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Set I
Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'
Set II
Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
Hamilton, Greg & Diana
Sources
(114) View Source
View Archive
via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source
View Archive
retracked version of previous shn set, by Bob Clevenger
(6190) View Source
View Archive
seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source
View Archive
flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source
View Archive
flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
(114) View Source
View Archive via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source
View Archive retracked version of previous shn set, by Bob Clevenger
(6190) View Source
View Archive seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source
View Archive flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source
View Archive flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
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Collectors With This Show
1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 781 - 810 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| BudChief (5/5) | cdr / 3 | View | 114 | |||
| MyLibbyDog (5/4.8) | CDR / 2 | A | A | View | ||
| Notes: | Another perfect beautfull multi-track soundboard, easily as good as a live album can be. Features Ron McKernan with an early 70's set list of "Bertha", "Me and My Uncle", and "Turn on Your Love Light". If you are looking for a really good Dead concert, pick this one or its companion from the same gig 2-20-71. | |||||
| Larry (5/4.3) | / 0 | View | ||||
| Rob Garretson (5/5) | shn / 2 | A | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Notes: | dvd 7 | |||||
| slowhand_6 (5/5) | CDR / 3 | A+ | A+ | View | ||
| Gregg Beebe (5/4.9) | CDR / 2 | View | Not Identified | |||
| Notes: | C.L. | |||||
| David Bennett (5/5) | cd / 3 | A | A | View | ||
| michael kass (5/5) | cdr / 2 | View | ||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 87570 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | SHN / 2 | View | 114 | DAT tape, a clone from the | ||
| Notes: | See my other shows for info on trading for this show. | |||||
| Kelendris (5/0) | / 0 | View | 140834 | |||
| Brian Donohue (5/5) | / 0 | View | 6190 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Brian Donohue (5/5) | / 0 | View | 140834 | Betty's 7" two track Master Soundboard Reels > PCM | ||
| sean hite (5/0) | FLAC / 0 | View | 87570 | |||
| Notes: | (87570) Grateful Dead: flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. | |||||
| sean hite (5/0) | SHN / 0 | View | 114 | |||
| Notes: | (114) Grateful Dead: via Leigh Orf; WBOTB source > distortion removed digitally (see notes) | |||||
| sean hite (5/0) | SHN / 0 | View | 6189 | |||
| Notes: | 6189 retracked version of previous shn set, by Bob Clevenger | |||||
| sean hite (5/0) | / 0 | View | 6190 | |||
| Notes: | 6190 seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation | |||||
| sean hite (5/0) | / 0 | View | 121065 | |||
| Notes: | (121065)flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| Rick Martin (5/5) | CDR / 3 | A | View | SBD>MR>PCM>DAT>CDR | ||
| Notes: | Complete | |||||
| SpacedDeadhead (5/4.8) | CDR / 3 | View | SBD | |||
| Notes: | E.S.P. show | |||||
| Thomas Lee (5/0) | shn / 2 | View | 114 | |||
| Doug Inman (5/5) | / 3 | View | SBD | |||
| Gary (5/4.3) | CDR / 3 | View | 114 | |||
| Notes: | SBD>MR>DAT>CD [Orf] | |||||
| Gary (5/4.3) | CDR / 3 | View | 87570 | |||
| Notes: | SBD>MR>PCM>DAT [WBOTB 87570] | |||||
| Keith Deshane (5/0) | / 0 | View | 121065 | |||
| Douglas Tunstall (5/5) | / 3 | View | 87570 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 121065 | |||
| Notes: | SBD | |||||
| Marc Dreilinger (5/2.3) | SHN / 2 | View | 114 | WBOTB source > distortion removed digitally | ||
| Notes: | Archive Box 1 Disc 252 | |||||
| aloha mrj (5/0) | / 0 | View | 87570 | |||
| Notes: | hd 5 | |||||
| Steve Sawyer (5/4.6) | SHN / 3 | View | 114 | SBD | ||