Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Eric Clapton 05/??/88
Peace In Our Time soundtrack (Townhouse Studios), London, England
Set I
15 instrumentals
Set II
 
Set III
 
Comment
Eric Clapton:

"I just did some film music for a TV documentary about the beginning of the Second World War, because it's the fiftieth year of the Munich Agreement with Hitler and Chamberlain, and a Czechoslovakian company asked me to do the music and I was a bit lost when I first thought about it...And when I saw the footage , which is archive black and white material, I just wrote a very simple kind of blues progression and got some string players in and set it to a kind of philharmonic setting and it still works, which is an example of the fact that I always think from a blues point of view and try to frame it in different ways to make it palatable."
Last Changed By BluesFan
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
chris payment (5/3.4) CDR / 1 View  
Notes: Soundboard sessions
Carter (1/5) CDR / 2 View  
Stuart Ferguson (1/4.3) CDR / 1 View   Soundboard
Notes: lineage: Soundboard recording. SBD>?>CDR>EAC>AUDACITY>FLAC LEVEL 6
Stuart Ferguson (1/4.3) CDR / 1 View   Soundboard
Notes: DVD 2578; lineage: "Unreleased Rare Trax" CDR > EAC > wave > TLH > flac 6
BluesFan (1/5) FLAC / 0 View   SBD
fleaibe (1/5) FLAC / 1 A+ View   SBD>?>CDR>EAC>AUDACITY>FLAC LEVEL 6 Tweaked with EAC & Audacity by ml13
Notes: SBD>?>CDR>EAC>AUDACITY>FLAC LEVEL 6 Tweaked with EAC & Audacity by ml13.. May 7 Through 21, 1988. 15 Instrumentals on 1 disc. Eric Clapton: "I just did some film music for a tv documentary about the beginning of the Second World War, because it's the fiftieth year of the Munich Agreement with Hitler and Chamberlain, and a Czechoslavakian company asked me to do the music and I was a bit lost when I first thought about it...And when I saw the footage , which is archive black and white material, I just wrote a very simple kind of blues progression and got some string players in and set it to a kind of philharmonic setting and it still works, which is an example of the fact that I always think from a blues point of view and try to frame it in different ways to make it palatable."