection (5/5) SHN / 0 View   Musical Rainbows (D122)
Notes: PRRP034. Trader's Little Helper indicated SBEs existed in the SHNs. So, I can offer the original PRRP SHNs and a SBE-corrected version.
Roy Martin\'s Music Collection (5/5) FLAC / 0 View   Musical Rainbows (TT031)
Notes: FLAC version of PRRP034. Lineage: Nakamichi 550/CM-100/CP1 > Maxell XLII > Nakamichi BX-300 > Digigram VXPocket V2 > CEP 2.0 > Wave > CD-R > PRRP remastering > SHN > FLAC
sean hite (5/0) / 0 View  
Notes: Master audience recording taped by Dan Lampinski Mastered and FLAC'ed by Carl Morstadt ([email protected]) Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger
sean hite (5/0) / 0 View  
Notes: PRRP034- YES MUSICAL RAINBOWS Thanks to an experienced and dedicated Yes fan, PRRP is able to present to you one of the best audience recordings made during the 1977 Going For the One tour. The setting was the Providence Civic Center and our man was in the fifth row with a Nakamichi 550 cassette deck and Nakamichi CM-100/CP-1 microphones. Below is his recollection of the events of that night. “As hockey rinks go, the Providence Civic Center has good acoustics. However, the PA system levels and the mix were all over the place. Later on, I read that Yes had a substitute sound man on that tour. He had high-end hearing loss which explains why the mix is so bright. (PRRP: we fixed this is the remaster process) As far as levels, the Firebird opening was okay, but when the band started playing Parallels, you could hardly hear them. The sound man was trying to let people get used to the volume slowly and overdid it. He kept nudging up the volume during All Good People. It actually got a little too loud at one point, then came back down. I was taking photographs and had an experienced friend (a Deadhead) monitoring the levels on my deck. He did his best to compensate for what was happening. Close to the Edge and Wondrous Stories were okay but the sound man jacked up the volume for the silly tour song (Colours of the Rainbow) and then dropped it way back down for Turn of the Century. (PRRP: Again, fixed in the remaster process) I think my friend was wasted by then. The levels were a little on the low side for the rest of the show.” “…When the show started, the ushers allowed all the rowdys from the cheap seats to rush down to the stage and jam themselves into every inch of space. They were all jumping up and down, the whole building was literally shaking, and the crowd noise was unbelievable. Then, the people in the front row decided to stand up on their rickety wooden chairs, which was completely unnecessary. You can hear the people behind them yelling at them to sit down.” “…In spite of all that, the band was on fire that night. Steve played wailing solos on Starship Trooper and Yours Is No Disgrace. I think they're the best versions I've heard other than the Close To The Edge tour in 73. Rick was superb on Close to the Edge and Awaken. Awaken was recorded on a C120 tape so it's a complete, uncut version. I've also been told by several Yes traders that it's one of a very few 100% complete Going For The One concerts with no side change in Awaken….” “I was standing on a rickety wooden chair trying to hand-hold a 300mm telephoto lens for close-ups while the whole building was literally shaking throughout the night. Towards the end of the show, I had run out of film and was watching through binoculars, again, from the fifth row. Jon nudged Chris and pointed at me, laughing at the crazy guy who just couldn't see enough Yes up close.  I miss those days.” Notes from the Re-Master Given the outstanding equipment used during this event, the quality of the recording is quite exceptional. The master tape source was very clear and only partially encumbered by the surrounding audience. Because of proximity and other factors, the audio signal was initially clipped but restoration routines easily corrected the problem. Tape hiss produced only a modest amount of interference and was easily reduced. Claps and other audience noise were also easily brought under good control with standard routines.             The acoustics of the venue provided quite a challenge. The venue and location combined for some excessive bass and other tonality inequities. After multiple trials, appropriate filters were constructed to optimize clarity and compensate for the surroundings. Dynamics were quite good but in certain places were also adjusted to provide added emphasis.             Because each tape source was provided separately, a number of mergers were needed to provide one smooth recording, conforming to the time constraints of the CD format. The speed of the recording was checked against standard commercial live sources and found to be acceptable, needing no adjustment. The show was tracked, using standard commercial source references.
Rick Martin (5/5) Flac / 2 A- View   Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Master Cassette...
