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Tool 09/25/06
Wolstein Center @ Cleveland State University, Cleveland, OH
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Set I
(bass intro)
Stinkfist
The Pot
46 & 2
Jambi
Schism (extended)
Lost Keys (Blame Hoffman)
Rosetta Stoned
Wings for Marie
10,000 Days
*set break*
Lateralus
Vicarious
Ænema
Set II
 
Set III
 
Comment
Soundcheck was: Stinkfist, Wings/10K Days, Right In Two, Stinkfist (to second chorus); as heard outside venue.
Last Changed By GSP5
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
David LeMond (5/5) CDR / 2 A+ View   Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II)
Mike Marteny (5/5) cdr / 2 A View   DPA4061>MPS6030>Sony PCM-M1>DAT(M)>FLAC>CDR(1)
Notes: D1 57:25 D2 50:56 Also have FLAC files
Damian (5/5) CD / 2 View  
Notes: Tool Cleveland, OH, USA @ Wolstein Center Source A: DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz Dissemination: DAT-M > Tascam DA-20 > Digital Coax > Audiophile 24/96 > Soundforge / resample to 44.1 kHz > "a massive amount of EQ" by "Dr. Dangerous" / normalization > WAV > FLAC > Dimeadozen.org torrent = 12/01/2006 Location: Main Floor, Section S, Row 18 (front of board, ~25) Taper: Galen Gen: Master Recording, 0 Gen Brought to you by: http://www.collectiveunconscious.org/ NOTES - cross reference: Refer to ticket scan. Refer to set list scan (included in this torrent) NOTES - Condition: Do not alter this recording in any way (i.e.: MP3). Do not change file names. Do not change .txt document. Do not change "source a" information. For more information, refer to CU.org (as listed above). ***Do not SELL!!! Do not put on eBay or otherwise PROFIT from this recording, report people who do, TRADE FREELY*** NOTES - EQ: You will hear a few instances, particularly in Stinkfist, where there is some microphone phasing & otherwise weird occurances. This is minimal & is primarilly found on this song which is why it is the sample, since that has the most 'issues' so to speak. Also, I was near a fan that rotated - at some points, you can slightly hear some wind-noise or what sounds like very subtle static during very quiet parts. I am quite happy with the overall quality in sound of this show, I hope collectors & fans will find it to be a good addition to their collections & will burn to CD to listen to it other than have this sit on a hard drive. A friend of mine completely mixed & EQ'd this source from the DAT-M, I like the results, so I release it as is. I do not know what was used (software). Notes - Show: Driving from outside the boundaries of upper-west metro Detroit, MI to Cleveland, OH (then back in one day/night) is not the most pleasant of occasions one can drive, especially solo in a Volkswagen with no CD player. Oh but we do get by, don't we? This performance took place in a venue that felt quite a bit more intimate than the Auburn Hills performance three nights prior & my own seats were closer to the stage. Having met up with another taper at the show, Smagmapig, to finding out that our taping positions were in the same row, dead-center, main floor as each other was rather interesting. Strange how things occur, isn't it? I found this performance to be solid, intense & definitely enjoyable... however, Rosetta Stoned is very much "f**k'd up... after the main scream at around 8:20 or so (CD time) the band appear to go in 2 directions at once. Adam is following Justin & Danny... MJK misses a verse. Instead of the "I-aaaaaaah can't remember what they said" part, MJK says "shit the bed" which apparently messed up the cues for the other band members and, just for a second, it sounds like the song is about to fall apart. However, as you may notice, the band is experimenting a little with this tune as there are some alternative/experimental aspects including a bass line w/no guitar but w/vocals. Definitely interesting, however, part of it fell apart. Rather than discuss the intricacies of this capture/source, I will let others be the judge & enjoy as you will. Hopefully the above sample will give an indication of the quality of this recording/source. There are a few instances of weird phasing (a strange mic connection or something), the worst of it is in the sample aforementioned in this paragraph. Notes: The sound check consisted of: Stinkfist, Wings For Marie, 10,000 Days, Right In Two, Stinkfist (to second chorus); as heard outside venue. ***************************************************************************************************************************** CD 1 Time: 77:23 Setlist/Quote: "Wake Up" Stinkfist "Not...just Ohio, but Cleveland Ohio" The Pot "You awake now?" 46 & 2 Jambi (Maynard's Dick - guitar interlude) Schism Lost Keys (Blame Hoffman) Rosetta Stoned Wings for Marie 10,000 Days CD 2 Time: 31:03 Setlist/Quote: "Detroit was louder. Fuck, y'all, even Columbus was louder. I hate sayin' so. Out of pure pity, we'll play more." Lateralus Vicarious 'Well alright. Peace out' Ænema *****************************************************************************************************************************
hockey2112 (5/0) FLAC / 2 View  
Notes: Archive Disc 30
alphabet (5/5) FLAC / 1 View   DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz > DAT-M >...
