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Set I
Two Highways
Wild Bill Jones
Instrumental
Thought I Heard You Calling My Name
If That’s The Way You Feel
Doing My Time
Clinch Mountain Back-Step
Lose Again
It Won’t Work Out This Time
Wheat-a-bix
Nine Pound Hammer
Think What You Have Done
Heaven’s Bright Shore
I Know What It Means To Be Lonesome
Baby Now That I’ve Found You
Steel Rails
Wild Bill Jones
Instrumental
Thought I Heard You Calling My Name
If That’s The Way You Feel
Doing My Time
Clinch Mountain Back-Step
Lose Again
It Won’t Work Out This Time
Wheat-a-bix
Nine Pound Hammer
Think What You Have Done
Heaven’s Bright Shore
I Know What It Means To Be Lonesome
Baby Now That I’ve Found You
Steel Rails
Set II
Set III
Comment
Band:
Alison Krauss Fiddle
Adam Steffey Mandolin
Rob Block Banjo, Guitar
Tim Stafford Guitar
Barry Bales Bass
- Guests -
Larry Sparks Guitar
Ronnie Bowman Guitar
Alison Krauss Fiddle
Adam Steffey Mandolin
Rob Block Banjo, Guitar
Tim Stafford Guitar
Barry Bales Bass
- Guests -
Larry Sparks Guitar
Ronnie Bowman Guitar
Last Changed By
Bill Koucky
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| George Rue (5/5) | CD / 1 | A+ | View | Nakamichi 300>Master Audience Cassette | ||
| Notes: | The quality is so good, i originally thought it was SBD. | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Source: Master Audience Cassette Nak 300 > Marantz Transfer: Nakamichi BX-100 > Audiophile 2496 > @ 24 Bit to Wavelab 5.0, recorded as 24 bit/44.1 KHz PCM WAV > Waves L3 Multimaxmizer (threshold –5.0, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfers and seeded to shnflac.net by whynotus November 24, 2006 | |||||
| Jordan Jacobs (5/3) | Flac / 0 | B | View | AUD | ||
| Notes: | Master Audience Cassette Nak 300 > Marantz;Nakamichi BX-100 > Audiophile 2496 > @ 24 Bit to Wavelab 5.0 | |||||
| molexn (5/5) | audio cdr / 1 | View | ||||
| stephen (4/0) | cdr / 1 | View | ||||
| Dan Inglima (2/5) | CDR / 1 | View | FLAC > Peak > CDR | |||
| Gary Field (1/5) | FLAC / 1 | View | AUD | |||
| Notes: | Source: Master Audience Cassette Nak 300 > Marantz Transfer: Nakamichi BX-100 > Audiophile 2496 > @ 24 Bit to Wavelab 5.0, recorded as 24 bit/44.1 KHz PCM WAV > Waves L3 Multimaxmizer (threshold –5.0, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) [061129.1] | |||||
| LossLess Legs (1/0) | CDR / 1 | View | Master Audience Cassette Nak 300 > Marantz | |||
| Notes: | 11/25/2006 - whynotus | |||||
| Bill Koucky (0/4) | flac / 1 | View | Master Aud Cassette Maxell MX-S | |||
| Notes: | Source: Master Audience Cassette Nak 300 > Marantz Deck Transfer: Nakamichi BX-100 > Audiophile 2496 > @ 24 Bit to Wavelab 5.0, recorded as 24 bit/44.1 KHz PCM WAV > Waves L3 Multimaxmizer (threshold –5.0, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfers and seeded to shnflac by Bill Koucky November 24, 2006 | |||||