Notes: Complete
Steve O'Malley (5/5) CDR / 2 View   aud
Notes: PRRP034 "Musical Rainbows"
Steve O'Malley (5/5) FLAC / 4 View  
Notes: PRRPSAE 008a & PRRPSAE 008b
travis (5/5) cdr / 2 a View  
joe (5/5) CDR / 2 View  
Notes: PRRP034
Brad Foster (4/4.9) FLAC / 2 View   Nakamichi CM-300 > Nakamichi 550 > Cass/M
Tim Devine (4/5) cdr / 2 a- View  
Notes: AUD Dan Lampinksi master recording.
Tim Devine (4/5) cdr / 2 a- View  
Notes: PRRPSAE 008a Yes Providence Civic Center Providence, RI 15 August 1977 Master audience recording taped by Barry Rogoff Nakamichi 550 cassette deck and Nakamichi CM-100/CP-1 microphones Disc 1 01 Firebird Suite 2:51 02 Parallels 6:26 03 All Good People 7:18 04 Close To The Edge 19:39 05 Wondrous Stories 4:43 06 Colours of the Rainbow 1:23 07 Turn Of The Century 8:31 08 And You And I 10:26 Total Time 61:17 Disc 2 01 Flight Jam 4:14 02 Awaken 18:42 03 Starship Trooper (with intro drumming) 14:06 04 Roundabout 8:18 05 Never Ending Applause 5:40 06 Yours Is No Disgrace (with extended intro) 14:33 Total Time 65:33 Remaster 1. More advanced noise reduction for clicks, pops and hiss than previous remaster. 2. Patch tape flips using Lampinski source. 3. Speed correct and match runtimes of both sources using commercial references as a guide. 4. Adjust dynamics, as with previous remaster. 5. Repair clipping. 6. Tonality/EQ adjustments made. 7. No end disc 1 fadeout. 8. Tracking matched to Lampinski recording.
Tim Devine (4/5) cdr / 2 b+ View  
Notes: Yes Providence Civic Center Providence, RI 15 August 1977 Master audience recording taped by Dan Lampinski Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End Disc 1 01 Firebird Suite 1:33 02 Parallels 6:26 03 All Good People 7:18 04 Close To The Edge 19:39 05 Wondrous Stories 4:43 06 Colours of the Rainbow 1:23 07 Turn Of The Century 8:31 08 And You And I 10:26 Total Time 59:59 Disc 2 01 Flight Jam 4:14 02 Awaken 18:42 03 Starship Trooper (with intro drumming) 14:06 04 Roundabout 8:18 05 Never Ending Applause 5:40 06 Yours Is No Disgrace (with extended intro) 14:33 Total Time 65:33 Remaster 1. Click and pop repair 2. Minimize and repair claps during music segments 3. Gentle Hiss reduction 4. Repair tape flips and cuts in recording using Rogoff source, restoring missing segments. 5. Dynamic adjustments to correct for peak suppressions, particularly due to loud claps 6. Adjust tonality/EQ. Taper location caused excess bass and other tonal imbalances that needed correcting 7. Reduce whistles, claps and yells by audience members 8. Speed correct and match to recording by Rogoff 9. Tracking set to be consistent with Rogoff recording with no fadeout at end of disc 1 Notes: "sit down, sit down" much less noticable than Rogoff version. Bass distortion during And You and I loud clapper to the left of taper.
Chris Larson (3/5) flac / 2 A- View   PRRP034
Notes: 854mb/123min
TTDaddy (3/0) shn / 2 View   AUD
Notes: Musical Rainbows (PRRP034)
TTDaddy (3/0) FLAC / 2 View   AUD
Notes: Two different sources Take Two (Lampinski source remastered---PRRPSAE08) Take Two (Rogoff source remastered---PRRPSAE08)
Rich (3/5) cdr / 2 View  
Notes: Take Two PRRPSAE 08; not sure if this is the Rogoff or the Lampinski tape.
