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Tom Waits 08/09/06
Auditorium Theater, Chicago, IL
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Set I
Make It Rain
Hoist That Rag
Shore Leave
God's Away On Business
All The World Is Green
Falling Down
Tango Till They're Sore
Tom Traubert's Blues
Eyeball Kid
Down In The Hole
Don't Go Into That Barn
Shake It
Trampled Rose

What's He Building In There
Who's Been Talking / Till The Money Runs Out
Murder in the Red Barn
Lie To Me Baby
Get Behind The Mule
encore1:
Day After Tomorrow
Singapore

encore2:
Whistlin' Past The Graveyard
Time
Set II
 
Set III
 
Comment
 
Last Changed By Moonstroke
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
PeaceTrader (5/0) CDR / 2 View  
Samuel Goff (5/5) CD / 2 A A View   Audience
Chris Hughes (5/0) / 2 View  
Mike Zielinski (5/4.9) CDR / 2 A- A- View   Aud
Notes: dpa4061 - Zefiro Inbox - Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC
Chris Bct (5/5) cdr / 2 A A- View  
Notes: I noted the singing seemed to have a Waits tone to it and he said cuz it was all his music it was difficult for the singers to not put that sorta spin on it. He noted he was immediately drawn to playing the role just cuz Waits did the music. I'm real glad we went. Coincidentally, Jack Nicholsen was at the play. He walked right past us. Ooh ooh. Seemed like a nice guy. He didn't hand me any cash or anything.
Ed Morgan (5/5) cdr / 2 View   AUD
Notes: 1 FLAC
Dan Karan (5/4.9) cdr / 2 A- View  
John Cook (4/5) FLAC / 1 View   Sonic Studios DSM-6 => bass roll-off => Sony M-1 => DAT => Sony ES DAT =>...
Notes: 442 MB, 122:35.
I have a second source for this: dpa4061 > Zefiro Inbox > Sony PCM-M1 > Zefiro ZA2 > Sound Forge 6 > EAC (for track split) > FLAC; 574 MB, 115:51. Both sound great. I think the DPA4061 source might sound a little better but has more "audience presence" (such as audible chatter).
Tim Devine (4/5) cdr / 2 b+ View  
Notes: AUD
desolationjoe (4/5) / 2 View  
Terry Ruddy (4/0) cdr / 2 A View  
Wave Milor (3/5) CDR / 2 View  
Akoshi (3/4.9) cdr / 2 View   Aud
Notes: 2cdr
daniel (3/0) audio / 2 View  
Joey (3/5) flac / 2 View   dpa4061 - Zefiro Inbox - Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC
Notes: Auditorium Theatre; Chicago, IL August 9 Make It Rain Hoist That Rag Shore Leave God's Away On Business All The World Is Green Falling Down Tango Till They're Sore Tom Traubert's Blues Eyeball Kid Down In The Hole Don't Go Into That Barn Shake It Trampled Rose What's He Building In There Who's Been Talking / Till The Money Runs Out Murder in the Red Barn Lie To Me Baby Get Behind The Mule e1: Day After Tomorrow Singapore e2: Whistlin' Past The Graveyard Time Balcony 1 row E in Chicago's "acoustically perfect auditorium", so said the sign on the wall, with no disagreement in the audience. dpa4061 - Zefiro Inbox - Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC in the interest of getting this up quickly, no edits or tweaks performed. Very nice sound, no noisy neighbors. Hideous karma to befall those who sell this on ebay (and just bad karma to those who convert to mp3).
Joey (3/5) flac / 2 View   Sonic Studios DSM-6 => bass roll-off => Sony M-1 DAT (15th row left)
