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The Beatles 08/15/65
Shea Stadium, New York, NY
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Set I
Twist And Shout
She's A Woman
I Feel Fine
Dizzy Miss Lizzy
Ticket To Ride
Everybody's Trying To Be My Baby
Can't Buy Me Love
Baby's In Black
Act Naturally
A Hard Days Night
Help!
I'm Down
Set II
 
Set III
 
Comment
John Lennon - Guitar
George Harrison - Guitar
Paul McCartney - Bass
Ringo Starr - Drums
Last Changed By J
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
tsf (5/4.7) DVD / 0 View  
hazel1183 (5/5) cd-r / 1 View  
David LeMond (5/5) DVDR / 1 A- View   pro
Rob Garretson (5/5) flac / 1 B View  
ehazel1965 (5/0) cdr / 1 View  
slsnow1183 (5/0) cdr / 1 View  
Insider (5/0) FLAC / 0 A View   The Beatles - Live: Bowled Over
Knakkie (5/0) DVD / 1 View  
Metal Trader (5/5) DVD / 1 10 10 View   PRO [54:21]
Notes:
ClassicRockDVD (5/0) DVD / 1 A A View   PRO SHOT - PC MENUS
Notes: Cool old show. Havent watched it all tho.
chris payment (5/3.4) CDR / 1 View  
Notes: #298
sean hite (5/0) / 0 View  
Notes: also includes 5 January 1966 CTS Studios, London Overdub and re-recording session for “The Beatles At Shea Stadium” (TV?>?>FLAC) 15. Dizzy Miss Lizzy (Bass overdub) 16. Can’t Buy Me Love (Bass Overdub) 17. Baby’s In Black (Bass Overdub) 18. I’m Down (Bass & organ overdub) 19. I Feel Fine (Complete re-recording) 20. Help! (Complete re-recording) 21. Ticket To Ride (Possible overdubs)
sean hite (5/0) / 0 View  
Notes: Live 08 - Sheaken, Not Stirred Purple Chick
Rick Martin (5/5) CDR / 1 A View   Bootleg CD>CDR('The Beatles Shea/Candlestick Park')
Notes: Complete (Beatles at Candlestick Park 8-29-65 on the other 1/2)
Slick2007 (5/5) FLAC / 2 B+ View  
infected_by_sound (5/5) DVD / 1 View  
Notes: TV
Mary Bloom (5/4.9) dvd / 1 View  
Notes: Includes 6/20/65 on same disc.
PeaceTrader (5/0) VCD / 1 View  
Phil Shrout (5/4.1) DVD / 1 A A View  
Damian (5/5) CD / 1 View  
Notes: 15 August 1965 Shea Stadium, Flushing, Queens, New York (SBD>?>FLAC) 01. Interview by Brian Mathew 02. Intro 03. Twist And Shout 04. She’s A Woman 05. I Feel Fine 06. Dizzy Miss Lizzy 07. Ticket To Ride 08. Everybody’s Trying To Be My Baby 09. Can’t Buy Me Love 10. Baby’s In Black 11. Act Naturally 12. A Hard Day’s Night 13. Help! 14. I’m Down 5 January 1966 CTS Studios, London Overdub and re-recording session for “The Beatles At Shea Stadium” (TV?>?>FLAC) 15. Dizzy Miss Lizzy (Bass overdub) 16. Can’t Buy Me Love (Bass Overdub) 17. Baby’s In Black (Bass Overdub) 18. I’m Down (Bass & organ overdub) 19. I Feel Fine (Complete re-recording) 20. Help! (Complete re-recording) 21. Ticket To Ride (Possible overdubs) John Lennon: Vocals/Guitar/Organ Paul McCartney: Vocals/Bass George Harrison: Guitar/Vocals Ringo Starr: Drums/Vocals This is the complete, unadulterated Shea Stadium soundboard recording. The following excerpted from "The Beatles Source" web site and describs the tape from which this is taken: This is the "warts and all" version of the most famous rock concert in history...no remixing, no re-recording, and no overdubs. Except, of course, for The Beatles themselves and their inner circle, this writer was assured that he would be only the second person in the world to ever hear this historic recording that has been stored away since 1965. In a word...or, maybe a phrase...this is one for the time capsule! It is not generally known how much "doctoring" was done to prepare "The Beatles At Shea Stadium" for television. Until the publication of Mark Lewisohn's "The Complete Beatles Chronicles", in 1992, even the most ardent Beatles experts, were under the impression that, other than the fact that several songs were cut from the television special due to time constraints, the only such "doctoring" was the substitution of the recorded single version of "Act