Daniel Haddad (3/5) DAO / 2 A+ A+ View  
Notes: binder case
Chinacat (3/5) CDR / 2 A- View  
Mike Langen (2/4.9) cdr / 2 A- View   aud
Notes: PRRP034- YES MUSICAL RAINBOWS August 15, 1977 (The Civic Center - Providence, Rhode Island) 1-1. Intro: Firebird Suite 3:00 1-2. Parallels 6:27 1-3. I've Seen All Good People 7:28 1-4. Close To The Edge 20:48 1-5. Wonderous Stories 4:59 1-6. Colours Of The Rainbow 0:53 1-7. Turn Of The Century 9:06 1-8. And You And I 10:09 2-1. 'Flight' Jam 4:08 2-2. Awaken 18:46 2-3. Starship Trooper 13:07 2-4. Roundabout 9:29 2-5 Yours Is No Disgrace 14:44 YES Jon Anderson –Lead Vocals, Guitars, Harp & Percussion Chris Squire –Bass Guitars, Harmonica and Backing Vocals Steve Howe –Lead Guitars, Backing Vocals Alan White –Drums & Percussion Rick Wakeman–Keyboard It is a wonder we even got this recording!  Thanks to an experienced and dedicated Yes fan, PRRP is able to present to you one of the best audience recordings made during the 1977 Going For the One tour. The setting was the Providence Civic Center and our man was in the fifth row with a Nakamichi 550 cassette deck and Nakamichi CM-100/CP-1 microphones. Below is his recollection of the events of that night. “As hockey rinks go, the Providence Civic Center has good acoustics. However, the PA system levels and the mix were all over the place. Later on, I read that Yes had a substitute sound man on that tour. He had high-end hearing loss which explains why the mix is so bright. (PRRP: we fixed this is the remaster process) As far as levels, the Firebird opening was okay, but when the band started playing Parallels, you could hardly hear them. The sound man was trying to let people get used to the volume slowly and overdid it. He kept nudging up the volume during All Good People. It actually got a little too loud at one point, then came back down. I was taking photographs and had an experienced friend (a Deadhead) monitoring the levels on my deck. He did his best to compensate for what was happening. Close to the Edge and Wondrous Stories were okay but the sound man jacked up the volume for the silly tour song (Colours of the Rainbow) and then dropped it way back down for Turn of the Century. (PRRP: Again, fixed in the remaster process) I think my friend was wasted by then. The levels were a little on the low side for the rest of the show.” “…When the show started, the ushers allowed all the rowdys from the cheap seats to rush down to the stage and jam themselves into every inch of space. They were all jumping up and down, the whole building was literally shaking, and the crowd noise was unbelievable. Then, the people in the front row decided to stand up on their rickety wooden chairs, which was completely unnecessary. You can hear the people behind them yelling at them to sit down.” “…In spite of all that, the band was on fire that night. Steve played wailing solos on Starship Trooper and Yours Is No Disgrace. I think they're the best versions I've heard other than the Close To The Edge tour in 73. Rick was superb on Close to the Edge and Awaken. Awaken was recorded on a C120 tape so it's a complete, uncut version. I've also been told by several Yes traders that it's one of a very few 100% complete Going For The One concerts with no side change in Awaken….” “I was standing on a rickety wooden chair trying to hand-hold a 300mm telephoto lens for close-ups while the whole building was literally shaking throughout the night. Towards the end of the show, I had run out of film and was watching through binoculars, again, from the fifth row. Jon nudged Chris and pointed at me, laughing at the crazy guy who just couldn't see enough Yes up close.  I miss those days.” Notes from the Re-Master Given the outstanding equipment used during this event, the quality of the recording is quite exceptional. The master tape source was very clear and only partially encumbered by the surrounding audience. Because of proximity and other factors, the audio signal was initially clipped but restoration routines easily corrected the problem. Tape hiss produced only a modest amount of interference and was easily reduced. Claps and other audience noise were also easily brought under good control with standard routines.             The acoustics of the venue provided quite a challenge. The venue and location combined for some excessive bass and other tonality inequities. After multiple trials, appropriate filters were constructed to optimize clarity and compensate for the surroundings. Dynamics were quite good but in certain places were also adjusted to provide added emphasis.             Because each tape source was provided separately, a number of mergers were needed to provide one smooth recording, conforming to the time constraints of the CD format. The speed of the recording was checked against standard commercial live sources and found to be acceptable, needing no adjustment. The show was tracked, using standard commercial source references.
Dennis O'Donnell (2/0) flac / 2 View  
Kevin Boland (1/4.7) CDR / 2 View  
Andrew (1/5) SHN CDR / 2 A A-- View   Audience > Nakamichi 550 cassette deck / Nakamichi CM-100/CP-1 microphones
Notes: "Musical Rainbows"
Stuart Ferguson (1/4.3) CDR / 2 View   Audience
Notes: DVD 19; lineage: "Musical Rainbows" PRRP034. Nakamichi 550 cassette deck and Nakamichi CM-100/CP-1 microphones. 5th row.
John Peters (1/0) FLAC / 1 View   Two Nakamichi CM-300 > Nakamichi 550 Tape Recorder: MC; MC > Nakamichi CR-3A Cassette deck with...
Notes: Lampinski
John Peters (1/0) FLAC / 1 View   Nakamichi CM-100/CP-1 > Nakamichi 550 cassette deck > MC
Notes: Rogoff