(103849) View Source   
4 track post mix: {([2] AKG c452eb/a51/ck3 (~ 70 deg., 8" separation, 7.5' high @ SBD) -> Aerco MP-2 -> RCA-TS cables)) + (SBD L/R -> XLR/TRS cables)} -> MOTU Traveler (AES/EBU master clock source from Apogee MiniMe) -> PowerBook G4/AudioDesk 2.04 -> 24 bit/48khz SDII mono files -> Digital Performer 5.1 (set 4 track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.3 (light compression), Masterworks EQ (hpf @ 60hz + notch @ ~ 80hz), MasterWorks Limiter v4.3 (hard limit crowd), Trim v4.3 (peak normalize)) split tracks; resample/dither to 16bit/44.1khz) -> .aiff -> xACT v1.58 -> FLAC

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(103851) View Source   
5 mic PA + stage post mix: {[2] AKG c452eb/a51/ck3 (@ SBD, ~ 70 deg., 8" separation, 7.5' high) -> Aerco MP-2 -> RCA-TS cables + [1] AKG c451e/ck22 (@ SBD, center omni, ~ 7.5 high) -> Apogee MiniMe @ 24bit/48khz -> AES/EBU + [2] Busman Audio BSC1-K2 (on stage, split ~ 8' directly in front of band) -> MOTU Traveler Pre-amps} -> MOTU Traveler (AES/EBU master clock source) -> PowerBook G4/AudioDesk 2.04 -> 24 bit/48khz SDII mono files -> Digital Performer 5.1 (set 5 track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.3 (light compression), Masterworks EQ (hpf @ 60hz + notch @ ~ 80hz), MasterWorks Limiter v4.3 (hard limit crowd), Trim v4.3 (peak normalize)) split tracks; resample/dither to 16bit/44.1khz) -> .aiff -> xACT v1.58 -> FLAC (level 8)