Naturally" for Ringo's live vocal. Lewisohn's chronicle of the Beatles activities on January 5, 1966, however, reveals in detail the extent of remixing, re-recording, and ovrdubbing. For it was on this day that the group entered CTS Studios in Kensington Gardens Square, London, to do just that. CTS (CIne Tele Sound) was the UK's state of the art audio-to-film dubbing studio at the time. Since the advent of sound motion pictures, such dubbing has been an integral part of movie-making. The practice has been common in live music film just as long. What artist doesn't want to release the best possible performance? The reasons The Beatles, Brian Epstein, and producer George Martin, elected to facilitate a makeover, of sorts, on many of the Shea Stadium tracks, was two-fold. First, even though state of the art technology, by 1965 standards, was utilized for the flm and audio recording of the event, a myriad of complications with the audio feed arose (eg. drop-outs, missing bass tracks, microphone malfunctions, equalization problems...etc. The filming of the Shea Stadium concert for television was the first event of any kind (live or in the studio) to utilize eight cameras. Boy, would we love to get a look at that from eight camera angles and zooms! The bottom line: technical difficulties necessitated re-recording and overdubbing on certain tracks. Second, the conditions at Shea Stadium were electrifying from the audiences standpoint. After all, it was the largest audience in history to ever attend a concert, and the high-decibal screaming was to be expected. From the Beatles standpoint, between the sheer immensity of it all with 55,600 in the seats, they had a hard time hearing themselves. Under such conditions, the performance itself is bound to suffer somewhat. But there is no need to make excuses because from this listeners standpoint, this Beatles "warts and all" performance was just fine. Sure, there were some strained vocals, a few mangled lyrics, and the like, but overall, nothing avid listeners to the abundance of Beatles concerts haven't become accustomed to from other '65 shows. It's too bad that some of the banter was cut, and Ringo's lyric could have made the cut as well. Lewisohn relates that the re-recording and overdubbing that took place at CTS Studios that day was taken very seriously, as the group wanted to adhere to the live-concert sound and be careful in matching the singing and playing to the on-screen images...a tough task. The most striking aspect of listening to the Beatles performance particularly, was the fact that the screaming, while constant throughout, on this line feed is relegated to the background on this mix. Lewisohn confirms that screaming from the unreleased Hollywood Bowl performance of August 30, 1965 was extensively incorporated into the Shea Stadium film. Interesting, eh?We urge you to read Lewisohn's full account in 'The Beatles Chronicles.' For more information and details, please go to: http://www.beatlesource.com/bs/to-shea1.html
NonPartisan2 (5/3) CD / 1 A A- View   SB
Michael Leslie (5/5) DVD / 1 View   VHS(M) > DVD
Notes: Taken from ABC's master broadcast vhs tape.
Michael Leslie (5/5) HDTV / 1 View   Palladia > Hdd > Rip > 720p
Notes: The most complete HD version so far. I need to check it, but I think it has 6 songs. This version is from Palladia and everything from that station is 1080i in MPEG2. I'd love to get a copy of the original.
Hopper's DVD List (5/5) DVD / 1 View  
Darryl Hinko (5/5) DVD / 1 View  
Notes: Video: Pro Shot
Audio: SBD
sonny gable (5/5) / 1 View  
Notes: DVD
John Schwarz (5/5) / 1 A- View  
Jason (5/4.8) CDR / 2 A A View   SBD
Notes: Yellow Dog Masters Choice Version, includes openers, line recording, and original BBC soundtrack
Jason (5/4.8) CDR / 1 A+ A- View   SBD > ? > CDR
Brian (5/4) CD-R / 1 A+ View   SBD