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Set I
Apocalypse, Does It Really Happen?, Yours Is No Disgrace, Into The Lens, Clap, And You And I, Go Through This, White Car Suite, Parallels, We Can Fly From Here, Tempus Fugit, Amazing Grace, The Fish, Machine Messiah, Starship Trooper, Roundabout
Set II
Set III
Comment
Lineup: Downes, Horn, Howe, Squire, White, Unofficial Recordings: Audio: Audience - 135 min
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jeff Hagood (5/5) | CDR / 2 | B | View | |||
| chris payment (5/3.4) | CDR / 2 | View | ||||
| Notes: | #192 | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | A New England Drama (I239) | |||
| Notes: | lineage: Realistic twinhead stereo microphone > Sony 158 cassette deck (dolby B on) > Maxell XLI 90 min. cassettes (normal bias) > soundforge 4.5 > FLAC 6 > torrentially yours. a this and that production. This one is a 3 step, 60% of Yes torrent (master > WAV > FLAC > torrent) first seeded in 2009. reseeded in 2012 with track times, total runtime and a flac > wav > flac (sb's aligned) reconversion to remove the sbe's. | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | TAPER: Barry Rogoff (Balrog) SOURCE: Nakamichi 550/CM-100/CP-1 [Dolby B encoded] > Maxell UD XLII LINEAGE: Nak Dragon [Dolby B out] > RDL FP-UBC6 > MOTU 896 > Sound Forge > Wave [48KHz/24 bit] > CEP 2.0 with Izotope Ozone [mastering then downsample/conversion to 44.1KHz/16 bit] > Wave > FLAC > Dime REMASTER SUMMARY: EQ work to reveal - not mix - extant AR detail, as the audience heard and felt it. No attempts to alter band-crowd-venue sound balance. If crowd sound as real and detailed as band sound isn't desired, please pass this by and stick to boards or industry releases. No compression or noise reduction. FFT filtering at 19.3KHz eliminated any need for dedicated NR. | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | unknown lineage | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Raw Wav from BRogoff | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Where The lens Is Wide - Mitsui copy | |||||
| Avatar (5/5) | cdr / 2 | View | ||||
| barry bryson 2 (5/0) | cd / 3 | View | ||||
| Adolfo Millan (5/0) | / 0 | View | ||||
| ALAN DOUGLAS (5/3.9) | / 2 | View | ||||
| Andrew Davies (4/4.5) | CDR / 2 | A | B- | View | ||
| Andy Sato (4/5) | CDR / 2 | A- | View | |||
| Notes: | AUD | |||||
| Tim Devine (4/5) | cdr / 2 | a- | View | |||
| Notes: | AUD. Lestat remaster. "The Singular Eyes." Really nice sound. | |||||
| Keith Borrelli (3/5) | CD / 2 | A- | View | AUD | ||
| Chris Larson (3/5) | flac / 2 | B+ | View | Nakamichi 550/CM-100/CP-1 [Dolby B encoded] > Maxell UD XLII > Nak Dragon [Dolby B out]... | ||
| Notes: | 863mb/118:30 | |||||
| TTDaddy (3/0) | FLAC / 2 | View | AUD | |||
| Notes: | "A New England Drama (Part 2)" boot Lineage: Realistic twinhead stereo microphone > Sony 158 cassette deck (dolby B on) > Maxell XLI 90 min. cassettes (normal bias) > soundforge 4.5 > FLAC 6 | |||||
| TTDaddy (3/0) | CD-R / 2 | View | AUD | |||
| TTDaddy (3/0) | FLAC / 2 | View | AUD | |||
| Notes: | "The Singular Eye (aka B80)" | |||||
| Albix (3/4.7) | flac / 2 | View | Nakamichi 550/CM-100/CP-1 [Dolby B encoded] > Maxell UD XLII | |||
| Notes: | Lineage: Nak Dragon [Dolby B out] > RDL FP-UBC6 > MOTU 896 > Sound Forge > Wave [48KHz/24 bit] > CEP 2.0 with Izotope Ozone [mastering then downsample/conversion to 44.1KHz/16 bit] > Wave > FLAC. Includes great art work. | |||||
| Greg P (2/5) | cd/flac / 2 | View | ||||
| zosa (2/4.9) | CDR / 2 | A | B+ | View | AUD | |
| Notes: | I was there! ...and I don't remember it being this good!...nice sampling from the Downes/Horn era..Chris Squire's Amazing Grace->The Fish->Amazing Grace is, well, amazing! | |||||
| john s (2/5) | cd / 2 | View | ||||
| Jerry Wisneski (2/0) | CD-R / 2 | B+ | View | |||
| Notes: | Very Good to Excellent Audience Recording. "Does It Really Happen?" is slightly muffled. There appears to be a tape cut between "Man In The White Car Suite" and "Parallels". This is just my opinion, but Trevor Horn is no Jon Anderson, although Drama is probably #4 on my list of favorite 'Yes' albums. | |||||
| Andrew (1/5) | Flac CDR / 2 | A | A- | View | Nakamichi 550/CM-100/CP-1 [Dolby B encoded] > Maxell UD XLII > Nak Dragon [Dolby B out]... | |
| Notes: | "The Singular Eye" | |||||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience | |||
| Notes: | DVD 46 | |||||
| John Peters (1/0) | FLAC / 1 | View | Nakamichi 550/CM-100/CP-1 [Dolby B encoded] > Maxell UD XLII; Nak Dragon [Dolby B out] > RDL... | |||
| Notes: | "The Singular Eye" | |||||
| John Peters (1/0) | FLAC / 1 | View | Realistic twinhead stereo microphone > Sony 158 cassette deck (dolby B on) > Maxell XLI 90 min.... | |||
| Notes: | A New England Drama | |||||
| cedremsoundlabs (1/0) | / 1 | View | ||||
| wharfratpat (1/4) | FLAC / 2 | View | AUD - Barry Rogoff (Balrog) | |||