Notes: Tom Waits Auditorium Theater; Chicago, Illinois August 9, 2006 Master: Sonic Studios DSM-6 => bass roll-off => Sony M-1 DAT (15th row left) Transfer: Sony ES DAT => Stand-alone Pioneer CD burner => CDR => EAC => Magix Audio Cleaning Lab => Export to WAV => FLAC (level 8) Setlist: Disc 1 (52:32): (1) Band entrance (0:51) (2) Make It Rain (5:06) (3) Hoist That Rag (4:41) (4) Shore Leave (5:20) (5) God's Away On Business (3:04) (6) Banter (0:40) (7) All The World Is Green (4:07) (8) Falling Down (4:52) (9) Belmont & Sheffield story (2:21) (10) Tango 'Till They're Sore (2:49) (11) Weiner Circle story (1:42) (12) Tom Traubert's Blues (6:30) (13) Eyeball Kid (5:35) (14) Down In The Hole (4:48) Disc 2 (70:03): (1) Don't Go Into That Barn (6:59) (2) Shake It (6:12) (3) Trampled Rose (4:31) (4) What's He Building? (5:06) (5) Who's Been Talking => 'Till The Money Runs Out (5:05) (6) Murder In The Red Barn (6:22) (7) Lie To Me Baby (3:07) (8) Get Behind The Mule (6:16) (9) Encore break (2:38) (10) Day After Tomorrow (7:00) (11) Singapore (3:02) (12) Encore break (3:30) (13) Whistlin' Past The Graveyard (3:52) (14) Time (6:15) Notes: Nice audience recording from a good location (15th row on the floor, directly in line with the speaker stack) of Tom Waits' Chicago stop on the "Orphans" tour. I was very pleased with how this came out; the sound was excellent (which is typical for this theater) and the crowd near me was very courteous. The clapping between songs is quite high in comparison with the relatively quiet music, but I didn't hear any distraction during the actual songs. I have no idea how this compares with the DPA 4061 source that was also posted; I'm guessing that it sounds more "in your face" because of my seat location but has less sonic range because of the difference in the mikes. Hopefully some people that hear both sources will comment. I had very little audience interference because I was sitting in a "row" that only had one seat, just because of the configuration of seating in the auditorium (I was just in front of a railing that divided me from the next level of seats. Jim DeRogatis (Chicago Sun-Times music critic) sat behind me with a friend; they held court with music-industry people before the show, but they were stone silent during the performance. The file size is small because the levels are set with the peaks at the height of the audience cheering. The music itself has much lower levels; I figured that anyone who wishes to can tinker with the levels of individual portions but that was better left up to the individual. Other than using Audix to set the overall level, this is the raw source. This show (whichever source) is worth the download purely for the "Belmont and Sheffield" story Waits told during the piano interlude; that was the funniest banter I have ever heard from him in concert. (I don't want to give it away; you need to listen to it for yourself.)
Eric Simpson (3/4.9) cd-r / 2 A- View  
Notes: (aud) v.1 (15th row) *my 1st Waits show!
Eric Simpson (3/4.9) cd-r / 2 A- View  
Notes: (aud) *v.2 -balcony- THANKS to ALL tapers!
Crazytigerrabbitman (3/4.8) CDR / 2 A+ View   dpa4061 - Zefiro Inbox - Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC
John (3/5) CD / 0 View  
merkinball (3/5) cdr / 2 View  
David L. (2/4.8) FLAC / 1 B- View   aud
Notes: dpa4061 mics
mojo7 (2/5) / 0 View  
Moonstroke (2/4.8) FLAC / 2 A A View   dpa4061 - Zefiro Inbox - Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC
Notes: Great recording of a great show
Moonstroke (2/4.8) FLAC / 2 A A- View   Sony ES DAT => Stand-alone Pioneer CD burner => CDR => EAC => Magix Audio Cleaning...
Notes: Source 2 of this show is also an excellent account of the evenings carnival
King of the Gypsies (2/5) / 0 View  
Rodney's Studio (2/0) CDR / 2 A- View   dpa4061 - Zefiro Inbox - Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC
Mark Domyancich (2/4.6) flac16 / 0 View   DPA 4061 > Zefiro InBox > M1; M1 > Zefiro ZA2 > Sound Forge > EAC > flac16
djwilly (2/5) CDR / 2 View   Sony PCM-M1 - Zefiro ZA2 - Sound Forge 6 - EAC (for track split) - FLAC-Toast
Al Brown (2/5) CDR / 2 A View