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Media / # |
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DB Source |
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Tulum (5/0) |
CDR / 2 |
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Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k) |
John Champion (5/5) |
745 MB / 2 |
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Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k) |
Mike Marteny (5/5) |
cdr / 2 |
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A+ |
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AT853>iRiver H120>CDR(1) |
Notes: |
D1 66:23
D2 61:49 |
Blake (4/0) |
CD-R / 2 |
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cut_here (2/5) |
flac / 1 |
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Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k)>iRiver iHP120 > Sony... |
Tristan Ruellan (1/5) |
Flac16 / 1 |
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Aud>Audio-Technica 853(h)>iRiver iHP120>Wav(16/44.1)>Flac16 |
HD (1/5) |
FLAC / 1 |
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AT853's > SPSB-3 > iRiver H120 > FLAC |
HD (1/5) |
FLAC / 1 |
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SP-CMC-8's > SPSB-6 > iRiver H120 > FLAC |
penicilling (1/4.6) |
FLAC / 2 |
B+ |
B+ |
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SP-CMC-8 (AT933's) > SP-SPSB-6 (Bass Roll Off @ 95Hz) > IRiver IHP-120 (Rockbox, 44.1 Khz) |
Notes: |
Master. |
penicilling (1/4.6) |
FLAC / 2 |
B+ |
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Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k). |
Notes: |
Good Audience Recording. |
Stuart Ferguson (1/4.3) |
CDR / 2 |
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Audience |
Notes: |
DVD 291; lineage: Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k). Location: SEC 100; ROW AA. Transfer: iRiver iHP120 > Sony Sound Forge 9.0 (Waves L2 & fades) > CDWave > FLAC16.
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KidAJoe (1/0) |
FLAC / 0 |
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Notes: |
Radiohead
2008-08-13
Comcast Center
Mansfield, MA
Taper: davepeck
Source: Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k).
Location: SEC 100; ROW AA.
Transfer: iRiver iHP120 > Sony Sound Forge 9.0 (Waves L2 & fades) > CDWave > FLAC16.
***** DO NOT ENCODE TO AND DISTRIBUTE AS MP3!! *****
**** DO NOT SELL OR PURCHASE THIS RECORDING!!!! ****
-----------------------------------------
DISC ONE: [67:15]
-----------------------------------------
01. intro [01:25]
02. Reckoner [05:38]
03. Optimistic [04:59]
04. There There [05:21]
05. 15 Step [04:50]
06. Kid A [04:09]
07. Nude [04:42]
08. All I Need [04:12]
09. The Gloaming [04:08]
10. The National Anthem [05:14]
11. Videotape [05:23]
12. Jigsaw Falling Into Place [04:27]
13. The Bends [04:30]
14. Faust Arp [02:51]
15. Weird Fishes/Arpeggi [05:26]
-----------------------------------------
DISC TWO: [61:47]
-----------------------------------------
01. Everything In Its Right Place [05:20]
02. Exit Music (For A Film) [04:52]
03. Bodysnatchers [04:14]
04. encore break [03:11]
ENCORE 1:
05. House Of Cards [05:25]
06. I Might Be Wrong [05:27]
07. Paranoid Android [06:42]
08. A Wolf At The Door [03:46]
09. How To Disappear Completely [07:15]
10. encore break [01:56]
ENCORE 2:
11. Cymbal Rush [04:39]
12. Karma Police [04:17]
13. Idioteque [04:43]
-----------------------------------------
Enjoy! |
KidAJoe (1/0) |
FLAC / 0 |
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Notes: |
LDB Special Series #289
Out of my 7,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the
musicians, the venue or unexpected events. These are the ones I'd like to propose you. Most of these come from my
cassettes collection, so they will be released at a slower pace than my Master Series! But you won't be disappointed!
I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my
reward for all the work involved in this project.
DO NOT share this music on mp3, just convert it for your own use. Sharing mp3's is the right way to make me stop sharing
music here.