Notes: Source A. Taper Notes - EQ: You will hear a few instances, particularly in Stinkfist, where there is some microphone phasing & otherwise weird occurances. This is minimal & is primarily found on this song only. Also, I was near a fan that rotated - at some points, you can slightly hear some wind-noise or what sounds like very subtle static during very quiet parts. I am quite happy with the overall quality in sound of this show, I hope collectors & fans will find it to be a good addition to their collections & will burn to CD to listen to it other than have this sit on a hard drive. A friend of mine completely mixed & EQ'd this source from the DAT-M, I like the results, so I release it as is. I do not know what was used (software).
Ben (5/5) FLAC / 2 B- View   Sound Professionals Omnidirectional Mono Mic and Line Limiter > Samsung I-730(@16/44.1) >...
Ben (5/5) FLAC / 2 View   Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz > DAT-M > Tascam...
cesaro (5/0) CDR/FLAC / 1 B+ C+ View   Samsung I-730 pocket pc phone > USB FLASH CARD to HD > Editing/Mastering by Tooligan > FLAC
Notes: CU.ORG - Source ? - 1st gen. Not listed on CU.ORG yet.
ingram (4/4.8) flac / 2 View   DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
To0L (3/5) FLAC / 2 View   SP Omnidirectional mic (mono) > Samsung I-730 pocket pc phone @16/44.1 > USB > WAV >...
To0L (3/5) FLAC / 2 View   DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Chris (3/0) CD-R / 2 View  
Michael (3/0) FLAC / 0 View  
Michael (3/0) FLAC / 0 View  
drew (2/5) cdr / 2 View  
chris hather (2/5) FLAC / 1 View   Samsung I-730 pocket pc phone using vito sound explorer software
Notes: Due to the numerous glitches and distortions throughout, I'm going to have to label this one "Collectors Only"
chris hather (2/5) FLAC / 1 View   Sony PCM-M1 (Oade Mod II) / 48 kHz
Notes: EQ: You will hear a few instances, particularly in Stinkfist, where there is some microphone phasing & otherwise weird occurances. This is minimal & is primarilly found on this song which is why it is the sample, since that has the most 'issues' so to speak. Also, I was near a fan that rotated - at some points, you can slightly hear some wind-noise or what sounds like very subtle static during very quiet parts. I am quite happy with the overall quality in sound of this show, I hope collectors & fans will find it to be a good addition to their collections & will burn to CD to listen to it other than have this sit on a hard drive. A friend of mine completely mixed & EQ'd this source from the DAT-M, I like the results, so I release it as is. I do not know what was used (software). Show: Driving from outside the boundaries of upper-west metro Detroit, MI to Cleveland, OH (then back in one day/night) is not the most pleasant of occasions one can drive, especially solo in a Volkswagen with no CD player. Oh but we do get by, don't we? This performance took place in a venue that felt quite a bit more intimate than the Auburn Hills performance three nights prior & my own seats were closer to the stage. Having met up with another taper at the show, Smagmapig, to finding out that our taping positions were in the same row, dead-center, main floor as each other was rather interesting. Strange how things occur, isn't it? I found this performance to be solid, intense & definitely enjoyable... however, Rosetta Stoned is very much "f**k'd up... after the main scream at around 8:20 or so (CD time) the band appear to go in 2 directions at once. Adam is following Justin & Danny... MJK misses a verse. Instead of the "I-aaaaaaah can't remember what they said" part, MJK says "shit the bed" which apparently messed up the cues for the other band members and, just for a second, it sounds like the song is about to fall apart. However, as you may notice, the band is experimenting a little with this tune as there are some alternative/experimental aspects including a bass line w/no guitar but w/vocals. Definitely interesting, however, part of it fell apart. Rather than discuss the intricacies of this capture/source, I will let others be the judge & enjoy as you will. Hopefully the above sample will give an indication of the quality of this recording/source. There are a few instances of weird phasing (a strange mic connection or something), the worst of it is in the sample aforementioned in this paragraph. The sound check consisted of: Stinkfist, Wings For Marie, 10,000 Days, Right In Two, Stinkfist (to second chorus); as heard outside venue.
Scott J (2/0) / 2 View  
Jeff (2/0) Flac / 2 View   DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Notes: Taper: Galen
Deanna (2/4.9) CDR / 2 View   Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Stuart Ferguson (1/4.3) CDR / 2 View   Audience master recording by Galen
Notes: lineage: source: Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz > DAT-M > Tascam DA-20 > Digital Coax > Audiophile 24/96 > Soundforge / resample to 44.1 kHz > "a massive amount of EQ" by "Dr. Dangerous" / normalization > WAV > FLAC, taper: Galen
GSP5 (1/1) DAT / R09 / 2 View   DAT --- Danish Pro Audio 4061 (matched pair) > MPS6030 > Sony PCM-M1 (Oade Mod II) @ 48kHz...
Doug Moog (1/4.3) cdr / 2 View   AUD
Doug Moog (1/4.3) cdr / 2 View   AUD
Woodee (1/4.5) FLAC / 2 View  
Notes: Under A Dead Ohio Ground
Woodee (1/4.5) FLAC / 2 View   DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Notes: na
DonSalvatore (0/5) / 0 View   DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Notes: Tool Cleveland, OH, USA @ Wolstein Center Source A: DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz Dissemination: DAT-M > Tascam DA-20 > Digital Coax > Audiophile 24/96 > Soundforge / resample to 44.1 kHz > "a massive amount of EQ" by "Dr. Dangerous" / normalization > WAV > FLAC Location: Main Floor, Section S, Row 18 (front of board, ~25) Taper: Galen Gen: Master Recording, 0 Gen
DonSalvatore (0/5) / 0 View   Sound Professionals Omnidirectional Mono Mic and Line Limiter > Samsung I-730(@16/44.1)
Notes: Tool - 2006.09.25 Wolstein Center - Cleveland, OH, USA Version 1 media type: FLAC source: Sound Professionals Omnidirectional Mono Mic and Line Limiter > Samsung I-730(@16/44.1) > USB > WAV > FLAC > WAV > Cool Edit Pro > FLAC taper: Scorpiopulse trade status: can trade disc 1 - 11 tracks - 73:40 disc 2 - 3 tracks - 29:52 notes from taper: Ok, so here it is...my virgin recording. I'll leave the title open for discussion.... it is multi-layered in meaning, and should be quite perfect to describe this recording. Due to the numerous glitches and distortions throughout, I'm going to have to label this one "Collectors Only". This release is merely for me to cross the threshhold from leecher to "Dude who taped". It may not qualify me as a taper, but it will not be my last. The equipment used is obviously not the standard type of recording gear, but at least I walked out with more than an overpriced T-shirt and ringing ears. Grand thank you to sixftunda for the equipment loan, and the place to crash while I was visiting Ohio. We saw Tool and Roger Waters that week, and it's an experience I'll never forget. Big thanks also to Tooligan for being objective enough to master this frankenstein of a recording. This wouldn't have been released without his work. Great job, T, given what you had to work with, man! (See tooligan's notes.txt for synopsis) Please, Blame me (Scorp) for the pre-existing and uncorrectable problems. I do plan to gather some appropriate equipment for upcoming shows. It is possible that I may take it upon myself to remaster this sometime in the future. Enjoy -Scorp
steve (0/0) flac / 2 View  
steve (0/0) Flac / 2 View   Source A: DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Notes: Brought to you by: http://www.collectiveunconscious.org/ NOTES - cross reference: Refer to ticket scan. Refer to set list scan (included in this torrent) NOTES - Condition: Do not alter this recording in any way (i.e.: MP3). Do not change file names. Do not change .txt document. Do not change "source a" information. For more information, refer to CU.org (as listed above). ***Do not SELL!!! Do not put on eBay or otherwise PROFIT from this recording, report people who do, TRADE FREELY*** NOTES - EQ: You will hear a few instances, particularly in Stinkfist, where there is some microphone phasing & otherwise weird occurances. This is minimal & is primarilly found on this song which is why it is the sample, since that has the most 'issues' so to speak. Also, I was near a fan that rotated - at some points, you can slightly hear some wind-noise or what sounds like very subtle static during very quiet parts. I am quite happy with the overall quality in sound of this show, I hope collectors & fans will find it to be a good addition to their collections & will burn to CD to listen to it other than have this sit on a hard drive. A friend of mine completely mixed & EQ'd this source from the DAT-M, I like the results, so I release it as is. I do not know what was used (software). Notes - Show: Driving from outside the boundaries of upper-west metro Detroit, MI to Cleveland, OH (then back in one day/night) is not the most pleasant of occasions one can drive, especially solo in a Volkswagen with no CD player. Oh but we do get by, don't we? This performance took place in a venue that felt quite a bit more intimate than the Auburn Hills performance three nights prior & my own seats were closer to the stage. Having met up with another taper at the show, Smagmapig, to finding out that our taping positions were in the same row, dead-center, main floor as each other was rather interesting. Strange how things occur, isn't it? I found this performance to be solid, intense & definitely enjoyable... however, Rosetta Stoned is very much "f**k'd up... after the main scream at around 8:20 or so (CD time) the band appear to go in 2 directions at once. Adam is following Justin & Danny... MJK misses a verse. Instead of the "I-aaaaaaah can't remember what they said" part, MJK says "shit the bed" which apparently messed up the cues for the other band members and, just for a second, it sounds like the song is about to fall apart. However, as you may notice, the band is experimenting a little with this tune as there are some alternative/experimental aspects including a bass line w/no guitar but w/vocals. Definitely interesting, however, part of it fell apart. Rather than discuss the intricacies of this capture/source, I will let others be the judge & enjoy as you will. Hopefully the above sample will give an indication of the quality of this recording/source. There are a few instances of weird phasing (a strange mic connection or something), the worst of it is in the sample aforementioned in this paragraph. Notes: The sound check consisted of: Stinkfist, Wings For Marie, 10,000 Days, Right In Two, Stinkfist (to second chorus); as heard outside venue.