Finally, some notes about your truly ldb: I have been a fan of live music since I was 9 years old (that is where
I attended my very first show, a PFM/De André gig at Milano's Palalido) and my first taped show was at 11 using
a crappy portable cassette player with embedded microphone. I become more serious about taping in 1983 when I
started to record every show. In 1991 I acquired my first Sony Professional and in 2000 I moved to MiniDisc to
finally settle on R-09 in early 2008.
I have seen nearly 500 shows in my career. Most of them were taped but for others bad luck struck and I could not
record it: on top of my mind there's a Paul McCartney show in 1993 in Milano where I was caught by the security or
Porcupine Tree in Roma in March 1999 when the DAT machine would seem to work but listening back to the tape there
would just be a long bunch of silence. Or during a Y.Malmsteen show where I got so annoyed that I left halfway
through the show and erased the tape and finally on a PFM show in Milano in 2007 where I had to leave before the
encore because the baby-sitter had to leave early that evening. Some other times I was very close not to tape or
had to do it in extremely difficult situations: for the four Peter Gabriel shows at Earls Court in 1987 security
was checking tapers with metal detector; at the David Gilmour comeback show in London in 2001 at RFH I had the
security guy sitting next to me but I managed to tape the show without checking one single time my MiniDisc!
There was a time I was travelling anywhere in Europe to see shows, especially if there was no touring in Italy: I
remember Rush in Paris in 1992 when the trio did not even know what Italy was. I have seen shows at stadiums
(Genesis at Wembley) and in places with 30 people (Porcupine Tree in Milano in 1997); bands that would later
become huge (Pearl Jam in a free show for 150 people) and masters of jazz (Miles Davis or Sarah Vaughan). Shows
I will never forget (Pink Floyd at Versailles castle) and some I would rather forget (no comment...).
I truly believe that live music is what keeps music alive, what make us enjoying it together, what allow us to
have deep feelings and transmit it to others. Studio records are nowadays 'commodities': you can buy online as
anonymous wav files and listen in your iPod or at home. Live music will always imply an effort to buy the tix,
travel to the venue, see the show, think about it when coming back home.
RADIOHEAD
Mansfield, Tweeter Music Center
August 13, 2003
Soundboard
01 intro
02 2+2=5
03 sit down. stand up
04 paranoid android
05 kid a
06 backdrifts
07 morning bell
08 my iron lung
09 where i end and you begin
10 sail to the moon
11 the gloaming
12 climbimg up the walls
13 creep
14 like spinning plates
15 go to sleep
16 scatterbrain
17 the national anthem
18 there there
19 audience
20 lucky
21 a punch-up at a wedding
22 airbag
23 everything in its right place
24 audience
25 no surprises
26 idioteque
TT 114:18
Lineage: Soundboard > CD > EAC (FLAC plugin)
Thom Yorke (lead vocals, guitar, piano)
Jonny Greenwood (lead guitar, keyboards)
Colin Greenwood (bass guitar, synthesisers)
Ed O'Brien (guitar, backing vocals)
Phil Selway (drums, percussions)
The recording is simply amazing. Crystal clear soundboard (although some sources mention this may be sourced from radio).
Either way it sounds like an official release so if you don't have it, don't wait! This is Radiohead in the middle of their
2003 tour and this show is really moving and inspired. Actually I still have no opionion on the new album, it's too new to
really have a judgement on it. But Radiohead have always been a source of surprises for me. So, looking forward for the new
tour, here is some vintage stuff (kind of...).
Enjoy!
ldb
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William (1/0) |
FLAC / 2 |
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Stephen (1/0) |
FLAC / 2 |
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blackcrowes92 (1/0) |
FLAC / 2 |
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Notes: |
Source: Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k).
Location: SEC 100; ROW AA.
Transfer: iRiver iHP120 > Sony Sound Forge 9.0 (Waves L2 & fades) > CDWave > FLAC16. |
mocart (0/0) |
flac / 2 |
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at853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k) |
Notes: |
2 audio |
galin (0/0) |
FLAC / 0 |
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View |
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Notes: |
2CD. |
Blake (0/0) |
Flac / 31 |
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